Neal Pomea

Will we still be using Roman numerals when we get to Super Bowl L?

A stirring moment in jazz history to echo in Turkish Embassy

Agreed! I don't see a lot of strings attached. Guess the giants "need" them, and the smaller guys don't. How come people like HIM don't get invited to sit in the first lady's area of the State of the Union address and get recognized as heroes? Or get honored by the Kennedy Center? What all he has done over the years to keep Cajun and Creole culture from dying of forgetfulness has been amazing. His series of lps in the 70s on Cajun music (I know I have 9 or more) has truly been very lasting in importance to Louisiana. A few songs on the Harry Smith Anthology in the 50s were nice to raise awareness, but Arhoolie really took off with it.

RIP. Great duets with his brother. He seemed like a more contented man than Ira, who was a tortured soul, as covered in this story: http://killingthebuddha.com/mag/exegesis/satan-is-real/

You could cross Mingus with Pink Floyd and have an album called Mingus Ah Umma Gumma.

Tim Hardin II (quite jazzy on several tunes) After Bathing at Baxter's --- Jefferson Airplane Mason Proffit -- Wanted La La (Louisiana Black French Music) (digitizing them)

Q: Were women involved in the making of these records? A: Of course they were! Who do you think made the biscuit? (Ducks shoe toss from the gallery) Great video! Thanks for posting.

I am sorry that I misunderstood your comment. I apologize.

But the copyright does not need to remain with Universal in order for this to happen. Mosaic could do this if the music were in the public domain. There does not seem to be any sense of urgency whatsoever among the jazz community, or at least this board, that something will be lost (some things already lost) if nothing ever goes into the public domain. I must be looking at these issues from a completely different vantage point when I see in my culture (Cajun) the urgency of preserving and remembering our folk art rather than letting "the market" decide what gets sold and what gets forgotten and allowed to just disappear. From the 1960s on there have been deliberate, conscious efforts by musicians to help the Cajun French language and culture survive through the appreciation of our folk art. It may sound like an idealistic dream to you, but it is not to me and many people in Louisiana. Having the music available is part and parcel of instilling pride, enough pride to make efforts to keep our heritage. The music needs to be heard by people within the culture, not forgotten or thrown away because it has no profitable market. Maybe no one feels this way about jazz music, but there are other perspectives and other needs that can be best met by the public domain rather than private ownership. Who said I favor the 50 year rule? I don't. I hope you hold copyright for your lifetime and that you continue with your contracts. I can put emoticon frowns, too, at your apparent lack of concern for the survival of my culture, if I wanted to twist things the way you are twisting my arguments. Freeloader indeed! Not every argument for the public domain is some kind of weaselly clause used by freeloaders/.

If you understand the LOC to "own" this music, you should re-read the article. This would be in the public domain if it weren't for the continued extension of the term of copyright. Where is it going end? Perpetual copyright? Is that what you want? This company has already enjoyed windfall profits from the extensions. This should have already been in the public domain.

Try Reddit. I stopped looking at Digg when they changed the interface and went to Reddit. You might like it.

The Corn Chip Bowl? Well that's dignified.

"Appropriate mission"? Perhaps I don't understand what you're tyring to say, but isn't this how the LOC grants access to all the other music in its collections? Come to think of it, how is this different from the art collections held by all museums, universities, and historical societies? Where in the world can you just stay at home, sit back, and enjoy unfettered access to art that is owned and preserved by someone else? American Memory Collection. This should be part of the American Memory Collection. http://memory.loc.gov/ammem/help/view.html "Many American Memory collections contain sound recordings, video, high-resolution images, and enhanced text that require special viewers. Most viewers can be downloaded free from vendor sites." "Where in the world can you just stay at home, sit back, and enjoy unfettered access to art that is owned and preserved by someone else?" Well, it's now owned and being preserved by the LOC. Not someone else.

Statement from LOC: http://www.loc.gov/today/pr/2011/11-003.html?utm_medium=twitter&utm_source=twitterfeed "This gift is particularly important in the context of the findings of the first comprehensive, congressionally mandated study ever conducted in the U.S. on a national level. It found that only an estimated 14 percent of pre-1965 commercially released recordings were currently available from rights holders. The study also found that of the music released in the U.S. in the 1930s, only about 10 percent of it could be readily accessed by the public." So much for the supposed superiority of the private sector for guarding heritage. It's an appalling record. Affects my culture quite profoundly.

"So they will preserve the physical masters for us and make them available to academics and anyone who goes to the library, and Universal retains the right to commercially exploit the masters.” Only academics and people who can visit the LOC in person? That's FAR from an appropriate mission for them. They should stream it ALL, not just the remainders of what Universal figures it can't sell on iTunes.

I plan to go in the fall one of these days, combining this with some leaf watching in upstate New York. Pure pantheism from what I understand!

One important thing for me that changed the way I heard music was a new appreciation of my own culture, which in my experience was always something I was taught to be ashamed of. So the lp record albums that changed my perception and instilled pride were primarily the following: J'etais au bal: Music from French Louisiana, Swallow lp 6020 and two lps on Rounder Louisiana Cajun French Music from the Southwest Prairies, Volumes 1 and 2. (They left out the important term "Creole" in the title, but at least they got "Prairie" in there. It shamed me that the whole world seemed to equate Cajuns with swamp and marsh dwellers. That was not the reality I knew at all. I grew up on prairie land and daddy was a farmer, not a trapper or subsistence fisherman). In the area of jazz, it was not albums that changed my hearing at all. It was original 78s from the 1920s and 30s. I would say Django Reinhardt and the Hot Club of France were early astounders, then Sidney Bechet, Louis Armstrong and the Hot 5s/7s, Jelly Roll Morton, etc.

Gotta do some teleworking, but not so bad that I can't relax everyday and have a lot of fun. And this year I made 'em pay me, whereas last year I was a sucker and fell for their desperate line "it's just a one time deal, so be a good sport!" It's un-rich folks like me who keep alive "noblesse oblige," I guess.

Ah romance! Somehow you've just got to hope those crazy kids make a go of it!

I like the time he stood there and just patiently listened to some crazy arrested person go on an extreme rant then during a pause offered him a Milk Dud. That's Dietrich!

I hear you! Apparently the Wikipedia authorities on e-mail that everybody should be crediting are 216.251.145.194, This lousy t-shirt, 89.243.20.128, Ute in DC, 212.35.69.44, Ohnoitsjamie, et al.!

The Bear Family J.D. Miller set (Fais Do-Do and Feature labels) is a project produced by Dave Sax and Lyle Ferbrache. Should be 4 dics. A friend of mine heard them in preview and reports that they are remastered and sounding very good! Not sure who did the remastering. I can't wait for it to be released! Should be any time now. I lent a hand on some song titles and spellings/meanings etc. Arhoolie is working on another CD much like the one entitled Cajun Honky Tonk. This should make available the remainder of the Cajun songs on the Khoury label. The Swallow discography I posted is just that, a discography project, which has taken a while to complete. It should help collectors know what exists, but unfortunately it's going to be a matter of getting the stuff by eBay. ACE in England has been the best about leasing and making Swallow records available, but I don't know of any plan to re-release any more Swallow 45s or lps that have not yet made it to CD. Another big missing piece in this is the La Louisianne (sic) label, holding on to the valuable Ambrose Thibodeaux lps. Just unbelievable.

http://www.npmusic.org/Swallow_45s_JJB_December_2010.xls Information from my Yahoo Group Cajun Music Recordings, updated in December by John Broven. I am working on the lp, cassette, and cd section.

Congratulations!!!! It has been a mighty time! Thank you so much!!

Really the Blues