Chuck Nessa

I only lasted for a couple of pages. DANG!!!!!!!!!!!!

PLEASE tell what you know and from which sources.

She was the "go to girl" in the dorm as I understood it. Go to it girl!

Thanks for the clarification. I feel a bunch better now. Ethel could kick out the jams. I had a cousin who made millions selling her hairpins.

Was that to replace the Patti Page you'd programmed?

Please demonstrate the position.

and my wife, Ann.

Jonas Kullhammar may be a cool player but the real question is does he allow taping?

JOE SMITH, great trumpeter with Fletcher Henderson and others. I think I have the winner here.

Most (if not all) of the masters are owned by the leaders of the dates. Many of the issued cds are legally questionable. I know Mary Ellen Rouse (Charlie's widow) had to hire a lawyer to get her masters back and stop the marketing of the cd. I believe the date with Bartz, Hancock, etc was a Black Lion recording currently owned by DA Music. Clifford Jordan owned his masters and all the stuff in the "Dolphy Series" - Cecil Payne, Charles Brackeen, etc. I believe he sold the Sanders master to Arista (or someone). I know this 'cause he offered the lot to me. This is a mess, never to be really resolved.

Frank was the one in disguise. Do you know who he was?

Imagine how you'd feel if your name was Tate.

They provide a great place to hang those wardrobe bags.

Having been part of negotiations with dozens of musicians concerning broadcasts of performances, I can say most were concerned with the future dispersal of the material and some declined. The contracts specified a one time broadcast and copyright protections. You are free to interpret the wishes of the artists and parse these against your interpretation of the legalities. Folks mentioned above include McCoy Tyner, Max Roach, Stanley Turrentine, Freddie Hubbard, Earl Hines, Benny Carter, Benny Goodman, Herbie Hancock, Miles Davis, Anthony Braxton , Art Hodes, Sarah Vaughan, Lester Bowie, Cecil Taylor, Bud Freeman, Betty Carter, Jimmy Smith, Steve Lacy, Ahmad Jamal, Dizzy Gillespie, etc. I think you get the idea.

Most of the problem is a series of laws giving "property rights" more power than "intellectual rights", and a segment of the population sees this as a "window of opportunity" to take what they want.* There are creeps in every crowd, I just hope the crowd doesn't continue to grow as it has in the last 15 years. * the root of the property vs intellectual struggle is it's the property guys with the bulk of the bucks, thus political power. This exists everywhere.

Received my order too. Thanks.

I fear for our future. Looks mighty bleak to me.

I'd really like some explaination of the meaning of these sentences.

Just want to point out I did not call you "ignorant or racist". The pm was sent to save this kind of exchange, but you thwarted my intention.

Horse shit! I sent a pm stating: You used this term in the More Brit-Jazz Vocalion Reissues Coming Up, 'Will Power' etc.... thread. Most folks of Japanese heritage react to this as a number of Americans react to nigger. This term is a "hold over" from WWII.

I think it sucks big time. Or I would if I listened. Where the the corps find these people?

Since Clifford won't show, neither will I.

Michael, our daughter lives in the area and is always looking for "jazz" gigs to take her friends. I'll forward this thread and maybe you get 2 more tickets sold.

So,,,,,,,,,,how have your pretensions paid off?

Now I've finished the whole deal and will burn my cds. Tomorrow Vienna.