I was actually listening to much of his 50's work this morning, including non-jazz cuts he laid down for 45's back in that period. Many of them were fairly horrid doo-wop/novelty types of sides, but some were pretty good. They all sounded (of course) like they were recorded on a different planet, but so did a lot of pop/rock/r&b stuff from the 50's, including a lot of huge hits ("Purple People Eater", "The Witch Doctor", "Sea of Love", "Stranded in the Jungle" etc etc). And it occurred to me - what if one of those records had taken off and become a left-field hit? Would he have become a pop record producer, and we would have been without his recorded and cultural legacy? Just found it an interesting thought.