I believe acoustic upright bass will remain the dominant force in jazz bass playing.
"Electric" bass has its place.
Also depends to some extent on who's playing.
For example, I've always liked Steve Swallow's playing.
Bob Cranshaw is O.K. too.
A lot of the others (electric bass players) leave me cold.
The Magic Of Ju-Ju
The recent quartet CDs on Venus are the best examples of "latter day" Shepp IMHO.
There's a new Shepp on a label I've never heard of called Tomorrow Will Be Another Day.
Haven't heard it yet. Caught my eye because it has Amina Claudine Meyer (?sp.) on piano.
Anyone listen to this one yet?
People say they're nauseous.
Nauseous means capable of causing nausea.
When you're sick to your stomach, you're nauseated.
Of course, some who say they're nauseous really are.
Eugene Wright was a more than competent bass player.
I saw Brubeck in person recently.
He looks and sounds great.
His touring schedule would "kill" someone half his age.
There's no Desmond in the group, but it was still a great concert.
I've heard of him but have never heard him.
There are reviews of 2 CDs of his in the Dec. issue of Downbeat.
They sound interesting although I admit to being a little "nervous" about electronics, voices & poetry in one of them.
The other sounds like a more straight forward quartet.
I'll wait for a few more "opinions".
I heard live recently a Connie Crothers led group with Tabnik.
While the Tristano "influence" was certainly present, there was more rhythmic diversity.
The drummer was much freer, & overall the music was quite intriguing.
Send an e-mail to sharp9@comcast.net
It's finished but not due out in the U.S. for 2-3 months (I think).
I believe Marc could be persuaded to send you a copy at the usual price he charges on the SharpNine
website. Mine was mailed on Friday.