I wish I could contribute to this thread - I haven't heard this in several years, and don't even think I have a reference copy anymore!
Really like the Byard-Carter-Haynes combo, though I've often thought Mal was a better complement to Dolphy's playing. Sure, both Byard and Dolphy are rooted in tradition while simultaneously being on the tip of the vanguard, and both have a healthy dose of eclecticism (albeit Dolphy's was in the tunes he called, while Byard's was both in tunes and soloing), but Mal was the perfect grounding while still being harmonically on the same page.
Just MHO, of course...