Yeah, I actually think he got more distinctive in the post-Trane years, especially in the 1970s. There were certainly players trying to do what he did and not doing it quite as well (e.g., Lonnie Liston Smith), and for me, hearing him nail that approach to chord voicings and rhythm - however you want to put it - is something really special. Granted, more recent recordings haven't really gassed me that much, but the BN and Milestone years are full of some top-notch material.