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Barney Wilen did a Monk programme on his Tilt album (11 January 1957)

http://www.rense.com/general67/street.htm

My files list them for May 17, saying: "Date is usually given as July 26, but May 17 is correct, as reportet in Downbeat Magazine of June 29, 1955". The July 27 date is absent from my listings. Source is Lord/Sheridan.

1957, George Shearing & Dakota Staton - In the Night (Capitol), ctd the 30th and 31st 1964, Benny Carter - Tickle Toe (Vee Jay), ctd the next day 1970, Albert Ayler - Nuits de la Fondation Maeght (Shandar)

If I am not mistaking, there were two 2CD sets titled Three Originals Vol 1 and 2, each with 3 MPS albums on them. Don't have these myself either though. EDIT: AMG tells me: - Three Originals #1 : Wide Point/Trilogue/Albert Live in Montreux (MPS) - Three Originals #2 : Never Let It End/Jazz Tune I Hope/Triple Entente (MPS)

I'll second that, hope all is reasonably well. Stick around!

http://www.hazza316.co.uk/roger.html

1960, Ornette Coleman Quartet records for Atlantic (This is Our Music, The Art of the Improvisers, To Whom Keeps a Record, ... )

Interesting. I'm curious to know, Adam, if that is the standard German understanding of Mangelsdorff and others, or if that is the idiosyncratic interpretation of Wolfram Knauer, the writer of this piece? If Tristano and Konitz are that influential on German jazz, then I'd be curious to hear a lot more of it (not that I'm not already curious about German and European jazz in general). ← I'd agree with the assessment. The Tristano school and "cool jazz" in general were the model for much early small group jazz in post war Europe. People like Mangelsdorff, Jutta Hipp, Roland Kovac, Hans Koller, Attila Zoller would fit in the picture. This was certainly not restricted to Germany, but more of a central European thing, I'd say.

this volume read like some sort of in between book. Lots of stuff happening that just needed to be told without an actual story arc evolving. Too much going on and too little to make a coherent story. Realy good in the face of the overall tale but not so when singled out. This one left a bit of a rambled off impression. All the stuff that needed to be in place for the final work has been put in place. At least I hope that's the case. Many lost opportunities in this book, it could have been better with some additional sidelines that threaten to become mainlines. The previous books kept the reader on their toes with such stuff, resolving one story line after the other.

and it's the stuff that sticks, I'm still going "paa-dee-a-pa-pah!" here.- ← Are you getting that half-step on the last note of the last phrase? That's what makes it! ← what really makes it is that they do their part and drop out. No blabbering about, just those few punchy lines and bang done with.

so, will you let us in on your planned subtitle anyhow?

hey, it was a QUEST. I take those seriously. ← I'm walking right over to my speakers with a match, now. ← now THAT's dedication! If I go looking for a grail or something, you are invited to come along.

and it's the stuff that sticks, I'm still going "paa-dee-a-pa-pah!" here.-

hey, it was a QUEST. I take those seriously.

right, the curtains are waving in the wind, the lamps are shiny and stick to the ceiling, so here goes: een: Cannibal doing Carnival. Even with a Foekepot (pig belly skin with a stick going up and down through it). Not much deep red meat to carve, but plenty Happy People fer sure, plenty loose and plenty nice, plenty fun too. Wouldn't have guessed Cannibal, deep noise he makes; Cannibal on tenor? this must be 70s when everything went and people knew no shame. heheheh. twee: martial starts, scary business, combined with sport crowd noises? that's really scary! The strings set in pretty dramatically. good stuff. Recently had a little dose of some of those wack british guys surrounding Johnny Scott producing similar stuff in the mid 60s, though less free blowing. The piano spots actually sound somewhat like that Kuhn album recently reissued as Verve LPR. The free blowing tenors jerk it all over in yet another direction. Fascinating stuff, real curious about this. drie: ouch. this is nice in and of itself, but I would turn the dial when this'd come on, even if it's not really all that bad. cheesy detective tellyvision only movies come to mind. shudder. vier: POOT! at 1:02 WTF?! Sounds more like a snore from the singer somehow. Did she fall asleep? Nah, this is good stuff. After initial doubts I quite like her. The sax is marvellous. She snores again at 3:32. Funny breathing technique man! vijf: The bass and drums stumble a bit over each other, I blame the bass and its shitty sound, but the trumpet is on overdrive. Freddie Hubbard fer sure. Steamrollah! Good stuffe one more again! zes: pling plong. Stardate 1215645, two pianos floating through space playing with sound and stereo. This builds up very nicely over the longer haul. There's a Weston phrase somewhere on the left channel, but too little to stick to. No idea- zeven: aw, I have heard this before I am pretty sure. This is the good stuff, play back to back with track three for a good lesson in no go and yes so. acht: steew dwums! simply fantastic! these sound the crappy kind with soup cans used for mending where holes had been banged in by too much hip swaying enthusiasm. Didn't Jim drop the steel drum in one of the recent drummer threads? Need to check back, was it the Hemmingway thread? (yup, it was..) And trombone too! Ray Anderson is my guess, tone and phrases and whack enough for this kind of stuffe. Too silly for a good ole google now, bit this should be easy to find. negen: Wetterbericht fer sure? Funky, yes; Good playing, yes; Yucky dated overall sound, yes. Machine doing the clapping, no!? yes!!! (aargh!) All in all, I can take this pretty well, if only for the great groove, but it's certainly NOT timeless. Shee-itte man, I see sweat bands and black light lasers and neon and well, lots of crap. the voices coming in at 4:06 and disappearing again until they return for a short cameo 4 minutes later, that's real classy stuff. tien: ooh! fast! and very very busy. once the horns cool down I really appreciate what the madmen in the back are doing. Okay, got it now. Harrrrrrrrrrrr!!!! elf: rewaaaaaaxxx! and mucho mucho cwazeee! it's all out there, you only need to take off and slice. and that's it! (edited for sepling)

oy, sad news indeed.

I'd say it's a Moon Moth

no worries! disk two has been spun and some booty has been shaken! No promises, but I'll seek a slot soon! ← drats and no slot this weekend as I had to install several lamps and even curtain rails to our crappy real old and not straight walls and ceilings... stuff looks much more homely here now, that's fer sure. Do I get points for that?

I believe there is an alternate take of Tip Toeing on the US edition.

As pointed out before, do not forget Roy Haynes's Out of the Afternoon on Impulse! A damn fine album and a great introduction to Kirk the blowing sensation.

The Canadian anthem lacks the music-to-hunt-rabbits-by qualities of the US anthem. That may be a good thing or a bad thing.

1963, Buddy Emmons - Steel Guitar Jazz (Mercury) 1969, Rahsaan Roland Kirk records for Atlantic (Volunteered Slavery) 1970, AEoC - Les Stances A Sophie (Pathé Marconi / nessa)

Easter Europe: