What live music are you going to see tonight?

[jazztrain]

Abdullah Ibrahim & Ekaya.  Boston. 

[BFrank]

Here's a VERY entertaining 2 1/2 minutes of Brian Blade from the Wayne Shorter show I saw on Friday.
You might have to be on Facebook to see it.

FB not required it would seem . Fun indeed. I've only ever seen this band once, about ten years ago, and the thing that stood out most for me on the night was Blade. He did something very similar that night too

Interesting! He IS a pretty aggressive drummer, so I can see why it might not be the first time that happened.

[jcam_44]

Myra Melford Snowy Egret

How was it? They were here on Sat, but as huge a fan of Tyshawn and Ron as I am the Snowy Egret album was boring to me and didn't feel inclined to go. 

[Utevsky]

Last Thursday it was the Ted Poor Quartet, with Bill McHenry, Josh Roseman & Eric Revis.  Sunday it was Myra Melford with Snowy Egret.  Both shows were part of the Earshot Jazz Festival in Seattle.

[OliverM]

Will be seeing in Paris...

Tonight:

NICOLE MITCHELL flûte, CHRISTOPHE ROCHER clarinettes, TOMEKA REID violoncelle, AVREEAYL RA batterie

Followed by THIRD COAST ENSEMBLE directed by ROB MAZUREK

 

Monday:

Golden Quartet
Wadada Leo Smith, trompette et électronique
Anthony Davis, piano
John Lindberg, contrebasse
Mike Reed, batterie

Duet
Roscoe Mitchell, saxophones et flûte
Mike Reed, batterie

Double-Up
Henry Threadgill, composition et direction musicale
Roman Filiu, Curtis Macdonald, saxophone alto
David Bryant, David Virelles, piano
Christopher Hoffman, violoncelle
Jose Davila, tuba et trombone
Craig Weinrib, batterie

Looks like a plan.

AACM at 50 celebration concert was a very special moment! Roscoe Mitchell was extraordinary in the old and fancy high ceiling concert hall, but all acts were truly memorable. Where is this celebration tour going to next?

[A Lark Ascending]

The Rails at The Glee Club (in a yuppified canal warehouse in Nottingham, interior design by Gropius, it would seem)

Kami Thompson (daughter of Richard and Linda) and James Walbourne doing an all acoustic convert - voices and two guitars - rather than the more electric folk approach of their album.

Opener was Zak Hobbs who was...wait for it...the grandson of R + T (by another daughter, I think). Very young...don't think he is out of his teens...but an enormously accomplished guitarist who had clearly spend a lot of time studying the Vincent Black Lightning style. Good voice and a strong songwriter already - only the lyrics give away the youth which were understandably about the things an 18-or-a-bit-more-year-old worries about.

The Rails were excellent - Walbourne is a superb guitar player, a style evolved without the influence of his father-in-law, though fitting perfectly into the folky style of the songs. The two voices blend beautifully - Kami's voice eerily recalls her mother, especially when singing harmony. Think those mid 70s acoustic duo R+T live tracks that you can hear on things like RT's 'Guitar/Vocal' compilation. Except that James is a much better singer than RT. 

Very impressive concert with no playing on the family name. Kami mentioned her mum once, Zak made a couple of mentions of being part of the Thompson tribe. But overall, they were flying by their own talents. 

 

[duaneiac]

Saw the SF JAZZ Collective in SF tonight.  Their featured composer this year is Michael Jackson.  Due to heavier than expected traffic and the parking angels looking upon me with less charity this week, I arrived about halfway into the first number, an MJ tune I recognized, but could not name.  They also played his, "Blame It On The Boogie", "Don't Stop Till You Get Enough" and "Thriller" (complete with Vincent Price voice over).  Band member originals included a very good piece by Edward Simon called "The Beauty of Space", "Fall Prelude" by Miguel Zenon, "Grey Skies In Baltimore" by Warren Wolf and "Franklin and Fell" by Sean Jones.

[BFrank]

Saw the SF JAZZ Collective in SF tonight.  Their featured composer this year is Michael Jackson.  Due to heavier than expected traffic and the parking angels looking upon me with less charity this week, I arrived about halfway into the first number, an MJ tune I recognized, but could not name.  They also played his, "Blame It On The Boogie", "Don't Stop Till You Get Enough" and "Thriller" (complete with Vincent Price voice over).  Band member originals included a very good piece by Edward Simon called "The Beauty of Space", "Fall Prelude" by Miguel Zenon, "Grey Skies In Baltimore" by Warren Wolf and "Franklin and Fell" by Sean Jones.

I just saw on Twitter that Sean Jones wrote a tune called "Franklin and Fell" - very appropriate!

I'm sure that part of the traffic problem was that Elvis Costello was across the street at the Nourse Theater doing an interview for his new book.

[Utevsky]

Last night at the Earshot Jazz Festival in Seattle, a great set by Tomeka Reid, cello; Nicole Mitchell, flute; and Mike Reed, drums.  To celebrate the AACM's fiftieth anniversary, they played pieces by various AACM composers.

