mjazzg

Nice

That I'd like to see. I hope you enjoyed it

Whereas my mother's dementia meant that not only was she unable to use the phone for the last two years of her life but that she was also scared and intimidated by it. I therefore stopped trying to speak with her on the phone as it was far too upsetting for her. I also worked with people with dementia who no longer had any concept of time of day. They would telephone people at any and all times be that 3.00pm or 3.00am. Everyone's experience of dementia is very individual. There are reasons why restricting access to a telephone is maybe not as cruel as it may sound without knowing the full context.

Marshall Allen...

Yep

Hopefully this will https://rienakajima.bandcamp.com/album/1-may-2018 Title is 1 May 2018, under Nakajima's name, on Bandcamp

Yes, Sakata was pretty extraordinary. I'd not seen him before and had few preconceptions. This wasn't the fire breathing Sakata but a far more considered approach. A beautiful tone on both sax and clarinet, especially clarinet. Duo with what I think was some kind of no contact mic set up creating a percussive undertow. Then a trio with Rie Nakajima's small percussion and a poet reciting, in Japanese. Sakata also sang/ intoned and played bells. All quite spellbinding It was very reminiscent of this very good album https://rienakajima.bandcamp.com/album/1-may-2018

Enjoy that, I like Arbenz and used to buy everything Osby released. I nearly booked for it but decided on Sakata at Oto as this week's trip out. I wasn't disappointed.

Young people listening rapt to EP and PB, whatever next, that's Oto for you! Flippancy aside, I think you hit several nails squarely on the head. Alice as the most hip of the Coltranes is very apparent I think. I'm listening to Kahil El'Zabar at the moment. Someone else whose recognition levels in the east of Dalston population is high. Deservedly so, and I think a positive example of how a younger audience can connect to someone who's most definitely paid his dues, several times over and deserves the benefits.

Can't beat a good chip butty https://en.wikipedia.org/wiki/Chip_butty

Consider me notionally expectant

Yeah, over here too

I'm enjoying this thread, possibly more than the notional book that @Rabshakehis writing on the subject A personal take, listening to Sanborn, The Crusaders and Grover in the mid-late 70s I had no concept of them as Jazz but as extension of War, EW&F etc. This was definitely "Soul Boy" music. (and this at a time when an initial exposure to A Love Supreme left me completely cold and befuddled). I now realise that they were very important early gateways to many years of Jazz listening and as such I request our esteemed writer gives them a chapter in his book.

Welcome aboard!

Where's Soulpope when you need him