The rapping on Origami Harvest was absurd, I agree. He tends to go at extremes in his work and almost intentional absurdity to test the limits. I think he gets that bandwidth because mainstream jazz media is always functioning on biases, and as a freelance writer doing my own thing I see that. I mean, we all have bias' but just like Grammy awards, if you look to those things as a means of validation for what you are doing, that's the wrong track... however, rightly or wrongly it builds connections. There's a tremendous Bay area bassist named Chris Trinidad whom I think has fresher ideas than say the direction Derrick Hodge is going with his projects (even though I reviewed Color of Noize favorably, it is something I listen to when the mood strikes) but it just is what it is
Checking out Santos Silva's Quarantine Concert on Youtube now... she has a gorgeous tone. Thanks for the heads up. Again, this is not something I'd listen to all the time, but when the mood hits, this stuff is perfect. Like mjazzg said all this stuff can co exist.