I'm old enough to remember the fierce arguments that surrounded Ornette's early records and performances. I'll admit I was put off by all the comments and it was a while before I decided to take the plunge and find out what all the fuss was about. This was the album I bought. I can't say that I was too impressed at the time, maybe it was the odd frantic moment, Cherry's scrabbling trumpet or the dirge like slow piece. but as the avant garde got established I went back to Ornette. Since then I've grown to love his music.
If you asked me yesterday I'd probably have said that this was my least favourite Ornette album (those first impressions?) but now I'd say the opposite. It's a fine album with spendid playing, it's difficult to pick a favourite track but Poise, Humpty Dumpty and Blues Connotation all contain some lovely jaunty, happy playing. Great stuff all round.
I'll own up though and say that I still don't find Ornette that easy. Every time I play something from this period it takes me a track or two to tune in to what's going on.