Chuck Nessa

Disk Union has an agent in LA who purchases cds for shipment to Japan. I think they buy Mosaics at full price. I know when my Art Ensemble set was issued they bought 75 of them for $75 each.

I guess it's a fair question since it is the 2nd time I heard it today. Yes, that's what I looked like back then. That's veteran recording engineer Stu Black in the background, and a bottle of cognac. Don't expect any extras when Hat reissues NPU.

After hearing him 3 times, I agree with Sal. I hope I'm wrong. I hope he works with the AEC.

I did not vote 'cause there are 2 '60s Mobleys. The Soul Station/Roll Call/Workout/Another Workout records are different from the later (fine) recordings. Hank went through some changes.

Sorry, the Kronos gives me the "heebie jeebies" nomatter the music they play.

I misread the header and thought they'd found a 300 lp, 12 year-old. Bunch of those in my town.

Very nice review, and accurate. Another fine disc by a list member.

There are 3 Marsh/Mitchell duo cds. Fresh Sounds issued an NPR broadcast and Storyville issued 2 cds from a concert in Sweden. Your initial post has me thinking of making an "annotated" list of Warne's recordings. If I ever find the damn time.

Walter Bruyninckx is a discographer who's been publishing discos for decades. His current work (in progress) is a cd-rom titled "85 Years of Recorded Jazz". The final version should be out this summer. You can get some info here .

This material comes from a Boris Rose label called Enigma. The Enigma stuff was subsequently booted by Jazz Connoisseur, Musidisc and a host of others.

Bruyninckx lists Hawk as a "possible" alto player on 4 tunes from circa Sept 5 & 10, 1922. The first "positive" listing is an Okeh session listed as from "c. early May, 1922". He is listed on tenor for that date.

WTF!

You old softy.

I have to admit I'm amazed. I thought if I listed all the takes someone would bitch about music they were "deprived of". It has not happened.

Read the damn thread.

Mike, I anguished over the word "arrogant" and could not find a suitable substitute. I hoped to defuse it a bit by my statement about "learning" from Shipton. I think "unified" visions of the whole history are helpful.

Friday, Feb. 20, 1976 Takes 1 Lunarcy 2 I Have a Good One (fs) 3 I Have a Good One (fs) 4 I Have a Good One 5 I Have a Good One 6 I Have a Good One 7 A Time For Love 8 A Time For Love 9 I Have A Good One 10 317 E 32nd (incomplete) 11 317 E 32nd 12 Background Music Saturday, Feb. 21, 1976 13 I Have a Good One 14 On Purpose 15 On Purpose 16 On Purpose 17 Subconscious-Lee (fs) 18 Subconscious-Lee 19 A Time For Love (incomplete) 20 317 E 32nd (fs) 21 317 E 32nd (incomplete) 22 317 E 32nd 23 Background Music (incomplete) 24 Background Music 25 Lunarcy 26 Easy Living 27 Easy Living (incomplete) 28 Easy Living 29 A Time For Love (fs) 30 A Time For Love (incomplete) 31 A Time For Love (incomplete)

As I've said before, I power up around 7 am, open 3 or 4 browsers and leave it on 'til bed time. One browser is always open to Organissimo and I check it and read all through the day.

NOT Bunk! A later period. Seems familiar - maybe in the morning.

This might be an arrogant mistake. I don't say this lightly, but I learn something from most things I read - even if it makes me feel superior to the author. Have not read Gioia, but Shipton told me about history I witnessed and missed.

Sam and his drummer brother Phil were Chicago mainstays in the day. They were everywhere. Maybe Larry can offer more.

Around 1968 I heard a Klemmer quartet in an "Old Town" club. The band included Sam Thomas on guitar, Malachi Favors on bass and Hal Russell on drums.

The session take numbers are listed on the back of the tray card. If anyone is interested, I could post a list of all takes from the sessions.

That recording of "Good One" was recorded after a couple of versions of "A Time For Love", as indicated by the take numbers. Lou simply stayed on the Rhodes for take 9.

What time was this on?