JSngry

Nope. Just an email with me asking him a question myself.nothing more.

Per an email response from C. Weeds, the Brown tunes ARE PD in Canada. "Afternoon In Paris" still under copyright, "Joy Spring" now PD, go figure that one, eh?

"Sandu", maybe not so much, but "Joy Spring" is still played and recorded somewhat "regularly". I can't imagine copyright being allowed to accidentally lapse. But you never know!

There's a buttload of Columbia live recordings! Indeed, it would make/have mad a splendid boxed set.

No matter who the company is...Public Domain? Mavbe, but only due to somebody not taking care of business: https://copyright.cornell.edu/publicdomain 1925 through 1963 Published with notice but copyright was not renewed8 None. In the public domain due to copyright expiration 1925 through 1963 Published with notice and the copyright was renewed8 95 years after publication date Trying to find a recent recording to see how it's listed on that. From 2017: 2015:

Oh my, I just looked at the packaging, and yes, when did that happen? Second Floor Music appears to be the publisher of Joyspring, at least. Did something happen with that? Oh, Zevvers, you keep running into it...does it HAVE to be this hard?

Well, there ya' go - anti-vaxxer AND delusional lunatic!

hmmmm….not really...their Joel Dorn series. I just looked, and nothing about Muse except a mention of that dubious release in the liner notes. Orignal source, leader, and cover art all as they should be.

If you know Coleman's "post Miles", there is a lot on here that is a high-level version of that, not really "new", but still, yeah, good stuff.. But the "Body and Soul" here goes to some really interesting harmonic places that I don't know are particularly "typical" for him (or for very many others...). That cut alone justifies the purchase of the CD afaic!

Ok, so....pick a town for further considerations? Detroit on #13? Wendell Harrison?

Howard Johnson played with The Band & Taj Mahal. "Everybody" knows those guys. Stanley Cowell co-founded Startat-East and the played with the Heath Brothers and other jazzstuff. "Everybody" very much does not know those guys. As the saying goes, do the math on that one. And don't forget to pledge!

Had to!

Locals?

Cartridge, .yes. Turntable, no. And you would need a special amp (and four speakers, of course) to process the Quad playback. But - any Quad LP with the "Matrix" system should be compatible with regular stereo playback. The "Discrete" stuff, no. It was like the old days of Stereo vs Mono, only with nowhere near the audience appetite. They tried, though... My most vivid experience with Quad playback came at the Texas State fair ca. 1972-3ish. Some vendor had a tent set up pimping THE SOUND OF THE FUTURE or something like that, and their demo was a quad 8-Track of the Herbie Mann Hold On I'm Comin' album, the live one with Fathead & Sonny Sharrock. Now THAT was impressive, the tent was able to give the Quad a true "all sides immersion" experience that when Sharrock cut loose more than a little exhilarating! And Fathead on "Never Can Say Goodbye"....wow, still get chills about hearing that solo like that...

I guess I can call out James Clay on #2, although the source must remain undisclosed...because to find it, you might well have to enter another dimension! and I'm guessing that the them might be "local legends" or "local heroes" or something along those lines?

You gotta remember, it was the 70s and everybody was high. IIRC, there were two Quad formats for LP (Discrete and ????), one that required a Quad-specific playback system, the other one compatable with a stereo system. My limited experiences with Quad back in the day was that it was interesting, but not really essential, As a precursor to surroundsound, though, it's of historical significance. Our late friend Bob Belden was into creating surround-specific compositions, things that "played" the playback, made it a part of the actual music, not just a post-music consideration. Doing that, I think, is the way ahead, if there is to be one. But Quad? Yeah, everybody was high then. I'v e got the second one, and it's definitely "dance band". Good charts, but like most second-tier Kenton writers, Hanna had a formula and stuck with it come hell or high water. Yeah, Discrete Quad & Matrix Quad, those were the two "big" formats. https://en.wikipedia.org/wiki/Quadraphonic_sound

I'm not a flipper, just see a few gaps to fill. Maybe. If/When my instruments are sold, I'm leaving strict instructions that they go to players, not collectors or flippers. Records, maybe not so much, but still...stuff needs a loving home, even inanimate objects. Goes to the spirit of the world, do we bring things into our life to love, or to sell? It's a balancing act for sure.

Maybe I'll give them a call, see what's up. Infinity Records, correct?

Inside MLB's spiral of deception https://www.axios.com/mlb-baseball-illegal-substance-drugs-5478a50e-0b41-4e05-91b9-43cbafa6e946.html hmmmm….maybe not? Or maybe so? I think that looking for an edge never goes away. Never. So....place your bets ladies and gentlemen, place your bets.

yeah, don't do it. just don't do it.

Are these LP or CD sets? Does this place do mail order? How does one reach out to them with a proposition? Are they honest people who try hard to give good service?

I'm listening to this and hearing George getting to some places that Warne got to in terms of harmony/harmonic rhythm...means nothing except that those places are there, for real there, and that it's not "magic", it's work, and openness to not just see what's there, but to actually go there. No, it's not for everybody, but it's not NOT for anybody either.