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Everything posted by Kevin Bresnahan
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This is my fist time being able to get in since last Saturday.
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What vinyl are you spinning right now??
Kevin Bresnahan replied to wolff's topic in The Vinyl Frontier
Up until as late as last year, you could still get this pressing when you purchased the OJC LP. They used the DCC stampers for many years after this LP was deleted. They simply scratched out the DCC info in the deadwax and scratched in OJC info. -
Gary Larson was an amateur Jazz guitarist. He did this album cover in exchange for lessons from Ellis.
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I once caught a show at a place called The Brick Room near the intersection of Live Oak St and Skillman St. That must be long gone too. Hey, at least the Blue Note in Taipei is still going from what I hear. So some of the clubs I went to back in the day are still booking Jazz.
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I found an old flyer from Sambuca and scanned it into my PC but the forum software won't let me upload it. It says it can't be any bigger than 102.4 kB. The file is 96 kB. What's up here?
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Unless Joey D played the Jazz Connection with Marchel more than once, we were there the same night. The club with the runway behind the stage was in Addison so it must've been Sambuca. It was pretty cool at night when a plane would take off behind the players. The planes lights would shine onto the players' backs. I don't remember seeing Fathead Newman there though. I used to travel to several big semiconductor companies in the DFW area in the late 90's. Back then, I used to scope out all the brew pubs and Jazz clubs before jumping on the plane. DFW was one of my favorite places to visit.
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I've been to the Elbow Room several times but I'm a little vague on it as it was almost 20 years ago. Is that the place with the exposed brick wall interior that caused nearly every band to sound bright & loud? I seem to remember that they had more blues bands than jazz bands when I visited. When visiting DFW, I always preferred the one where the airport runway was behind the stage. They brought in some great bands back in the 90's. I saw Marchal Ivery there a couple of times. The Jazz Connection (?) a couple of other times.
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I searched for these for years to no avail. I don't think the Japanese manufacturer is around any more.
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Sonny Rollins Trio & Horace Silver Quintet - Zurich 1959
Kevin Bresnahan replied to duaneiac's topic in New Releases
What's weird is that Bull Moose almost always has the lowest prices around here for new CDs. This is clearly an anomaly. For example, they have all the latest Xanadu CDs for $13.97. -
The J. Geils Band was my favorite touring band back in the days of my youth. I must've saw them 5 or 6 times. They always rocked out the joint, often playing 3-4 hours of non-stop foot-stomping rock. One thing I don't understand about the news coverage of Geils's death is the statement that "Centerfold" was their first hit. That's just weird. "Give It To Me" and "Must Of Got Lost" were both hits well before Centerfold. In fact, in the early days of FM radio, the live version of "Must Of Got Lost" from the incredible "Blow Your Face Out" double LP, got extensive airplay in the Boston area. It got to the point where everyone could do the intro rant with Peter Wolf word for word. I think this wooba-gooba can still do it today. RIP to a great guitarist. I will always remember his band.
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Bill - Why don't you post the list here? If you have it in a file, it should be pretty easy to post it.
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Sonny Rollins Trio & Horace Silver Quintet - Zurich 1959
Kevin Bresnahan replied to duaneiac's topic in New Releases
So Bull Moose Music wants $30 for a single CD! Ouch! That's even worse then. I haven't paid $30 for a new single CD release in decades. Used rarities, sure, but not for a new CD. I think I'll pass. -
I was spinning some of this box today and it got me thinking again about the review Iverson did on his Do The Math blog. So I went to check to see if he revised it a second time and discovered that it got revised out of existence. Now this thread makes us look like doofusses as we debate over a dead link.
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Sonny Rollins Trio & Horace Silver Quintet - Zurich 1959
Kevin Bresnahan replied to duaneiac's topic in New Releases
I just saw this 2 CD set at Bull Moose Music in Portsmouth for $29. My first thought was, "Why are these two dissimilar recordings packaged together". My second though was, "WTF! The Sonny disc is 24 minutes and the Horace disc is 35 minutes. If you're going to package two dissimilar recordings together, why not put them on one 59 minute disc!!" -
So Jaws not only corked up some keys, he played with an insanely hard reed? No wonder he got such a unique sound. I still say that any Jaws fan needs to own a copy of "Oh Gee! Live In Manchester".
