Kevin Bresnahan

Brian - I am quoting you so you get notified of a reply... Blue Note just announced that they are reissuing this in a new vinyl series cut by Kevin Gray and pressed at Optimal in Germany. It should list for around $20. It might even use the same plates that they used for the Music Matters LP (which sounds great) as that was also cut by Kevin Gray. http://www.bluenote.com/classic-vinyl-reissue-series/

Yeah, but if you do find those discussions on the Hoffman forums, be prepared to read all the comments from those defending their inability to hear this obvious issue on "Black Fire". They are actually proud of being tone deaf. In reality, they just don't want to hear anyone say anything bad about these Blue Note Tone Poet LPs because Joe Harley deigns to visit their forum from time to time. As has been proven time & again, that forum only allows flattery. Say something negative and risk being quickly booted, especially if it's about something Hoffman worked on or if Steve contradicts you. You're better off reading our little thread here if you want to be able to discuss it. You can't really do that over there. And our earlier thread is not closed, so feel free to resurrect it:

It was discussed in the "other" Tone Poet thread here: You'll have to go through a few pages, but it's discussed there.

Yes they did.

Incredible story.

The Ultimate Experience - $9 shipped U.S. Jewel case, booklet and CD Near Mint Would this happen to have HDCD on the back?

If you like Kenny Burrell and don't have "Introducing Kenny Burrell", you should pick one up. It's very well done.

I bet I've seen Abate live at least 15 times in the past 10 years and he always has a bunch of CDs for sale - even stuff from labels you've never heard of before. He's never had this in the piles. Not once.

I don't know about that... Miles' shadow looks pretty big here.

Tone Poet Series Tone Poet Audiophile Vinyl Reissue Series – 2019 Releases: Wayne Shorter – Etcetera (Blue Note, 1965) Chick Corea – Now He Sings, Now He Sobs (Solid State, 1968) Sam Rivers – Contours (Blue Note, 1965) Gil Evans – New Bottle Old Wine (World Pacific, 1958) Cassandra Wilson – Glamoured (Blue Note, 2003) Joe Henderson – The State of the Tenor: Live at the Village Vanguard, Volume 2 (Blue Note, 1985) Lou Donaldson – Shing-A-Ling (Blue Note, 1967) Lee Morgan – Cornbread (Blue Note, 1965) Baby Face Willette – Face To Face (Blue Note, 1961) Dexter Gordon – Clubhouse (Blue Note, 1965) Kenny Burrell – Introducing Kenny Burrell (Blue Note, 1956) Andrew Hill – Black Fire (Blue Note, 1963) Donald Byrd – Chant (Blue Note, 1961) Stanley Turrentine – Hustlin’ (Blue Note, 1964) Grant Green – Born to Be Blue (Blue Note, 1962) Tina Brooks – Minor Move (Blue Note, 1958) Tone Poet Audiophile Vinyl Reissue Series – 2020 Releases: Hank Mobley – Poppin’ (Blue Note, 1957) Stanley Turrentine – Comin’ Your Way (Blue Note, 1961) Chet Baker – Chet Baker Sings (Pacific Jazz, 1954-56) Grant Green – Nigeria (Blue Note, 1962) Herbie Hancock – The Prisoner (Blue Note, 1969) Lee Morgan – The Cooker (Blue Note, 1957) Duke Ellington – Money Jungle (United Artists, 1962) Lonnie Smith – All In My Mind (Blue Note, 2017) Bobby Hutcherson – The Kicker (Blue Note, 1963) Jackie McLean – It’s Time (Blue Note, 1964) Joe Henderson – The State of the Tenor: Live at the Village Vanguard, Volume 1 (Blue Note, 1985) Stanley Turrentine – That’s Where It’s At (Blue Note, 1962) Horace Silver – Further Explorations (Blue Note, 1958) Jimmy Smith – Prayer Meetin’ (Blue Note, 1963) Herbie Hancock – My Point of View (Blue Note, 1963) Upcoming: October 30 Bobby Hutcherson – Oblique (Blue Note, 1967) Duke Pearson – The Phantom (Blue Note, 1968) November 20 Art Blakey & The Jazz Messengers – Roots & Herbs (Blue Note, 1961) December 11 Donald Byrd – Byrd In Flight (Blue Note, 1960) Tina Brooks – The Waiting Game (Blue Note, 1961) McCoy Tyner – Tender Moments (Blue Note, 1967) Upcoming in 2021 January 29 Paul Chambers – Bass On Top (Blue Note, 1957) Lee Morgan – The Rajah (Blue Note, 1966) John Scofield & Pat Metheny – I Can See Your House From Here (Blue Note, 1993) >>>>>>>>>>>>>>>>>>>>>>>>>>>>> So far, I've bought: Wayne Shorter – Etcetera (Blue Note, 1965) Lou Donaldson – Shing-A-Ling (Blue Note, 1967) Lee Morgan – Cornbread (Blue Note, 1965) Baby Face Willette – Face To Face (Blue Note, 1961) Dexter Gordon – Clubhouse (Blue Note, 1965) Kenny Burrell – Introducing Kenny Burrell (Blue Note, 1956) Andrew Hill – Black Fire (Blue Note, 1963) Stanley Turrentine – Hustlin’ (Blue Note, 1964) Grant Green – Born to Be Blue (Blue Note, 1962) Tina Brooks – Minor Move (Blue Note, 1958) Hank Mobley – Poppin’ (Blue Note, 1957) Lee Morgan – The Cooker (Blue Note, 1957) Bobby Hutcherson – The Kicker (Blue Note, 1963) Stanley Turrentine – That’s Where It’s At (Blue Note, 1962) Herbie Hancock – My Point of View (Blue Note, 1963) Mostly very good to excellent. My only "dud" was Andrew Hill's "Black Fire", mainly because of the wonky piano that is also on my 70's RVG pressing but nowhere near as bad as it is on this cut. I would also add that the 70's RVG pressing of Lee Morgan's "Cornbread" sounds pretty close to this Tone Poet LP, which is weird because these Tone Poet cuts usually have a lot fuller sound. My latest purchases, Turrentine's "That's Where It's At" and Hancock's "My Point Of View" still sound pretty nice but I have to say that my pressing of "My Point Of View" is not the best. At the end of side 1, there was gunk all over that wouldn't clean off with any cleaner, wet or dry. Luckily, the stylus seems to have dug it out of the grooves, so after the crackly first time through, just a little pop here and there. The lead-in groove on the second side has a visible gouge - it's visibly white. And, as luck would have it, it is on the little raised edge of the record, so my stylus doesn't even notice it. So even though there are noticeable pressing defects, the record plays fine. The thing is, they are charging a premium for these things - I'm paying almost $35/each - so their QC should be rejecting records like this.

