And really, the whole post, say, 1965 or so big band thing bears mentioning, because it was sort of a mini-revival of the whole thing, and simultaneously spurred on and was spurred on by the just-beginning-to-get-its-legs jazz education movement, which in turn has a a profound effect on so much (too much, if you ask me) of the jazz of the last 25 years (and every bit as much on the general public's perception of jazz as an esoteric, dry, "musician's" music instead of a populist art of immediate and general significance as the avant-garde supposedly has had). There is a connection.
But maybe you can assign a paper on that to the smartass in your class who keeps asking questions that they already know the answer to just to see if you know them.