Presenting the Art Tatum Trio (Verve, trumpet label)
Herbie Mann--Hold On, I'm Comin' (Atlantic)--with David Newman and Sonny Sharrock.
John Coltrane--Cosmic Music (Impulse, red and black)
I stumbled across another John Wright recording in the oldies.com Fantasy sale (it came in the mail today)--he plays piano on a blues album for Bluesville (OBC 593): The Blues of Arbee Stidham, Tired of Wandering. Also with King Curtis.
I picked up one I had missed in the oldies.com Fantasy sale--Berlin '65 - Paris '67. Four tracks from the Berlin concert and six from the Paris concert--the latter concert at the Salle Pleyel is the reason to get this one, with the group sounding inspired, and the Paris concert is well-recorded.
No one has mentioned Walter Davis Jr.'s In Walked Thelonious. This solo piano CD features 15 relatively brief but intense and inspired performances (15 songs in 43 minutes).
I also like this record. This last period of Miles is perfectly fine and enjoyable to me. And his trumpet sound remains quite beautiful, even if simplified from earlier periods.
A couple of purchases from the oldies.com Fantasy sale:
Luiz Bonfa--The Bonfa Magic--a mixed bag, but the solo pieces and the accoustic small group tracks are quite nice.
Bola Sete--Voodoo Lounge--includes two of his mid-1960s Fantasy albums--one of which I didn't much care for, and the other of which is rather sublime.
Jazz of Two Decades (EmArcy mono)--The sound of Clifford Brown on the one Brown-Roach track on this anthology (Cherokee) is amazingly vivid.
Session at Midnight--Jazz Reunion at Melrose (Capitol)
Wow! Dexter on that one!
Dexter sounds good on this one, as does the rest of the group. Found on Friday at Half Price Books.
The first side of this album is really great. Side 2 grew on me over time.
Avery Sharpe Trio--Autumn Moonlight
With Onaje Allan Gumbs on piano and Winard Harper on drums.
Gumbs is playing the piano really well these days, and this is a working group that sounds fine together.
Always thought the title track went like mad on that one and was in a different class from the other tracks. Someone - Higgins, I think - is making a lot of "gone" noises on that one. Notice it had a different recording date from the others.
Hmm - not thought of that one before. The title track has significantly more 'ooomph' than the rest of the session, although I like it on the whole. Can't go wrong with Cedar Walton and Billy Higgins stokin' the fires. Fathead Newman also fits in very well in a Morgan group IMO.
I like all of side 1 of Sonic Boom alot.