JSngry

Enough? Always and never. Of all good things that is the case.

Charlie likes it too!

How does it feel, Bob?

Heard it yesterday. It's a darn good'un.

Are you on drugs? WHOOPS!!! Wrong thread!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Columbia released 2.5 live albums - TEARS OF JOY, AT FILMORE, and AUTUMN (the .5). The odds of there being more material from those dates is not too bad, I'd think. Also, AUTUMN has only seen European(?) CD issue, and the other two have never made it to cd at all as far as I know. Just a live set would be nice, since the other Columbias not yet on cd (GOES UNDERGROUND & CONNECTION) might be too "over the top" for the Mosaic "concept", even though they both contain some really interesting moments ("Bulgarian bulge", anybody?). The problem with a live-only set is that it leaves out ESSENCE, the PJ 4tet date w/Paul Bley & Gary Peacock, an item that I've never heard, but have long been curious about. With those people on board, I'm surprised that it's not seen at least one cd issue yet!

Nope - I'm talking COVERS. Same as the Onyx silver covers, except they were red. I'm wondering if this guy had some sides that never made it out into general circulation before Onyx folded? Like I said, I've never seen or heard of them anywhere else. But Bill Hardman was definitely the leader on one of the dates, of this I am certain.

Either that list is not complete, or else there was another Schlitten label between Onyx and Xanadu. I'm telling you, these sides that this cat had were totally obscure - I had never seen reviews of them nor read as much as a tiny press blurb about their release. But they were definitely Schlitten-produced, and they definitely all had red covers.

In college (mid-1970s), I remember seeing a Bill Hardman side on a Don Schlitten label that doesn't show up through "the usual" online resources. I'm certain that it was on a Don Schlitten label, and I'm certain that it had a red cover. Did Onyx have two lines for a while? Silver for the historic issues and red for the new sessions? If it wasn't Onyx, then what Schlitten label was this, and why is it so difficult to find info on it? The link from Mike Fitgerald's site shows the Onyx silver catalog, but that is all. I'm not crazy - I defintiely remember that it was a Hardman side, that it was a Schlitten label, and that the cover was red. Seems like the same guy who had it had another couple of sides on the same label, but I can't remember by who. Frank Rehak, maybe was one (this guy was a trombone player and a hardcore collector of same), but I'm not making book on that one. I know that Onyx was a relatively short-lived label with not the greatest distribution, and that the silver (historical) issues got all the profile (and for good reason), but I KNOW that Schlitten had a label with red covers and his trademark "look". But what was it, and what were the issues? HELP!!!!

Columbia

YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!! YEAH!!!! THAT!!!!

Wud!

I have five seconds left to liv

Good to see you here, Frank. Lyles says "hi". You keep in touch w/Dixon any these days?

Ah...Billy Harper on "Sidewinder"... Because of such things are shattered expectations celebrated.

B, your "Bombardment" WAS our "Dodgeball"!

Haven't heard the session in question, but it wouldn't surprise me to find out that this was intentional. Lateef's is one of the driest, if not the driest, and eccentric senses of humor in the history of jazz.

Must be the exclamation points! What sayest thou, Mr. Killowatt? There was a watt-er lot of voltage in your post JSngry. He must be too shocked to reply. When a Texan starts talkin' like Shakespeare, I'm shocked all right! Get thee to a winery!

Had it on preorder, but cancelled when the original link turned out to be a horrible mistake - the picture was of SOUL ON TOP, but the actual album was some Miles thing that looked really nebulous. but it's back, and only 14 cents more than the first link (which now is still misphoted, but the price for the Miles side is absurdly high!). Here's the good link: http://www.cduniverse.com/productinfo.asp?...&cart=193704964 I suspect that the sound quality will be pretty good - the original album was well recorded.

And add Yusef Lateef to the list - his YAL sides cover an incredible range of "styles", and some of them are not really like anything anybody else is (or has been) doing.

Off the top of my head, I'd have to say Henry Threadgill, whose compostional scope continues to broaden and amaze, and Steve Coleman, whose has kept the faith with the M-Base concept and has nurtured it into a very organic and loose feeling something or another that is really a world unto itself right now. This stiffness and the "theoretical" complexities of the early work are gone now, and the guy's stuff is pretty damn scary. I like that. And yeah - Wayne. And Ornette, still. Another visionary masterpiece like TONE DIALING is surely on the way (he says hopefully).

Oooh, haven't heard that one. Sounds like I should!

I think that the theme to "Mannix" is one of the hippest TV themes ever written, and would have possibly been a "jazz standard" by now were it not for it's origins. Check out the bridge - it's a MUTHAFUKKAH!!!!