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Guy Berger

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Everything posted by Guy Berger

  1. I listened to The Nightwatch for the first time in a long time yesterday. I'd totally forgotten about Fripp's classic line, "We shall now tune our mellotrons and attack culture once more." Guy
  2. I disagree. Some of his more Trane-ish playing from the mid and late 60s is superb. Guy
  3. As far as the IaSW box, I really like Wayne's composition "Two Faced". Very enigmatic. And of course the two tracks from Filles de Kilimanjaro, though they sound much better on the original album. Guy
  4. Pick up In the Court of the Crimson King, Larks' Tongues in Aspic (or Red), and Discipline. Those should give you a nice introduction into the group's 3 most important periods. Guy well, they have done quite a bit since 1980, so i would add Thrak and The Power to Believe to this list to get a better representation. Can't speak for Power to Believe, which I haven't heard, but I don't think Thrak is essential Crimson. Though it has excellent songwriting by Adrian Belew, on the instrumental stuff it sounds like they're trying too hard. I'd get any of the mid 70s or 80s albums first. My favorite 90s Crimson is the Projekct Two set Space Groove. Guy
  5. I have it on my hard drive, haven't gotten a chance to listen to it yet. Just wanted peoples' opinions. Guy
  6. I have the above, and also: 71 - Plymouth Guildhall (one of the first gigs by the Islands band) 81 - Moles Club 82 - Cape D'Agde or however you spell it 94 - Vrooom Sessions
  7. Pick up In the Court of the Crimson King, Larks' Tongues in Aspic (or Red), and Discipline. Those should give you a nice introduction into the group's 3 most important periods. Guy
  8. I like a lot of the stuff in the IASW box, but it does have a bit of filler and the Coltrane contains none. However, GA, I seem to recall you dislike avant-garde stuff and the Coltrane set is along those lines. Guy
  9. Anybody listened to this recording?
  10. I was leafing through the liner notes to Larks' Tongues in Aspic and found this bizarre little item among the press clippings. From the June 1973 issue of Cosmopolitan:
  11. Did anyone see this segment on Monday night's Colbert Report? Very funny. You can watch the segment in question here under the title "Glaring Omission". The original segment is here under the title "Truthiness". Guy
  12. Picked up a copy via yourmusic.com. I think my initial assessment was right. The tempos are generally slow and as a result the album drags a bit. I wish they'd dug a little harder into the boogaloo groove on "Twins". Guy
  13. Happy b-day, man! Guy
  14. I was really digging this album just now. I find that the last three tunes on the album have grown on me a lot, I used to overlook them. Guy
  15. We'll see if the Dallas victory was a fluke or not. Their defense has been terrible recently. Guy
  16. Just saw this tonight. Good movie, not great. It gave my mom and cousin a good opportunity to practice their Arabic. Guy
  17. I liked it. A little long -- the LOTR movies merited 3 hours, this didn't -- but very enjoyable. Dinosaurs rock. Guy
  18. not exactly creamed. Yeah, I was surprised, Miami played a really good game but simply got outplayed by a better team. Guy
  19. Miami is going to get creamed today unless Detroit is too bored to play hard. Guy
  20. Dave, I'm not sure I follow this. Do you think the NBA is forcing the other two teams to trade with LA? Not plausible. Guy
  21. That gospel-infused funky sound is one of the standout characteristics of Jarrett's playing during this period. Guy
  22. Lon, how could you have had such a steadfast opinion on the music earlier before you had even recieved it? These recordings have been circulating for a few years. I'm guessing that Lon heard those and/or other recordings by this group. Guy
  23. I haven't listened to the trio's Chicago 2004 concert -- is that them actually playing "Santa Claus Is Coming to Town?"
  24. I got mine today. A second "massive " from me, too. I actually like the narration. I didn't at first, but for what it is, it's kinda cool. I like the narration as well, but when I'm interested in listening to the flow of music in progress, it's better not to have it there. I wonder if we'll ever discover the source of the last few minutes of Live Evil. Guy
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