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Posted
Just now, jazzbo said:

Cool. My two cents. . . the Japanese label "licensed" this recording and if that is true I'd believe their dating more than. . . Joker Records. 

There is no evidence of Mingus recordings from 1969, but who knows ....btw do like the frontline with McPherson + Jones + Preston, so great to have the music ....

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Posted

Joker was a bootleg/grey market label (Italian in origin, IIRC?) of the 70s that put out some great stuff, that's floated around in different guises for years, notably ton he Lotus label.

NP:

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More Hale Smith, please!

Posted

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Disc 2 - Originally released as Fathead Comes On and House of David

 

 

8 hours ago, Gheorghe said:

I also have this. My wife bought it for me last Chrismas, since she knew I have a lot of Diz but never saw this one in my collections. 

I like it mostly for the fact my wife bought it, yeah it swings and you can really close your eyes and relax listening to it.

But I must also state, that it doesnt really work together Basie and Diz. First of all they didn´t seem to get a lot of common material, most of it is blues, with the excepetion of "Ow" based on Rhythm Changes. But IMHO Basie has a too spare piano style to make such a small group album. His little phrases, a note here, a note there is mighty fine with the Basie Big Band, and maybe on the Basie All Star Jams for Pablo, but here, let´s say playing a very slow blues, there is not very much happening . He even plays lesser notes than Tadd Dameron, who sometimes was critizized for is lack of pianism, but Tadd really plays stuff on the quartet album with Trane. And somehow, Ray Brown always is too loud. 

The cover photo...... well that´s some pseudo 70´s scene. Dizzy might have been in his late 50´s but tries to wear 70´s closes and hippie like sittin on the floor. 

Funny how we all hear things so differently.  Because I love that album. 

To my ears, it's a bit of a stylistic and generational "mismatch" -- perhaps comparable to Ellington's recordings with Coltrane -- that works beautifully despite those differences (and maybe even, on some level, because of those differences).

 

Posted
13 minutes ago, HutchFan said:

 

 

Funny how we all hear things so differently.  Because I love that album. 

To my ears, it's a bit of a stylistic and generational "mismatch" -- perhaps comparable to Ellington's recordings with Coltrane -- that works beautifully despite those differences (and maybe even, on some level, because of those differences).

 

The small group Pablo releases featuring Basie, which I ignored at the time, have proven to be a bountiful treasure. Thanks once again, Norman Granz, for  capturing it on record.

Posted (edited)
20 hours ago, The Magnificent Goldberg said:

Lionel Hampton Big band - Clef 1955

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:tup

17 hours ago, Dub Modal said:

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:tup Love those early Montgomerys!

Edited by BillF
Posted

Stan Getzz Quartet wtih Astrud Gilberto "Live at the Berlin Jazz Festival 1966" The Lost Recordings, disc 2
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Astrud is on this disc from the start, absent from disc 1.

 

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