Chuck Nessa

Keep the old ones for the extra material and keep the RVGs for the sound. That's what I did.

Are you sure you don't mean "edible"?

Don't have the Purvis set, but if MB had anything to do with it, that must be supplying dubs from the Columbia vaults - not an entirely "clean" operation.

Sorry for my ERROR. I guess I'll start destroying my master tapes in 13 years or leave instructions for my kids. Boy, society wins at all costs. Thanks WORLD! Please tell me again about the stupid companies not protecting their masters. What a load of CRAP. Understand, my interest is "art before commerce" and "people before corporations", BUT we have a huge problem here.

PLEASE tell me why any company should spend money to preserve "original sources" after the Euro 50 year limit.

Right,,,,,,ya, I buy the 2nd story. 1422, I always thought that meant jazz. I hit the semi magic 60 this year. Damn, wish I wasn't so STUPID.

I personally exclude Mr. Bock from the producers "pantheon" for his "production/editing" of any number of dates. I am thankful he lived and worked, but................

Sorry BUTTTTTTTT - I have never read a "review" on the sight that gave me anything I could consider "insight". It all seems like a high school paper. Sorry, wish it was more.

What Mike said. AND please don't be a "stupid high schooler". Tom E is more a friend than enemy. Grow up, let the old board go and move on. Any negative responses (from us) to Tom on the AAJ site will reflect negatively on this group. Please act like an adult.

As probably, the only group member to have spoken to Mr. Thompson, screw the earlier times. Lucky is where he needs to be. Thank you.

Lots of insight and lots of stupidity in the Organissimo forum. 'supta' you.

Catching up on this thread, I was surprised to see this. I had a phone message yesterday from Lazaro inviting me to the radio station for a live broadcast at 10 PM. It was a Gebhard Ullman/Steve Swell group and Barry was on drums. What a delightful way to spend the evening. I had not heard Barry in over 20 years and he sounded terrific.

Please say "hi" to both JRM and DG people for me. They both get bucks from me.

Thanks for posting this. Great to see the shots.

Depending on the room, I would NEVER place speakers over 8 feet apart for "critical" listening. Anything greater is "show biz" in my world. YMMV.

????????? Revenues, wtf am that?

Please, no value judgments - Dan has his qualities and I have mine. Let us move on.

I will stand here as the dumb, stupid, etc. Can we please move on? I was wrong at every turn. OK?

Yup, whatever anyone said. They be a GREAT source for a bunch of stuff we like. All need to understand, nomatter the hippness of the "site", their inventory is small.

Sorry to be the topic in a thread, but I tried to stay away from Dan (my dastardly enemy). But, NOOOOOOOOO, he took a swiipe at me in another thread. I reacted like a "high school student". DAMN! Fight it out you "knaves", the SMART against the STUPID!!!!!!!!!

I have been corresponding with Jason Marsh (Warne's younger son). I gave him a link to this thread 'cause I thought he might enjoy it. I hope he chooses to participate. Jason currently lives in Japan and he plays electric bass.

'Bout time!

He was a good guy! Interesting that Les and Norman Granz were "refugees" from the film biz, thanks to HUAC.

For quality, I completely agree with jhoots. You can get the rest later.