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Posted

Oh my god, this music is amazing. I can't get enough of it. Such bass, such a groove, such an ensemble. It's weird...I was never able to get into Live Evil, or the Fillmore sessions, or even (gasp) Bitches Brew, but after listening though the Cellar Door sessions, I brought those down off the shelf and...well, I get it.

I don't know how or why, but I get it.

I completely get how this isn't for everyone (although I'm straining to get "mediocre," but different strokes), but damn.

TIGHT!

Posted

Got mine on my b-day (last week), but as I had something of a backlog of discs to listen to, I didn't get around to the first disc of this until this evening. I'm only on the second track of the first disc, but I have to say that it pleases me! Everyone sounds great (including Jarrett, on whom I tend to run hot and cold). The sound is much better than a good deal of the electric live material Miles released on Columbia. I look forward to hearing the rest of the set! I'll be dividing my listening between this and the Ray Charles box (I'm through the first two discs of that). After that, I have to get through "Goodbye, Babylon" and the "Fonotone" boxes I got from Dust-to-Digital recently...

Posted

Got mine on my b-day (last week), but as I had something of a backlog of discs to listen to, I didn't get around to the first disc of this until this evening. I'm only on the second track of the first disc, but I have to say that it pleases me! Everyone sounds great (including Jarrett, on whom I tend to run hot and cold). The sound is much better than a good deal of the electric live material Miles released on Columbia. I look forward to hearing the rest of the set! I'll be dividing my listening between this and the Ray Charles box (I'm through the first two discs of that). After that, I have to get through "Goodbye, Babylon" and the "Fonotone" boxes I got from Dust-to-Digital recently...

That Fonotone set looks interesting! They must be saving the John Fahey sides for that rumored complete Fahey Fonotone sides boxed set.

Posted

Why does the paper on the back of the box mention under "The Basics":

This year marks the 60th birthday of Keith Jarrett - look for several high profile releases from him

Keith Jarrett records for ECM. His only Columbia album "Expectations" has already been reissued in a definitve version. What releases are they referring to?

Posted

I finally broke down and got this. I'm a Miles completist but only through '69. So far I do like this. Has anyone peeled back the sticker and seen what it says underneath?

Posted

Not at all. Keith's somewhat a favorite of mine.

But a cheap joke's a cheap joke, so you gotta carpe diem!

I've heard that Keith does not appreciate cheap jokes at his expense.

Posted

Not at all. Keith's somewhat a favorite of mine.

But a cheap joke's a cheap joke, so you gotta carpe diem!

I've heard that Keith does not appreciate cheap jokes at his expense.

Good! Maybe he can read that and have a hissy fit over me like he did over Marcus Miller in his notes here... :g

Seriously, I love the cat, but...well...you know. ;)

And even more seriously, does anybody else think that the Friday night sets are the most organic? I mean, you can hear the stuff getting tighter and more telepathic with each set from each night, and on Friday, it just seems like BAM, it's all there. Adding McLaughlin on Saturday certainly didn't make it any worse, but now I'm wondering what the night would have been like if he hadn't been there & if the trend of the week continued.

No matter - this is a great set!

Posted

I agree, Friday seems to have it all. John does shake it up some on Saturday and there are some nice explorations and incredible moments! If he'd been there all week. . .w o w. . . .

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