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Dying For Sex - HULU

I get dizzy reading that!

Been close to 20 years since I’ve heard “Turkish Women” — and only briefly (must have had a friend spin theirs, I’m guessing — or I sampled it in-store, possibly — and I passed on it). Perhaps I should start an entirely different thread for jazz studio albums that sound noticeably worse than their recording date would suggest they ought to. Live — now that’s a whole different story — and the range of live recordings of every sort of sound quality have been issued (based on the import of the recording, usually). But there can’t be more than a dozen (or perhaps two dozen) studio albums that truly sound way, WAY worse than they ought to. (I mean there’s “not particularly good” — and then there’s “inexplicably bad”.)

yes, the Cecil and Ayler stuff was on Debut (as well as Bley's "Touching") and then folded into Fontana under Bates' direction. Danish Debut was a fan club label that licensed some American Debut titles as well as releasing music by Danish musicians and visiting Americans... some of the Danish productions were licensed back to Fantasy in the '60s (Ayler, Taylor, Pettiford). Bates didn't seem to have much interest in picking up the titles by Danish artists, some of which have been reissued by various companies overt the years. Earlier thread is here:

July 14 George Lewis - 1952

That's too bad. I certainly remember his posting in this community, though IIRC it had been a while.

So that's how Freedom ended up with Cecil's Nefertiti...? And some of the Ayler? The revived Candid catalog seems to have vanished from the collective consciousness? 0h, how did Bates get that Debut catalog?

The Essen date was a Danish Debut originally and Bates got that catalog. I have the PJJ on Polydor UK and it sounds great. Fabulous session.

Mixture of smaller & larger groups on the first two, Algonquin is a bigger band throughout. I’d say it’s integral in either case!

Very sorry to hear this. Victor visited me once when I was living in Paris. He was a wonderful person. RIP

I really like the Villa-Lobos string quartets (Cuarteto Latinoamericano) on Dorian. I own all but one of the component CDs. That is an attractive offer.

PM sent on Mayall box.

How did they end up with that Essen date with Bud & Hawk?

When I think of Black Lion I think of Dexter, Webster and Griffin at Cafe Montmartre. The Muzak editions of these sound so darned good!

It's worse than the audio of Pete La Roca's "Turkish Women At The Bath"? That's hard to do.

Unless otherwise noted all sets are excellent condition unless noted. Many discs are unplayed and most booklets in the sets are unread. Shipping is at cost via usps media mail. Payment by PayPal FF. Thank you. ***Take the whole lot for $450 (plus shipping)! Instant classical collection!*** Pierre Boulez- Oevres Completes- Complete Works- $50 Julliard String Quartets- Complete RCA Recordings 1957-60- $25 Julliard String Quartets- Complete Epic Recordings 1956-66- $60 Mediterranean Music Baroque Edition- $25 Court Music Edition- $12 Vivarte 60 CD Collection (Vol. 2- Still Sealed)- $48 The Heifetz-Piatigorsky Concerts Album Collection- $32 Amadeus Quartet- Complete Recordings on DG- $175 Gidon Kremer- Violin Sonatas and Other Chamber Works- $32 Boulez- Complete Webern- $32 Works of Igor Stravinsky (22 CDS)- $35 Julian Bream- My Favorite Albums- $20 The Alban Berg Collection- $30 Elliott Carter- A Nonesuch Retrospective- $15 Carl Nielsen- Masterworks Vol. 2- $40 Villa-Lobos- Complete String Quartets (Dorian Label) Split on top of clamshell case- $20 The Ligeti Project- $30Alexandre Lagoya- L’art De…- $20

Thoughts?

Southern Draw Cigars are usually pretty expensive, but Cigar Page has a special on one through tomorrow. Reserva 1836 Connecticut Robusto P647 - 20 for $49.99, with free shipping. https://www.cigarpage.com/southern-draw-reserva-1836.html

Speaking of Black Lion (and Freedom)… …anyone have any insights about this date?? Philly Joe — Mo Joe (as it came out on Black Lion) I used to have the presumably domestic (US) Black Lion CD issue of Mo Joe — and iirc, it might have been the second worst sounding post-1950 studio jazz album I’ve ever heard (#1 being Stanley Cowell’s Brilliant Circles, at least as it came out on CD specially via Black Lion). What’s the deal with Mo Joe? I also vaguely remember the music itself being sorta promising — but the SQ was sure thick and chunky (unless I’m remembering wrong, been 15+ years since I’ve heard it / had my copy).

When I think of Black Lion, I think of Monk's post-Columbia sessions.

There were certainly some Black Lion LPs that consisted of new or relatively new material -- Dexter Gordon Montmartre, Dollar Brand, Philly Joe Jones, and Ray Russell come to mind.