couw

check the other countries too! some nice vintage design on that site.

follow where it came from and find some for mikeweil http://www.vinylrevival.com/likewow/vol3/papetti.html

Clunky asked and got the answer: http://www.organissimo.org/forum/index.php...ndpost&p=327743

1966, Giorgio Azzolini Trio records for Rearward

Bing Crosby w/ Peggy Lee, Jack Benny, Gary Cooper (Black Lion) Radio broadcast rec. March & October 1947

no defect here, and I tried real hard to find it. it seems they hit a bad batch with the later send-outs.

1941, Teddy Wilson Trio records for Columbia 1951, Art Tatum records solo for Pablo 1957, Gustav Brom records for Supraphon

1028 ft! seems they want you to access this one through here: http://morefun.sdinet.de/index_cgi_mode=al...lash_games.html direct links give you the error message main page: http://morefun.sdinet.de/

that's an error message, try the bigredbutton through the directory listing here: http://fun.drno.de/flash/ rocky is back is pretty funny as well.

1941, Count Basie Orchestra records for Columbia w/ special guest Coleman Hawkins on 9:20 Special

http://fun.drno.de/flash/BigRedButton.swf

April 8/9: 1959, Blossom Dearie Sings Comden and Green (Verve) April 9: 1956, Candido Camero - Candido (ABC/Verve) feat. Al Cohn 1957, Yusef Lateef - Jazz Moods (Savoy) April 9/10: 1963, Pee Wee Russell - Ask Me Now (Impulse!) 1999, Chucho Valdes - Live at the Village Vanguard (Blue Note)

the Contemporary album "Gettin' Together" was my introduction to Pepper. It served me well. The Vanguard Box has Pepper breathing Coltrane. Art was fascinated by the things happening in the world of jazz as reinvented by Coltrane a decade earlier. For better or for worse, Pepper went there himself and went berserk on the side. The Vanguard box is a testimony to that. Maybe you should first try a single disk (I'd recommend the Friday Night) and see if you want 9 crammed to crease CDs worth of that. He mellowed out after all this as your Hollywood box shows. The Hollywood box somehow often fails to grab me, although I think the music is fantastic. There is a distance between the instruments that makes it all sound a bit clinical. I need to give it all a spin again.

Got this one some ten years ago or so, when I stumbled on a nicely priced TOCJ. First time listening was done whily lying down to sleep on a living room floor after a friendly evening. Me and a pal put on this disk and listened while lying there in utter darkness, we were both wide awake all the while. Melonae then as now struck as one big breath. Jackie's intensity is like an injection of pure caffeine and gives you no rest. Only when Davis takes over the time for breathing out all the cropped up air has come. Fantastic how the tension shifts from frantically outward to restrained and almost pretty. Fits like ying and yang. Higgins mutates like the millipede he is underneath. The Powell ballad mixes these approaches more in real time, with Davis playing almost too beautifully and Jackie wailing over it like a big fat dragonfly, fiercely attacking the air on a lazy summer day. Fantastic album, glad I took it out again.

you shouldn't drink so much

nice, your graciousness

This is a real silly post. Please go to rmb and ignore this thread here at "O" instead of stinking it up.

I never read rmb, how did they rate the albums on the grunt-scale?

more on this here: http://www.organissimo.org/forum/index.php?showtopic=16542 no answers to your questions of why though.

I hope you won't sue me for quoting your post

that FAQ doesn't even say where Keith got the hamster

and those were all from the late 1950s as well, right? http://www.bsnpubs.com/latin/seecorelated.html

using this site's listing: http://paisleyhaze.com/dawn.htm and checking on number 228 by the Sophomores, google tells me it was recorded in April 1957. Number 237 gets an "early 1958" date. If the catalogue number means anything, the Bennet (#234) would have been recorded by the end of the 1950s.

such a big ass orange pilon through the roof is indeed a spooky thing