clifford_thornton

RT, those are wonderfully sacrilegious.

Thanks. Well put.

Not to derail, but I need to go back and listen to some of Bill's piano playing with that (and other) rhythm sections (In Italy; Son of Sisyphus). He's expressed that there was an unfulfilled wish/idea to do some recording with Andrew Hill. If I recall, they did an impromptu duo in Italy as well.

Lunchtime spin of side two of Rhythmatism and side two of Blythe's Metamorphosis - two VERY different approaches to percussion on those records by one hell of a player. Took some years for his work to go from "ahh, that's good" to "damn, what the fuck did he just do?!" in my experience. Dunno anything about broken beat or Four Tet, but would like to give more than a cursory listen to what he was up to recently.

All those Mustevic LPs slay (well, I can't say all b/c I don't have the Les Walker solo). Clearly he was always evolving, however.

Why rag on chewy's grammar? Who fucking cares? It's probably more his shtick than anything, and most of us here have one.

I've thought about buying that. Thanks for the rec.

Not that this isn't a "good" record but the Japan-only ECM/Globe LP Spanish Bitch slays it.

Let us know when you decide to swing south through Texas and Looziana. We'd love to have you.

I, for one, appreciate chewy's grammatical structure - it gives spice to the discussions here. And that's as a fairly rigorous grammarian myself. Anyway, Mizell - really? I would OF thought he'd fit right in with the Strata East vibe that was happening at the time. Maybe an update of Take Twelve with Jordan, Walton, Higgins and Bill Lee?

The only one of the Soul Notes that I have is Strange Serenade, where he borrows Bill Dixon's rhythm section at the time. Apparently they did a quartet gig in Italy - what a gas that would have been to hear. I also like Hill's Steeplechases for what it's worth.

It's only been in recent years that I became intrigued by his work as a leader and a sideman. A strong and invigorating player who worked with Charles Tyler, Earl Cross, David Wertman and his own units, Reid studied Senegalese drumming in the 1960s and was a fairly integral part of the New York loft scene. In addition to recent collaborations with electronic artist Four Tet, much of the in-demand Mustevic catalog (a label he operated in the 1970s) has been reissued. Way too young to go - he'll be missed.

Curtis Counce Group - Carl's Blues - (Contemporary yellow label)

If I want to avoid using binoculars, gotta shell out the big bucks.

PM Sent

Yeah, that would make sense if BS/SN aren't going to give you PDF access with purchase!

Nice - original or Shadoks re?

And if you have two copies...

That's a fine one!

That's pretty rad.

To each their own, but I'm surprised it resulted in such a strong reaction (rather than "meh"). I'm sticking to my guns that a crucial fact of the Dixon material is the liner notes. There's a presentation there going way beyond what's normally expected for even an independent release. Plus, the paintings on the covers are mighty fine.

I haven't heard this stuff in years, mind you, but can say that PJJ could definitely drive a big band. That Polydor LP he led in the UK is fucking brilliant. Dunno how it translates to Oliver Nelson though - whom I find a bit of a bore in general.

I have a copy of the first Openian LP, Diversions, as well as a cool disc on Reel Recordings, and that's it. Mostly excellent, free-ish stuff from what my ears have told me so far though obviously he has a jazz-rock connection as well.

Great, thanks for the info - I will rescue my Atlantic and hold onto that.

Hey, does anybody know whether the tracks on the Japanese BYG LP Charles Mingus Live with Eric Dolphy (BYG YX-7009) rec. Antibes, 7/13/60 also appeared on the Mingus at Antibes 2LP set? I found a copy of the BYG whilst digging this weekend and put it on hold because I have the Atlantic two-fer (albeit, in storage). Haven't spun that in years & it seemed to me like the track titles were different. I mean, worst thing that could happen would be dumping $15 down the drain, but I'm curious and there must be some Mingus-philes here. The Mingus discography online was unclear (to me). Thanks!