chewy-chew-chew-bean-benitez

http://www.bergenmarzipan.net/

oxygen???!? when i saw him 10 years ago he looked great and was not using oxygen :( :(

this cat is cool, he actually did play my uncles wedding ten years ago, mostly on alto sax. on alto he kind of sounds like paul desmond. i told him how i have his records on bethlehem and xanadu

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dude.

[\how much did u pay for the bluenotes? quote name='kh1958' timestamp='1317518136' post='1142122'] This was my lucky LP day. Horace Silver--Six Pieces of Silver (W. 63rd) Horace Silver--Doin' The Thing at the Village Gate (NY USA mono) Art Blakey and the Jazz Messengers (NY USA mono) This Here is Bobby Timmons (Riverside blue label mono) Milt Jackson--Plenty Plenty Soul (Atlantic black label), and finally A Modern Jazz Symmposium of Music and Poetry with with Charlie Mingus (Bethleham red label mono deep groove)

dude man thanks dude but i have an ojc jacket for it, its fine. yes theres a barcode on it i think, lolz. but yea man i mean hey if u just so happen 2 find one, lol, but no i like the jacket a whole lot. its a good hackensack 'inside' shot with the blinds. and buddy tate looks mad, lol

this has to be the ballisest lp ever made. this album is freaking nuts. aboustely balls to the wall. Very Saxy. all these years belive it or not i had the OJC-lp, not bad. just scored on the ebay a vangelder stamped copy. not an original. a 60s blue label copy. got the mail today, opened it all up, (oh it was an auction for just lp, no cover: plain white disco jacket) anyways so the ad said like VG++or something like that and i thought pffft whatevs ive seen enough blue label prestiges to know what VG++ really means, so i open it up and although a surf. mark line here and there i mean it is aboustely perfect. its so clean. glossy, it is prob the nicest or one of the nicer blue label prestiges ive ever seen. its amazing. so before i threw it in the no longer part of my collection but cant trade-in for anything but still too good to throw away lp pile, i thought id A/B it with the new one.....aboustely night and day. the organ. on the vangelder stamped, you feel every 'punch' of the b3 on the opening of the title track. on the ojc, it sounds more buried. the 60s press is louder too. its so punchy. i know i know i know weve been all talking about vangelder lps being compressed 8x and not sounding anything even close to the actual mastertape sound, but im telling you, nevertless this lp is aboustely -killing- right now, aboustely killing. even the acoustic bass is balenced, + im groving to that. i mean you have shirely scott on b3, eddie lockjaw, bean, arnett cobba AND buddy tate, and i still can groove to George Duvivier's bassline.it sounds like eddie lockjaw is sitting with me on my couch blowing his horn as loud as he could directly in my ear

its on at 5 am sat morn. for me , great timeslot of the best program theve ever had on pbs

it really sounds great. im sure that red mitchell does too. dont have that one though. so happy i got the leroy at least. just saw one for 49.99. got my copy for 5 big ones a few days earlier, thank god

wow, oh wow. im checking out leroy vinnagar "leroy walks!"- dunann definely got the bass "upfront" in the mix, i dont know what the hell they were mixing, since its only a mono recording, it was all cut on one track, right, well maybe i mean the 'micing', I DONT KNOW: all im saying, its this is from 195? and you can TELL its a "bass player's" album. i mean the bass is rockin' it right up front way more in the mix than most regular old sessions of the time. what i wanted to know is, is whims of chambers like too, was vangelder doing something similar for these types of speciality dates

they should do a farewell concert and/or tour

ok if you have more than one copy espically, i GOTTA know.... i just got a impulse! mono issue, but its cut at Bell Sound, no vangelder stamp. well i looked it up on the net and there are totally vangelderstamped copies of it and even a white label promo which is what i will get next, but to tide me over i have the one cut at bell and it DOES sound FANTASTIC, very happy with how its sounding....but i would LOVE to a/b it with the vangelder.....have any of you guys had the opportunity to do this, if so, what were the results...

oh interesting, thanks lon!

are "the sun" and "lord help me to be" from a different session? cant find those songs even in the discography....

how come this 1956 tonight show exists but the one with hank mobley from the same time period doesnt

russian spam: dont do it

thats not the cassette cover though! :smirk: :smirk:

omg i found the best album today- Ronnie Cuber: Passion Fruit. does anyone have any list of this labels release. these are very early made in japan cd issues, its a real early contemporary jazz label. the only other release on it have is don grusin 10K LA which i aboustely love. need to track down more releases....

WTF

Michael Cuscana says (about this, and "Green Acid"): "No master tapes were ever found on these." I vowed to find the former liberty employee who has them in a box in his basment, and promptly deliver the box to Rudys for mastering.

Reuben Wilson Quintet Ramon Morris, Harold Ousley (ts) Reuben Wilson (org) Ted Dunbar (g) William Curtis (d)Rudy Van Gelder Studio, Englewood Cliffs, NJ, June 26, 1970Son Of ManBlue Note unissuedDo-Ba-Dat-San!-Dance Ville-What's Gonna Happen To Me-Weaver Of Dreams lets rap about this

wow, thanks!!

dude this is of course not mountain dance, youre just making a grp joke, arent u

hmm sounds like an interesting show