It's funny, but I love Mobley with Miles in 1961 more because it's a 1961 recording of Hank Mobley, when the Hankster was in his prime. I don't listen to those live Blackhawk dates for Miles. I listen because of Mobley and that killer rhythm section.

I saw that band (Lonnie/Lou) at the Village Vanguard around that time. Lonnie was incredible. I went expecting to dig Lou's playing live and left with a greater appreciation of Lonnie's organ skills. He got sounds out of that organ that I'd never heard before (or since?). We should start a thread here... "Have You Ever Stood Next To Celebrity?"

I bought it mainly for that previously unissued session, "Grits, Beans And Greens", which used to list for around $25 by itself. So I get to update the other stuff with CDs mastered using the master tapes for only about $20 more.

The Cellar closed a while ago... maybe 2015?

And Red Mitchell and Oscar Petersen and Red Norvo and Cab Calloway and Bucky Pizzarelli and Les McCann and Dave Valentin and Mulgrew Miller and Billy Taylor and Barney Kessel... the list goes on.

Looking through Netflix the other night and saw a "new to me" Bruce Willis action flick, "Trauma Center" (2019). Holy cow is this movie bad and Bruce Willis appears stoned or drunk during his (brief) appearances. Even if he was straight-up sober, his performance was cringe-worthy.

I keep meaning to find this LP. I love bari sax and this band looks like a killer. This one might be worth a needle drop.

That Camden Jazz reissue series also had the only digital release of Pepper Adams' "Reflectory" & "Generations":

Found here: https://www.discogs.com/Sonny-Stitt-Constellation/release/9871475

18 now. I was not going to get this because I had most of it but at this price...

I know two people who had the bullseye and 1 that didn't. That's why I said it can be the only visual sign.