[Larry Kart]

Last night at the Earshot Jazz Festival in Seattle, a great set by Tomeka Reid, cello; Nicole Mitchell, flute; and Mike Reed, drums.  To celebrate the AACM's fiftieth anniversary, they played pieces by various AACM composers.

Heard that trio in Chicago a few weeks ago. Very fine. Great that they're taking it on the road.

[jlhoots]

Last night at the Earshot Jazz Festival in Seattle, a great set by Tomeka Reid, cello; Nicole Mitchell, flute; and Mike Reed, drums.  To celebrate the AACM's fiftieth anniversary, they played pieces by various AACM composers.

Heard that trio in Chicago a few weeks ago. Very fine. Great that they're taking it on the road.

Their 482 CD is on the way to me.

[Shawn]

Last night:  one of the best concerts I've ever attended.  This band has transcended to the next level...

[BillF]

The Ben Crosland Quartet at Wigan Jazz Club this afternoon.

https://www.youtube.com/watch?v=ggoIGvkatBo

 

[kh1958]

Attending a three day seminar in New York; that plus the weekend means five evenings to hear live music.

Starting out last Tuesday with Caroline Davis at the Bar Next Door for a set of Lee Konitz associated material. Next, to the 55 Bar for two sets of Leni Stern and her fusion of jazz and African music--with George Brooks on tenor sax, James Genus on bass guitar, and Alione Faye on percussion. Excellent music, very light attendance.

Wednesday night, starting at the Why Not Cafe to hear Israeli guitarist Yosi Levy on solo acoustic guitar. A new name to me, I attended based on reading Dave Liebman's rave recommendation, and the concert proved him to be correct. The repertoire was a mixture of jazz standards, Israeli folk songs, and Beatles songs. Next, more guitar, in the form of a short walk down Christopher Street back to the 55 Bar, this night to hear the Mike Stern Trio. And a mighty trio it proved to be, with Francois Moutin on acoustic bass and Kim Thompson on drums, both sets were blazing, and the room was packed.

Thursday night, to Jazz Standard to hear two sets by the Charles McPherson Quintet, with Brian Lynch, Jeb Patton, Ray Drummond and Billy Drummond. Mr. McPherson sounds good still--the highlights of the first set being Lush Life and Nature Boy, but overall the group was a bit restrained in the first set. The second set proved to be superior--especially the final succession of songs, an original (Nightfall), then Off Minor, Anthropology and Parker's Mood (the best performance of the night from the leader) as an encore.

Friday night, to Community Church of New York for one of the 50th Anniversary AACM concerts. A two part concert, first up was Steve and Iqua Colson, with Reggie Workman, Andrew Cyrille and Marlene Rice (violin). I wasn't familiar with Iqua Colson, but she turned out to sing okay, and the band sounded wonderful. Next up was a bold percussion composition entitled Calder by George Lewis. This proved to be a very compelling piece, featuring George Lewis on trombone and percussion, Thurman Barker on vibes and percussion, Tyshawn Sorey on vibes, percussion, piano and trombone, and Eli Fountain on percussion. It was still early, so next up was Petros Klampanis at the Corneila Street Cafe, with a quintet  featuring Gilad Hekselman on guitar. I enjoyed this group and wished I heard more than one set.

Finally, Saturday night, to the rarefied realm of Dizzy's. Normally, I prefer humbler settings, but this was advertised as a 50th Anniversary reunion of the group that John Handy led at the 1965 Monterey Jazz Festival. As I love that record and group, I was excited at the prospect, mixed with trepidation at the ages of the group members (Handy is 82). It proved to be a kind of bait and switch on the club's part, as on the day of the appearance the website posted different personnel (David Hazeltine on piano, Rufus Reid and Victor Lewis). Nonetheless, having only seen John Handy once many years ago, I decided to attend (Rufus Reid and Victor Lewis are hardly a group to complain about), and was very pleased to find John Handy in very lively and virtuosic form. In fact, he seemed fully in possession of the skills displayed on his own recordings and his sideman appearances with Mingus--he even still has the ultra-high range on alto. So the set proved to be quite pleasing, except perhaps for an inexplicable diversion in the form of a guest vocalist for two songs. The highlights were assuredly a raga based composition that Handy had performed with Ali Akbar Khan, in this case featuring extended beautiful bass from Rufus Reid. And finally, as the last song, in a nod to the supposed anniversary, Handy actually played Spanish Lady, and, he was not merely going through the motions, as this version was friggin' great.

I perhaps should have stopped there, but it was still fairly early, so after exiting the shopping mall in which Jazz at Lincoln Center is located, I trekked to Smalls and heard a set by the Duane Eubanks Quintet, with Abraham Burton, David Bryant, Gerald Cannon and Byron Landham. Another time, I would have enjoyed this more, so I called it a night/trip after one set.

