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Posted
35 minutes ago, rostasi said:

Did it rectify your need for bass?

I have only listened for a few hours. But there is a bit more bass right now, which is nice. Things are a bit more complicated than I just need more bass. It's all about a balance throughout the system and specifically how the rectifier and the output tubes "work" together. 

This is a newly "improved" version of my favorite rectifier so far, and there is improvement. And it's the same manufacturer as the output tubes, and the rectifier it is replacing was designed to work well with those.

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Posted
5 hours ago, optatio said:

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It was the first Griff I heard on record. 

I wanted to buy a Griffin record after I had seen him live the first time, but back them there was not much available, you know it was the seventies and you cound buy tons of electric jazz which is also fine for me, but many acoustic albums were OOP or the labels did not exist any more. 

The Blowing Session was on a two-fer album and had as the second disc the "Blowin in from Chicago" with Cliff Jordan and John Gilmore which was also cool for me since I had known Clifford Jordan from my early Mingus albums.

Try to play "The Way You Look Tonight" at that tempo !!!! 
I did and somehow managed to get thru , it was the star of the evening who called it, right on stage and there we went....., I tried it later solo at home and it didn´t run as easily as it did on the spontanous thing on the gig.....
I didn´t have sheet but knew the tune anyway from THIS RECORD.

Posted

“The Complete Freddie Hubbard Blue Note & Impulse Studio Sessions” Mosaic Records

Disc III: READY FOR FREDDIE

Freddie Hubbard, trumpet; Kiane Zawadi (Bernard McKinney), euphonium; Wayne Shorter, tenor sax; McCoy Tyner, piano; Art Davis, bass; Elvin Jones, drums.

 

Posted

Scratching an itch for Duke with some small group recordings of Ellingtonians with Britons on board as well.

Johnny Hodges - Ray Nance - Keith Christie “Homage To The Duke” Esquire/Solid Records Japan

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Posted (edited)
11 hours ago, jazzbo said:

I have only listened for a few hours. But there is a bit more bass right now, which is nice. Things are a bit more complicated than I just need more bass. It's all about a balance throughout the system and specifically how the rectifier and the output tubes "work" together. 

This is a newly "improved" version of my favorite rectifier so far, and there is improvement. And it's the same manufacturer as the output tubes, and the rectifier it is replacing was designed to work well with those.

You must be driving your amp hard if you are actually hearing audible differences in your choice of tubes for your rectifier. In guitar amps, people swap these tubes to soften the highs and it's usually only noticeable when driving the output tubes very hard.

https://www.andertons.co.uk/rectifier-amp-guide

Edited by bresna
Posted (edited)
2 hours ago, bresna said:

You must be driving your amp hard if you are actually hearing audible differences in your choice of tubes for your rectifier. In guitar amps, people swap these tubes to soften the highs and it's usually only noticeable when driving the output tubes very hard.

https://www.andertons.co.uk/rectifier-amp-guide

Not true in my case Kevin. I have always heard audible differences in rectifier in my amps regardless of levels. These are NOT guitar amps. I have those too, been using them for guitar and bass for decades. Different animals, though rectifier tube differences can be heard in these as well when not driven into distortion levels, though more subtle.  

I'm not alone in hearing these differences in types and brands in these amps. In the Decware community it is a common experience, and with other tube amplifier owners as well. Rectifier characteristics are especially easy to hear in amps with tube voltage regulation I find. Mine for the last fifteen years have had tube voltage regulation for input tubes or both input and output tubes.

Edited by jazzbo
Posted (edited)

David Sanchez “Travesia” Columbia cd

Alto Saxophone – Miguel Zenon
Bass – Hans Glawischnig
Drums – Antonio Sanchez
Percussion, Congas – Pernell Saturnino
Piano – Edsel Gomez
Producer, Tenor Saxophone – David Sánchez

I really like the way Sanchez incorporates Latin elements into his work.

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FOLLOWED BY

Another David Sanchez from around the same time. What a band!

David Sanchez “The Departure” Columbia cd

Bass – Andy Gonzalez, Peter Washington

Drums – Leon Parker

Percussion – Milton Cardona

Piano – Danilo Perez

Soprano Saxophone, Tenor Saxophone – David Sanchez

Trumpet – Tom Harrell

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Edited by jazzbo
Posted
4 hours ago, Rabshakeh said:

Did you enjoy this one? I'm really enjoying Courvoisier at the moment, but don't know this record.

Leandre is always a sell.

It's excellent; a true group effort. It might be the first place I heard Courvoisier. 

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