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Posted

I'm also sparse on Lacy.  Irene Aebi's vocals are an absolute deal breaker for me, and I don't need multiple CD's of him doing Monk, so that leaves me quartets with Waldron and groups with Steve Potts but without Aebi as my sweet spots.

Posted

I was allergic to Aebi for a long time, but I've come around and now think of her as another texture, not a singer or even a voice.

Besides, there's so many excellent Lacy records with her on them that even before I "got" her, I decided not to cut off my nose to spite my face,

Posted (edited)

Yeah, the vocals. Weird. I know that name, Aebi, and that is a matter of taste. It's packed but I think I can obstensibly tolerate the late 70's Black Saint/Soul Note material, e.g., 

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Edited by Holy Ghost
Posted

I find myself more and more addicted to the man’s music. His ability to play both out and in, fresh sound and his whole creative approach to the music is very interesting. It’s always clearly recognizable Lacy on every record yet every record is different from his last. I can’t name one favorite because he played so many styles but if I may categorize them and name a few:

- Solo: 5X Monk 5X Lacy stands out as his very best though solo Lacy is almost always enjoyable.

- The duets with Mal of course: most notably the Dreher stuff, Bimhuis record, Hot House and Sempre Amore. 

- The trios: The Holy La and the Window would be my definite picks.

- The larger groups with Mal: Moods, One-Upmanship, Journey Without End, Hard Talk, Live at Sweet Basil. All essential. 

- Quartets and quintets: Trickles and Revenue

- Sideman on Black Saint: Regeneration, Change of the Season.

- The larger group works from the late 70’s early 80’s with his regular group including Potts and Aebi: Prospectus, The Way and Morning Joy. 

I can deal with Aebi if she sticks mostly to the theme only. If she’s very dominantly present It gets on my nerves. I like her cello playing.

 

 

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