couw

March 29 1949, Erroll Garner records for Savoy 1955, Kenny Dorham - Afro-Cuban (Blue Note), four tunes 1957, Harry Edison records two tunes for the Verve album Gee Baby Ain't I Good to You 1959, Art Blakey and Paul Chambers in duet on "I've got my love to keep me warm" and "What is this thing called love." Released on Drums around the Corner (Blue Note) 1959, Sonny Clark - My Conception (Blue Note), featuring Art Blakey and Paul Chambers 1961, Günter Hörig Trio records for Amiga (Gruß an Kurylewicz, Give me the simple life) 1963, Thelonious Monk Quarter records Crepuscule and Pannonica for the Columbia album Criss Cross 1963, Chris Barber records in Prague (Supraphon) 1966, Giorgio Azzolini - What's Happening (Rearward) 1968, Horase Silver records 3 tunes for the Blue Note album Serenade to a Soul Sister

1961, Günter Hörig Trio records Guten Tag Tele-Warsawa (Amiga) 2000, Pino Minafra - Canto Libero (Victo)

March 26: 1952, Don Byas records four tunes for Blue Star 1956, Jacques Diéval records 4 tunes for Polydor 1977, Art Pepper - No Limit (Contemporary) March 26/27: 1979, Bill Watrous & His West Coast Friends - Funk 'n Fun (Galaxy) March 27: 1956, Lucky Thompson records three tunes in Paris (EMI AmSwiParis series) 1961, Ornette Coleman - Ornette on Tenor (Atlantic) 1964, George Braith - Extension (Blue Note) March 27/28: 1988, Ray Anderson - Blues Bred in the the Bone (Gramavision)

I was merely pointing out whatever Tristano may have said about whomever should not be a reason to refrain from buying his music.

That had better be the most sarcastic statement I have seen in a long time! or else?

I just read a post that doesn't make sense.

Let's hope it's not just 500 posts of " " okay, you win

Let's hope it's not just 500 posts of " "

bigger ones available at request

this must have been the dozenth time this was posted. we all had a ball a year or two ago. it's still good. the only thing new is the swf part. got to Chaney's link, you can easily download it to your harddisk there.

i think, haven't played it in oh... two years or so.

1952, Sonny Stitt records four tunes for Prestige 1957, Bud Shank & Bob Cooper perform in Baden-Baden 1963, Solomon Ilori - African Highlife (Blue Note) 2000, Fred Anderson - On the Run (Delmark)

This is a lie and we both know it. You are a perfect example of why people choose to be anonymous. You have hounded me for years to identify myself and you have tried to out me when you thought you knew my real name. People are free to call themselves whatever they choose but I think it is particularly dangerous for women to identify themselves online. I don't mind people using psuedonyms. What I find annoying is people who engage in an obvious alter ego online. I'm surrounded with enough phonies and poseurs in my "offline" life. Yes, I do know your name and, a few years back, I used it on another BBS when you became particularly offensive and reported a fellow poster to his ISP and, I believe, the FBI. It was right after 9/11 and he had sent you (and many of us) a patriotic poem, inspired by that tragedy. Perhaps I shouldn't have dropped your mask (anyway, you say that I didn't), but your cyber behavior became so outrageous that I thought dropping yourt mask might stop you--obviously, it didn't. I have never called you "Whiny Day," as I have seen on JC, but I have to be honest and say that it fits you well. I have never hounded you, much less "for years," but you are a paranoid sort. In fact, I once sent you a PM suggesting that we not make our differences personal. That olive branch was received with a frosty remark, and you obviously took it and chewed it up. If you (or anyone else) went back and took a good look at your various outbursts, I think it would be plain as day that you periodically fly off the handle (so to speak) and have a hissy fit that only you seem to understand. I remember well what caused your first barrage of epithets aimed in my direction, it was when someone had started a thread asking for lines overheard from an exiting concert audience. Explaining this this was not something I personally had overheard, but that I thought it might be interesting, I related a story told me by Lil Armstrong. When King Oliver's Creole Jazz Band (of which she was a member) played a California concert, in 1921, the wife of one of the musicians overheard a black member of the exiting audience say to his wife or girlfriend, "Calling themselves Creole, they ain't nothing but niggers!" Well, my dear, you hit the ceiling and called me a racist and whatever else you could think of. And when our fellow posters thought you were over-reacting, your eruptions escalated. Was I a racist for telling Lil's story? Was Lil a racist for telling it to me? Was the audience member a racist for making the remark? Sorry about the above, but I really think you asked for it. And my apologies to you, Jim, the board has enough of this sort of thing without me contributing to it--but sometimes, you know, some people..... thank you both...

this is too stupid. just listen to the music and forget about all the shit the artists said and some on this board seem all too eager to repeat. buy more records.

Poor superheroes.

looks like a mad pumpkin hid under the hood.

what do you mean if?? That isn't you in that avatar? drats, and I was just about to make fun of your lack of nose.

from the linernotes by Ross Russell and Tony Williams:

the russians cracked it all again. right click and download the above link for off line viewing pleasure.

it looks square to me, are your monitor settings okay?

Where did you get that? Or did you just whip that up in Photoshop? not me