I have no qualms about the artwork, either, and find that it fits the multiple emotional perspectives that the music is coming from.
The trio with Lane belonged on a different record.
I scored an original of the first Mother Mallard's Portable Masterpiece Co. LP. It's way better than I expected, from Behrman-esque improvisational Moog damage to more minimal stuff.
You can get it on CD here.
Still my favorite smoking Mal image. Looks like that one belongs in an ash tray. Now listening to J Kuhn/Jenny-Clarke/Romano Sounds of Feelings on BYG. Good record, but the pressing sucks compared to the contemporaneous MPS records.
Very fine set, on a similar level to London Concert (Wave) , it was my first exposure to Warne and Lee when I picked it up in the early 90s. Sound quality is fine but nothing special.
But not the same session, I presume. Thanks.
How is the Konitz/Warne on Pausa? Saw that for $10 the other day. I admit to being slowed in my purchase by the ugly cover art, though I do like later Warne.