Welcome also to the Board, David and thank you for sharing your memories of the session.
I have the Horace Tapscott bio open in front of me so here's an extract of the text that refers to the session:
'The first day we went to the studio to record, we found another band there. All these other cats were around, like Dick Nash, Conte Condoli and Pete Christlieb. I didn't even know who Pete was then; he was just out of school. We came walking in with our guys and, man, we went off. I went off on Sonny first and then the producer from the record company. Don Schlitten from Prestige Records had brought in all these other cats. Sonny went crazy. He got drunk and got to hollering and screaming. So we had to get out of there and cool it. I walked out of the studio.
Cecilia came after me and said, "Baby, you spent the money already. You can get sued for this." We had paid bills and got out of some problems. So I had to go back and do it. We did get Everett Brown on drums, and their cats read the music well, but our cats had it down. They didn't need the music in front of them and we were getting a sound after playing the tunes at all the gigs. We had rehearsed every day, all day, because we had nothing but time. There wasn't much else going on for us during the day. And when we went to the clubs at night, we'd be just poppin'. I told the cats who did the recording that I wasn't angry with them, that this had nothing to do with them. It was between me and this guy, Schlitten.
That was a rough day, a real rough day.
After the experiences with Prestige and Flying Dutchman, my reputation was like, "He's really gone crazy now. No telling what he might do in the studio."'