bertrand

Sorted through all of it now. Two more things: Tolliver Live in Tokyo has 3 tracks on the Mosaic Select that are not on the Mack Avenue Download: Impact, Our Second Father, Earl's World The Live at Loosdrecht I have is called Grand Max on Black Lion. Can't remember if it sounded good enough.

Thanks. So nothing new in the Slugs set. I will download the Music Inc. And Paper Man bonus tracks. I don't have Live in Berlin at all, so will get the CD.

This strategy of releasing the downloads month ahead of the CDs is odd. I will email them with my wish list and see if I can pin them down. I agree with the impatience issue - I have been hoping those Bill Lee titles would come out for YEARS. Even if I get a couple, I would get the CDs later. The two Tollivers I need are Compassion and Live in Berlin. So all the bonus tracks on Live at Slugs were in the Mosaic Select? Music Inc. Has a bonus track that was NOT in the Mosaic, I believe, and Right Now/Paper Man also had an extra track. Interesting unresolved issue: Spanish Dancer in Brass Company is the same tune as the rejected track from Grant Green's much earlier Solid record. It was always presumed to be a Duke Pearson tune but I never found a copyright registration. So it looks like it is a Bill Lee tune, but how did a Bill Lee tune make its way to a Blue Note date? Bill was never in the Blue Note 'family'. Very odd.

I will wait a while to see which come out on CD, my preferred format.

So I noticed that a lot of the titles are on Bandcamp as download only, but I did get the Charlie Rouse on CD. Are some of the titles going to be on CD later, in which case I will wait? How did you get in touch with Mack Avenue? Here are the titles I am interested in: Bill Lee: Descendents of Mike and Phoebe Billy Harper: Capra Black Brass Company: Colors Charles Tolliver: Compassion Harold Vick: Don't Look Back Charles Tolliver: Live in Berlin (not in the Mosaic Select, correct?) Charles Tolliver: Music Inc. (Not in Mosaic either?) Cecil McBee: Mutima Billy Harper: Such Great Friends New York Bass Violin Choir PS: Is the last track on Rouse 9:30 and not 10:30? The ending is kind of abrupt. Actually, digging a bit more, which Tolliver titles were not in either Mosaic Select? It seems Live in Berlin is the only one. Right Now/Paper Man was not a Strata East title. Note that the download has an extra track. Also Compassion was in neither Mosaic Select set either.

Interesting. Is it a regular DVD or Blue Ray? And US format or European format?

Sounds boring, but I find everything I have heard by the Marsalis clan boring.

I wonder if William Parker will hear this recording...

This was probably suggested three pages ago, but is it possible that it said Denis on the tape box and Huss was a last-minute sub? I agree that Zev certainly had no idea who Huss was. Neither did I before you clued us in, but I don't claim to be a Jazz Detective nor do I make a living in this field.

Glad he liked Grant which is how I have a copy of the rejected KD session. I am sure the McLean was AWL before he started copying en masse.

Wait - you are saying that Huss is mentioned the booklet? What page? I missed that. If so, then there goes my theory that Zev said it was Denis because he did not know who Huss was and perhaps assumed incorrectly that the beginning announcement (not included on the CD) was garbled somehow. Denis may well have played with KD a few times, but where and when? Not on this date in any case.

Belden was who I was referring to. I suspect he did not have the Jackie or it would have circulated by now. I remember reading an article about Bob near the end when he was really going through hard times and there was something about a storage unit he got locked out of.

Everybody, leader and sideman, or their estates, has to get paid. Zev has boasted in the past that he makes sure of this. He even thanked everyone in the booklet and dedicated the releases to those who were deceased. Everyone has to OK the release as well. He is less rigorous about that now. Neither Charles brother gets a dedication here. Good point about big bands. Uptown did not get approval for the Duke Pearson big band Left Bank date from most of the band members or estates. Jerry Dodgion did help out, but Lew Tabackin was complaining on Facebook about it. In fact, he did not know it was being recorded. The Left Bank guys told me they always got permission from the leaders but I am skeptical. In fact, Uptown needed clearance from Blue Note since Duke was signed to them. I am sorry I hooked them up, other Left Bank tapes (more Pearson, Grant Green) are now AWL.

It is possibly out there but much harder to find since the person who was the source for many of the Blue Note dates that got leaked does not seem to have made a copy of this one before it got lost.

You are suggesting the interview might not be an accurate transcription of what Drayton actually said? Would this have been out of sloppiness or a disingenuous attempt to further muddy the waters and advance the faulty Denis Charles narrative? I can totally see the latter, except I do not see the actual point of it. Claiming it is Denis rather than Huss will not move an extra 500 copies. Could it be that the error was discovered after the Denis estate had already been paid? Do estates get one flat fee in this situation and then it is over?

I totally believe it is Huss on this recording. I am just wondering if it is true that KD and Denis ever played together on other occasions. It just seems very odd that Drayton would make a point of connecting KD to Denis.

The interview with Drayton seems to suggest that KD and Denis Charles were tight at the time, which I assume means they played together on occasion. Do we know of one instance where they played together?

Correct! I saw him at the NEA Jazz Masters concert. Who was the pianist before him in the Arkestra?

Yes, that has been the story for years.

I had never heard about Michael giving the tapes back to Wayne. When I was working on the list of compositions for Michelle Mercer's book, I asked about the composers for the 5 compositions on that record. Wayne said he did not remember the session at all, which is of course inconsistent with the previous story that Wayne hated the session and blamed its failure on Duke Pearson. But there is a third story: a guy I knew got a copy of the date and told Wayne. Wayne said: 'is that the one where Miroslav does all that bowing?' This does not seem like 'not remembering' to me. Can't blame that on Pearson. No producer would go up to a sideman in mid-session and tell him he was bowing too much. That would have to have been a conversation between Wayne and Miroslav. Anyway, I gave composer credit to everyone in the band as if everything had purely been improvised in the studio. Highly unlikely, but no alternative was offered. Cryptically, Duke Pearson's session notes say 'Universe' at the top. In any case, I have never heard of Wayne asking for the tape back. It is true of Horace and it may be several dates. I asked Michael when I last saw him in 2014 about the McLean date. He did say the tape was lost.

The Melissa Aldana records are great as well. And my friend, trumpeter Brandon Woody just got signed.

So E1, E2 and F2 are three new tracks with Tina, and A1, B1, B2 and C1 are the ones that were previously releases? IIRC, Tina barely plays on Lover Man.

I'm still a bit confused. There are 6 new tracks. Which ones have Tina Brooks and which ones don't?

I am a huge fan of the two Lee Vee-Jay dates. They are a little different than the Blue Notes from that era, not sure how to describe why.

Good point. The Sonny Stitt booklet that did not mention the second sax was a farce. Wasted paper. For the record, I LOVE Sonny Red.