I just got back from the show in Ann Arbor, at the very intimate Kerrytown Concert House (and I do mean house)...
The concert was very, very good. It was very sophisticated and satisfying on so many levels. Actually, I'm a little taken aback by what I just witnessed! Every piece was like a story - there was a very strong narrative element to the performances - and the transitions between the different parts of the narrative really knocked me out. Like you said, the way they "snap back into form" was often brilliant; if indeed they ever departed from the form (hard for me to say without seeing several concerts for comparison). There was a great amount of contrast to the music, like sweetly touching melodies and harmonies (not unlike those found in Metheny's music), then driving rock beats, then primal screams. And it was all exquisitely paced (and placed) to create maximum effect. But for all that contrast, everything seemed to flow so well and be all of a piece, like how it's the same ocean no matter if the weather is stormy or calm. Plus, just some damn good playing from everyone. LOVE Cuong's tone, rhythm, and phrasing, while Ted's sense of time and his overall approach to creating effects on the kit were eye opening!
I bought the new CD from him tonight; based on the samples I listened to previously I'm sure it will be good. But that concert!