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Posted
10 hours ago, kh1958 said:

Joe Henderson, Consonance, Live at the Jazz Showcase (Resonance)image.jpeg.a727e122a17dfc3682e26327b46fb1ad.jpeg

when was it recorded, who plays on it ? 

 

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Posted

My OG LP of this is not in immaculate shape, and I found it hard to resist going for the “Wheels of Fire” Super Deluxe edition released last week.

This Cream 2 LP set was a favorite of my early growing fascination with music–especially the studio material which is rich and varied, full of then cool hip production and the very intriguing forms and sounds of “Pssing the time” and “As You Said.”

This new edition is pretty good, I’m listening to both versions of the studio material on disc 1 Mine is the Japanese SHM-CD edition, arrived from cdjapan today.

 

 

 

Posted

It´s strange I just purchased it as I am so fond of everything I have from late Trane with Alice, Pharoah and Rashied Ali, Alice´s own albums all of them, Pharoah Sanders as much and as often as i can, both Pharoah and Alice Coltrane.....

 

and finally this one: 

THATS THE MUSIC THAT MOVES ME! 

I have so deep emotions listening to this. It´s like a life large image of Trane, whom I consider almost a saint, like the before mentioned. 

So many emotions, so much love feeling in my soul.....hearing this......

Download.jpg

Posted

Something very different now. 

Now it's Carmen McRae "Bords of a Feather" Decca Japan lp facsimile cd

Ben Webster, Al Cohn, Mundell Lowe and Billy Bauer all stand out here.

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posed-portrait-of-american-jazz-singer-c

Posted

Fascinating stuff, so forward looking!  A fair amount of strangeness mixed in ("The Clown", "Passions of a Man", etc.), but the high points are absolutely staggering!

Charles Mingus - Passions of a Man: The Complete Atlantic Recordings ...

Posted
3 hours ago, Gheorghe said:

when was it recorded, who plays on it ? 

 

February 1978, with Joanne Brackeen on piano, Steve Rodby on bass, and Danny Spencer on drums.

Posted

Araminta, Primary, 1 of 2

5 hours ago, jazzbo said:

My OG LP of this is not in immaculate shape, and I found it hard to resist going for the “Wheels of Fire” Super Deluxe edition released last week.

This Cream 2 LP set was a favorite of my early growing fascination with music–especially the studio material which is rich and varied, full of then cool hip production and the very intriguing forms and sounds of “Pssing the time” and “As You Said.”

This new edition is pretty good, I’m listening to both versions of the studio material on disc 1 Mine is the Japanese SHM-CD edition, arrived from cdjapan today.

8bcfb5089c2457aec2bfcc86fdf047a32408a16a

One of my early favs, too. At first I wasn't going to bother, but I keep thinking I SHOULD get it. For now I'm hoping for some sort of sale, but I'll probably pick it up sooner or later, no matter what.

Posted

Starting off another nice and cool morning with an LP, the second LP from the mosaic Records box set “The Complete Johnny Hodges Sessions 1951 - 1955”

Great music from 1952 sessions.

 

80ee4b584ecc1499f2dafbddd1912e7aaca880be
 
Posted

Grateful Dead, “Dave’s Picks Vol. 57, Uptown Theater, Chicago, 2/2/78” disc 1

Time for some Dead after a bit of time without listening to them. A nice-sounding show indeed, starting off quite mellow.

 

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Posted

Now on to disc 2

Grateful Dead, “Dave’s Picks Vol. 57, Uptown Theater, Chicago, 2/2/78”

I always enjoy a show with Jerry playing Wolf.

 

8550cddb8b16baaf0600d0149d3fbdeecb214169
Posted
13 hours ago, jazzbo said:

Something very different now. 

Now it's Carmen McRae "Bords of a Feather" Decca Japan lp facsimile cd

Ben Webster, Al Cohn, Mundell Lowe and Billy Bauer all stand out here.

lvPhf0HCzaNyY4a6zzCQY1WnbEN5fCjifro6xhIB

 

 

Not a bad record but surely one of the silliest gimmicks. 

I went to a recent gig that involved an electroacoustic glitch breakdown of her version of "Flamingo" from this record, over a projected home video of flying flamingos. It wasn't great, but I enjoyed Ms. McRae every time. 

Posted
2 hours ago, Rabshakeh said:

Not a bad record but surely one of the silliest gimmicks. 

I went to a recent gig that involved an electroacoustic glitch breakdown of her version of "Flamingo" from this record, over a projected home video of flying flamingos. It wasn't great, but I enjoyed Ms. McRae every time. 

I've enjoyed this recording a long time. I think in general it works despite being gimmicky. . .it was par for the course in '59, not that unusual a premise for an album.

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