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2018 Blue Note at Sea cruise
Kevin Bresnahan replied to GA Russell's topic in Live Shows & Festivals
I got this e-mail and checked the prices and got the same sticker shock you did. No way can I afford this. Have these cruises become the provenance of the wealthy? They didn't use to be this way. I once booked a Jazz cruise but had to back out at the last minute (mistake - Gerry Mulligan's last appearances were on that cruise) and the ocean view cabins were only around $2,300/couple. -
Chris Potter Quartet US tour: May 31 - June 26
Kevin Bresnahan replied to GA Russell's topic in Live Shows & Festivals
I checked into Potter's May visit to Boston and was surprised that it wasn't his quartet. http://ofa.fas.harvard.edu/event/celebrity-series-aziza-featuring-dave-holland-chris-potter-lionel-loueke-and-eric-harland?delta=0 Dave Holland, bass Chris Potter, tenor saxophone Lionel Loueke, guitar Eric Harland, drums Hmmmm... Might have to check that one out. -
The old TV that this LG OLED is replacing is an 11 year old 46" Mitsubishi 1080p LCD TV that has done very well by me. It's likely to move up into my daughter's room as a gaming monitor. I'm pretty amazed that it's lasted this long since they were notorious for power supply failures. I still have my TC-58AX800U 58" Panasonic 4K LCD TV in the living room upstairs. I'm not giving that up.
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I already have an Oppo BDP-80 and a BDP-103. Unfortunately, the BDP-80 doesn't play 3D. Oppo makes great decks.
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I've debated posting this but just in case someone here knows Roy or knows someone who knows Roy, I think that they really should try to get the guy some help. A good friend of mine went to Roy's 2nd set at a Boston club back on January 21st and he said Roy was completely out of it. As in, he could barely stand, much less play. He said if he had to guess, it was probably heroin. He came out and sat in a chair for most of set, staring around glassy-eyed. From what my friend said, it was pretty bad for his band too. I've seen Roy many times and he always puts on a great show. I hope he's around to continue to do so far into the future. Get yourself well, Roy.
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I've been drooling over LG's OLED TVs for several years now and it looks like they've come a long way with regards to burn in. When they announced their new 2017 OLED line up, noticeably absent was 3D capability. Now I had to decide - did I want 3D OLED or not? Then things got easier. With the new 2017 OLED models coming soon, they started drastically discounting the 2016 3D-capable OLED models. Now where to get the funds... Due to an unexpected windfall last month (thanks mom), I decided to buy the LG OLED 65E6p. Wow, what a beautiful picture! It's so lifelike. I am very happy with this TV. The only drawback I've seen is that the screen is very reflective so it might not be the best TV for a bright viewing area. But I have it down in my finished basement, or what the wife calls my "man cave", so I am OK. Best part about this set is that I've seen no burn-in (so far). Fingers crossed on this. I did see motion blur while watching football but found that all I had to do was turn off "Tru Motion" and it was gone. BTW, if you don't need 3D but want to watch this in a bright room, go for the B6 model, which has the OLED panel mounted to a matte plastic screen as opposed to the E6 & G6 models, which have the OLED panel mounted to glass. The B6 and C6 (curved screen) are much cheaper with pretty much the same picture but lesser sound quality. I would have gone for one of these if they had 3D. Next up, I am looking at an Oppo Digital UDP-203 4K Ultra HD Blu-ray Disc Player. It's a truly universal player, capable of playing UHD, Blu-ray, 3D, DVD, DVD-Audio, SACD and CD. But that will have to wait for the funds to recover after this TV purchase.
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Art Pepper with Lee Konitz on Omnivore
Kevin Bresnahan replied to GA Russell's topic in New Releases
Isn't this more of the Atlas material? -
This hits hard. I saw Steve at many of the shows I attended around Boston and he sat at my table quite a few times. I also ran into him many times at Stereo Jack's, where the discussions would range far & wide. He was such an incredibly nice guy. I'll miss him. Funny Steve story... I go to a show at the Regattabar and as was sometimes the case, Steve's at my table. We get to chatting when the waitress comes over to take our order. Steve orders a drink of some kind and when he goes for his wallet, he realizes that he forgot it at home. Even worse, he got dropped off at the club and was planning to take a taxi home. Luckily, I had just gone to the ATM and had some cash so I offered him some. I told him he could pay me back at the next show. He insisted on getting my mailing address so he could mail it to me. He included a couple of CDs in the envelope with a check and a thank you card. As I said, a really nice guy.
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Well, for one thing, we're talking about 33 RPM Music Matters LPs that were cut fairly recently, versus Acoustic Sounds SACDs that were mastered and issued many years ago, so there's no way that these Acoustic Sounds SACDs were done at the same time as the current 33 RPM Music Matters LPs that we're talking about here. Now, if you're talking about the Acoustic Sounds 45 RPM LPs and SACDs that were issued concurrently, I was told by a member of that team that there were 2 passes with the master tape to do this. One pass for the LP cutting and another pass for the creation of the DSD master. It made sense to me since the LP is EQ 'ed in the analog domain, which is not something you would normally do for a DSD master. If Steve Hoffman is saying otherwise, I can't argue that. I can only tell you what I was told when I asked how it was done. Again, Music Matters did not issue SACDs. Acoustic Sounds did. Acoustic Sounds only licensed 25 titles for SACD. They licensed 50 titles for LP. I specifically asked if Acoustic Sounds made DSD masters of all 50 titles, hoping for another batch of SACDs in the future, and I was told by the same member of the team a flat, "No".