 

Edited October 29, 2015 by kh1958

[Chuck Nessa]

Not tonight, but the weekend now past, this is my facebook post: Just returned from 2 refreshing days of music and friendship at events build around Wadada Leo Smith at the University of Chicago. Formal discussions, Artwork exhibitions, Golden Quartet concert, solo trumpet concert and refreshed friendships with Wadada, Sarhanna, Kashala and all the children. Hal Rammel, my friend since '67 was also there. Thanks to Wadada Leo Smith for all.

[Utevsky]

At the Earshot Jazz Festival Saturday, an 80th birthday tribute to Julian Priester.  It included a short set by Julian's quartet, with Dawn Clement, piano; Geoff Harper, bass; and Byron Vannoy, drums.  Then Julian played a trombone duet with Stuart Dempster and was serenaded with a birthday song by a "trombone choir."

Last night, two great sets by the Jessica Lurie Instant Light Ensemble, with Jessica Lurie, tenor sax, accordion, flute; Bill Horist, guitar; Rene Hart, bass; and Tarik Abouzied, drums.

[mjazzg]

Hope to make it to Roscoe Mitchell, John Edwards, Mark Sanders at Oto tomorrow evening. It will be the first time I've seen Mitchell live.

[Olie Brice]

Hope to make it to Roscoe Mitchell, John Edwards, Mark Sanders at Oto tomorrow evening. It will be the first time I've seen Mitchell live.

Heard them last night - astonishing! really incredible gig

[jlhoots]

Myra Melford Snowy Egret

How was it? They were here on Sat, but as huge a fan of Tyshawn and Ron as I am the Snowy Egret album was boring to me and didn't feel inclined to go. 

Ouch! I like the CD & the show was excellent IMHO.

[mjazzg]

Hope to make it to Roscoe Mitchell, John Edwards, Mark Sanders at Oto tomorrow evening. It will be the first time I've seen Mitchell live.

Heard them last night - astonishing! really incredible gig

Wasn't it? Just the most amazing experience. Nothing had prepared me for the intensity of Mitchell's playing. That drone-like solo he blew on the soprano in the second set was otherworldly. The hometown rhythm section were on top form too

[niels]

Spinifex Maximus @ Brebl Nijmegen last Night with Piotr Damasiewicz, Jeb Bishop, Josh Sinton, Onno Govaert, Jasper Stadhouders, Bart Maris, Tobias Klein, Edoardo Marraffa, Matthias Muche, Pascal Rousseau, Goncalo Almeida and Philipp Moser.

Well, that was a lot of fun! As I could expect, it was extremely energetic and powerful, sometimes like a tornado hit the room. The music went from all out big band stuff to sections that sounded like you were listening to metal to more regular free jazz. Also good to see quite some people showed up, and most seemed to enjoy it (although one person sat with his hands over his ears for the whole two and a half hours, hahaha)

[kh1958]

Last night, duo guitar with Nels Cline and Julian Lage at the Kessler Theater in Oak Cliff.

[fasstrack]

Last night, duo guitar with Nels Cline and Julian Lage at the Kessler Theater in Oak Cliff.

Julian Lage=MF.

[kh1958]

Last night, duo guitar with Nels Cline and Julian Lage at the Kessler Theater in Oak Cliff.

Julian Lage=MF.

I had not heard their recent duo album, but it was a quite excellent concert. Very clear sound, and a quite nice venue (refurbished historic movie theater), with a nearly full house. 

[Leeway]

Ran up to NYC this past weekend to see Urs Leimgruber at I-Beam Brooklyn. I'm a huge fan of Leimgruber, he's in my select group of great saxophonists,  but have never had the chance to see him live. Wasn't going to miss this opportunity. The Friday night set was Urs and pianist Jacques Demierre. Bassist Barre Phillips couldn't make the date due to medical treatment (btw, Urs says the treatment was quite successful and the prognosis is good). Instead, Urs and Jacques played a couple of solo DVD performances of Barre projected on the background, and then improvised against Barre's virtual appearances. It was their way of invoking Barre's presence in the music. It worked and the music was deep. One thing that surprised me was how strong Demierre played; he quite rocked that piano on a multiple occasions. Urs' playing was intensely personal. 

On Saturday night, a larger group showed up. Shelly Hirsch (vocals), Paul Lytton (perc), and Nate Wooley (tp) joined Urs and Jacques and played a quite substantial and varied set. First was Hirsch, Lytton and Demierre in trio. Next was Urs and Nate in duo. Finally, the quintet played together. First time I'd seen Lyttton, who seems to be enjoying his time in NYC; his percussion is masterful. This might have been the smallest drum kit he's played on recently, but he had an arsenal of devices to keep him busy.  Also first time I'd seen Hirsch. She has a virtuoso voice and a keen dramatic sense. I know a lot of folks don't like vocals/vocalese, but Hirsch was really a spark plug for the trio and quintet, and injected visceral excitement into the performances. Demierre again showed surprising range on the piano.  And Urs, well, he was in even stronger form this evening. His playing is so physical and yet transcendent. Very glad I had the chance to hear him and talk to him before and after sets. Hope they come back this way soon with Barre.