Sigh. I am sure people will love being at this event, but I guess for me the romanticism of Braxton's supposed exclusion or marginality - as in the articles linked - is just boring and wrong. From what I have heard, his writing for voice is imitative and not so interesting. Whether he can write for theatre I don't know. Maybe someone who knows modern and contemporary opera inside out needs to write about this, but someone who wants to say AB is 'blasting opera forward' is speaking from no base whatsoever, as far as I can make out. I guess if this brings people to opera it's all good.