rostasi

Well, "Too Expensive" was part of the Front Line era (which I document some here), but it was just too slick for that, so it was kinda off-putting for me. But it was actually surrounded by some choice stuff. Also, if you're interested in Bubble from the next decade or selected dub, then I've got some mixes you'll (hopefully) enjoy. Always too much left out ...

The more I listen to #9, the more I get a Jeter Thompson vibe. Just can't put my finger on this. A surprising Eddie Higgins rendition of something? Well, I'm just guessing now. This era... wow ... just don't know...

Oh, I should've recognized this voice. I didn't get introduced to Keith Hudson until 1976 - and the introduction was thru an album that really wasn't very good ("Too Expensive"), but after resisting, I became re-introduced to him and learned to quite enjoy him. Good to hear this! Thanks!

Tangents - I Ollie Bown – computer Peter Hollo – cello, electronics Shoeb Ahmad – guitar, computer Adrian Lim-Klumpes – piano, flute, electronics Evan Dorrian – drums

Lovely memories of that Carn album... Wispy memories of that Miles performance...

I have quite a bit of McWhorter’s talks on linguistics that I like.

"I can't seem to face up to the facts I'm tense and nervous and I can't relax I can't sleep 'cause my bed's on fire Don't touch me I'm a real live wire..."

Yes! In the late 60s/early 70s when I was buying anything "...Space Odyssey" related, I had that album pictured in the third video down. Wanting to hear more, I bought a copy of the full work on Philips and, I think, Caprice (which was releasing some fine tape music pieces at the time).

Relax.

I enjoy Dave Sumner's Bandcamp jazz reviews after discovering him at a music forum I spend time at and I started reading Pete Margasak's reviews after I discovered that he was hired for a position that I had left in Chicago. I'm still devoted to The Wire magazine. I like the variety of the reviews and the personalities shine thru in such a way that it can be a marker for how much you give credence to what they have to say (and the way that they say it).

I really kinda thought that it might happen 'cause it was right at the feet of the bear.

Kinda disappointed that the bear didn't pick up the garmon and start playing.

Alan Bishop. Voice. Soprano Sax Joel Robinson. Guitar. Saz. Oud. Sax -wdo. Prepared Computer. Mix

At the waste dump in Holy City!