danasgoodstuff

a fireball

Yes, free jazz and pop of various sorts were often targets. And on organ dates, weirdly enough, other organ players were often dissed.

Those are genius notes, the Monk/Hardin ones are pretty good too. Lee Morgan, If I Were... The worst jazz album notes from the '70s are ones on reissues that piss and moan about fusion when it's totally irrelevant to the subject at hand.

This, or something very like it.

Black Beauty with just Corea but not Jarrett and Grossman is in that timeframe too. I don't know that I prefer Leibman to any of the other post-Shorter sax players with Miles - Grossman, Bartz, Garnett, Sonny Fortune, they are all fine players. As is Leibman, they each brought their own thing.

That's nice, especially the baritone sax. I like the 10" he did for Blue Note, do they even still own that?

I'll be that guy - I find the RCA era, and the Impulse as well, to be kind of a mess. All over the place in approach and the quality of the end results. There certainly are things I love, and they're different than the other eras, but there's plenty that's just not there for me too. FWIW, which may not be much. And as I think I've said here and probably more than once, I'm with JSngry in finding much to love in the last half of his career (Next Album to the end).

Congratulations Allen.

Thank you!

I'm hard pressed to think of 30 albums of any kind from that year that I'd put on a list.

Gato had two albums out that year that I liked, Latin America Chpt 3 with a big band and Yesterdays.

I had a chance earlier this year to thank Cheryl P for all her hard work on this years long project, so I did.

Thanks, that was indeed lovely.

Blue Velvet, The Clovers, I think that's Gator Tail on the sax

To my surprise, no I don't think either has been mentioned. since I have the Elvis on an otherwise non-Xmas all blues compilation, it gets played year-round. Thanks.

Finally got a hard copy of this one, so I now have everything Muddy did for Chess save for a few singles. And Electric Mud and After the Rain and the Super Duper Pooper Scooper albums, 'cause I don't like those. No haycorns or thistles either. But still, lots of Muddy to listen to in various configurations.

The second one i posted is a series drawn from the Imperial label. There is a good box of things on Specialty:

Wild sax from the aforementioned Savoy Roots of Rock and Roll series, the sounds are as epic as the cover art. I have several volumes from this series, to which the guys from Canned Heat contributed rare 78s

What a crazy game. That was Toronto's QB's first ever playoff game. Spent most of his life as a backup, all the way back to high school. So many interceptions, but not on him - on the Blue Bomber's experienced QB.

This and other Blue Note from the '40s that's now redundant for me that I'm going to send to my brother as soon as I finish writing something about it.

Regarding the subscription thing, just another reason to be glad I already have a near complete BN collection.

and it was too old, not ugly. Hopkins was a great player. Also played in the first Jeff Beck Group with Rod, Ronnie, and Micky Waller

Winnepeg, 60 points

Lou made fun records in many styles, serious fun. And he brought Horace Silver and Grant Green to BN. IIRC he played on early recordings of both Round Midnight and Bags Groove. You could do comps of him doing R&B covers (and singing on them!) and playing Charlie Parker tunes and playing pretty on standards, and all 3 would be great.

My dad was a big Sellers fan, especially The Mouse That Roared and the Goon Show, so it's hard for me to separate that from my appreciation of Sellers. It's kind of odd because my dad wasn't like Sellers at all. very solid and stable.