I dry brush every record every time I play it. I don't own a record cleaner. Never have owned one and never saw the need to buy one. If a record is particular dirty, I might put some fluid on my D4 brush. That's the extent of my cleaning. BTW - as I've gotten older, I've realized that my finger tip is an excellent tool to get off small pieces of junk that get stuck on a record. With a little skill and a soft touch, I've been able to pick off some pretty tough pieces of gunk off of LPs and my success rate has been pretty good. In most cases, pops and clicks that were present before I got that junk off now play clean.

Lyme's Disease comes from deer tick bites. Was the tick you took off her leg a deer tick? Deer ticks are much smaller than regular wood ticks. They often stay so small that they are gone before the person realizes that they got bit. The telltale bullseye can be the only visual sign that the person got bit at all.

I still love listening to this kind of rock and I am not going to apologize for it. It brings back memories, good and bad. So what? Memories are not inherently bad and having a good memory certainly helps me at work. Speaking of memories... I remember seeing Van Halen before they "hit it big" in the relatively empty concert hall (Palace Theatre in Albany, NY maybe?) shortly after their first album came out. One of my fiends had it on 8-track and we played it on a constant loop (literally) in several of our cars. I bet there were less than 1,000 people in the place. It was incredibly mind-blowing to see Van Halen playing guitar like that. By their next tour after Van Halen II in 1979, the venues & the crowds got bigger. I saw them in Springfield Civic Center in August of that year. The place was packed this time. And I almost died. The floor was "standing room only" (banned at most venues later on after the Who concert fiasco in late 1979 in Cincinnati) so of course I was down there. Me and my friend Teddy managed to push our way to the stage. They had hockey boards in front of the stage and that's where you stopped. Hard. I saw my friend Teddy almost get a drumstick. He caught it but the crowd around him beat him senseless to get it from him. I started getting crushed up against the hockey dasher. I saw a girl pass out next to me. I called over a guard and had him pull her out. I started getting light headed. I called the guy over again and told him I needed to get out or I was going to die there. He said that he'd have to kick me out if he pulled me out of the crowd. I said that I didn't care. He pulled me out and I jumped back into the crowd on the side of the stage before he could kick me out. I think he let me escape, to be honest. The third and last time I saw them live was in 1980 at the Hartford Civic Center just after the 4th of July and it was absolutely nuts. There were fireworks going off everywhere. There was this (completely drunk) idiot two rows in front of me lighting off bottle-rockets by hand. His aim, understandably, was terrible. Most of the things went off within yards of his seat. Lucky they were only bottle-rockets and not M80s. His aim got worse and one went off real close to his seat. This big guy in the row in front of him stood up and warned him to cut it out. Everyone jumped all over the guy and he sank back in his seat. We thought that was the end of it. Well, Einstein decides to light off another one. It goes out around 10 feet, pulls a 180, and shoots straight at the big guy in front of him, blowing up just under his seat. The big guy jumped up, turned around and knocked the idiot out. At one point, I saw a large firecracker (M80 or M100?) go off down by the floor seats, followed by a young girl stumbling away from that area with blood coming out of her ears. It was insane. My girlfriend was with me and she wanted to leave before the show even started. The lights went down and the show started but it didn't go well. In the middle of the second tune, David Lee Roth brought the band to a stumbling halt and demanded the lights be brought up. He went on this diatribe about people throwing money at the stage and finished up with, "Alright you motherfucker... now we got the lights on! Throw the money now and when you people see who it is, throw him up on stage and we're gonna beat the shit out of him!" He then demanded that whoever was throwing money at them to "throw it now". After a few seconds without anything happening, he started screaming, "C'mon you pussy! Throw money at us now and we're going to beat the shit out of you". Nothing. "Throw money at us now you pussy!!" That did it. Money started raining down on them after this demand of the crowd. You could hear the coins bouncing off their heads, clanging off the mic stands, the speakers and the drum kit. Pennies, nickels, dimes and quarters could be seen bouncing all over the stage. It was insane. It was literally raining coins. Roth screamed, "Aww, fuck you all", and the band stormed off the stage. After a half hour of the crowd chanting and screaming and more crazy fireworks, they finally came out and played one more song. Then they stormed off without a word and the house lights came on. The crowd didn't know what was going on and kept clapping and screaming. After all, they only played for about 15 minutes. They wouldn't come back out. The crowd went nuts. Nobody would leave. The place was about to riot. They sent in the police. An announcement was made that there would be no refunds. At the box office, people were lined up 20-30 people deep, all demanding their money back. They never refunded a penny. BTW, I never bought tickets to another Van Halen show again, not that it mattered to them.