mikeweil

Better quality here: http://www.cantando.ch/images/cover_schultz.jpg

Absolutely beautiful with just four strings (the way it was originally performed by the composer) and a piano owned by one of Chopin's pupils!

Strange that this very elaborate Joe Henderson Discography has nothing about these extra or substituted tracks. If you have proof of evidence, please contact the author.

Here's an appetizer, Willism Babell's transcription of a Händel opera aria that shows pretty well what you can do. The player, Alexander von Heissen, is a rising star on the scene I witnessed his exams concert at the Frankfurt music university a year ago and have a ticket for his concert at the city's biggest venue next week. The man who built this copy of a Ruckers instrument happens to have his workshop in a 18th century house in Frankfurt where my grandparents used to live, btw.

Excellent beautiful music, as if three jazz masters had an impromptu jam session. Only that that these are Wes African master musicicians.

German retailers have it up for pre-order as well.

My experienc with classical forums is that they are dominated by music lovers that prefer performances on modern piano and know little about harpsichord performance or are even opposed to it. Okay, I will try to do my best and explain some about the history of the instrument and the approaches to intrerpreting the music. It's a complex but intriguing subject.

From this, the Power To The People album.

Only the bundles with other reissues are exclusive Craft items.

I think we need to distinguish between modern harpsichords as built in the early 20th century as used by Landowska and in latter day pop and jazz, and baroqoue music played on historic instruments or copies, since these are totally different musical worlds. I will startanother thread. The excellent Rameau disc is an example for the latter is an example for historially informed practice.

It really is. I had not listened to this since I bought it and pulled it to find out whether I need the Byas Mosaic set. But it will be hard to gather the funds for it this year. Engineers back then had the problem that bass drum kicks could throw the cutting stylus out of the groove. That is why they held back or were muffled. And that is how it became a standard in the recording business. I agree with you. Drummers and rhythm are so underrated.

AFAIK there is no such thread. Somebody will have to start one ....

This probably was the release that initiated my love for harpsichord music, although the sound disappoints me after so many years. Almost monophonic, and the microphones at too much of a distance, as if it were a grand piano in a concert hall. There are many better sounding recordings from that time (1976). Alan Curtis plays very well, though. The cover, btw, shows the harpschord lid of Balbastre's own instrument, used later by the Pleyel company to build a fortepiano.

Fascinating event. I can recommend this box set, even though it is not in strict performance order: https://www.discogs.com/release/1380607-Various-From-Spirituals-To-Swing-The-Legendary-1938-1939-Carnegie-Hall-Concerts-Produced-By-John-Ham

Very fruity without being sweet - it probably needs to rest for a year or two to develop. Pure Carignan from at least 40 year old vines.

The weekend bottle, simply one of our favourites, from Carignan grapes: Roche de Belanne 2022 Les Producteurs Réunis - Pays d'Herault