rostasi

Watching the Tour of the Gila https://livefromsilver.com/

CD 1 >72:09< 1 Updraft (2009) for ten trombones 9:34 Matthew Russo, trombones 2 Splectar (2023) for electric guitar with Max processing 13:31 Matt Sargent, guitar and Max program design 3 Night Garden (2013-14) for five contrabasses 12:18 Robert Black with Large Furniture: Greg Chudzik, Tristan Kasten-Krause, Ken Rescsanksi, Evan Runyon 4 Infinity Avenue (2015) for laptop and improvising ensemble 36:43 Robert Carl, conductor, laptop, shakuhachi Christopher Beroes-Haigis, cello Henry Birdsey, electric guitar Trevor Saint, glockenspiel Matt Sargent, electric guitar and lap steel Zach Rowden, bass CD 2 >43:36< 1 Symphony No. 7, “Infinity Avenue” (2020) for laptop and chamber orchestra 27:33 Foot in the Door, Edward Cumming, conductor Daniel Minogue and Robert Carl, laptop 2 The Inevitable Wave (B) (2011-12) for percussion octet and fixed media 16:01 Crane Percussion Ensemble, SUNY Potsdam James Petercsak, conductor/director

Discovered this morning:

Books around here are becoming like the massive amount of music - pushing our living boundaries!

I enjoy her work and a spoken word performance is just that. Lonnie Holley too! I remember one of his performances where we'd all walk thru the streets of Knoxville collecting scraps of found objects to play on the way.

Completely agree with this. I've heard nearly all of these people in that festival lineup and have played about 80-85% of them on my show and, really, a good percentage of them do represent an ever-evolving artform that's known as "jazz" ... well, at least in the 21st Century.

I just dropped the pic in the box - highlighted it - pressed the link button - and put the address in. It's too new to be in Discogs and nearly all of the online links went to either sellers or streamers, so I just linked it to the Huelgas site. Lovely new recording BTW.

I just love those early jazz guys! They're so old!!

Architecture forum: "Hey! What's all this brouhaha about some famous jazz guy's master tapes being erased. It's such ugly music. I don't see how erasing this changes anything historically ... and, you know, it's not like you can't find music like this all over the place anyway."

Peter Evans - trumpet, piccolo trumpet Joel Ross - vibraphone, percussion Nick Jozwiak - bass Michael Shekwoaga Ode - drums

It is! It's one thing to drive down the highway seeing bluebonnets by the side of the road, but it's quite another standing in a field of them at a Wildflower center and getting a big snootful of them.

Solid Treat: Mento in Jamaica ca. 1951-57

Wish I could convey the overwhelming scent of bluebonnets. This was in Austin a couple of weeks ago.

I didn't know that. Apparently, there's a scholarship opp available that's in his name.