B. Clugston

Interesting news on Resonance in this interview: "Since then, Feldman has been vetting literally hundreds of historical recordings—mostly for Resonance, where he’s executive vice-president and general manager. Next up for release? A long-lost 1959 studio date by none other than Thelonious Monk. He’s also been handed the keys to the Radio France archives, and has dibs on a greater treasure than the fabled Ark of the Covenant: 12 hours of music by the artist many consider the best saxophonist of all time. Feldman’s not quite ready to name names, so let’s just say that any jazz fan would consider their release a giant step for humanity." http://www.straight.com/music/829826/los-angeles-jazz-detective-zev-feldman-unearths-hidden-treasures

A belated happy birthday to you! Hope you got some nice music.

RIP. That bass line on "The Sidewinder" is what most people remember, but he did a lot great work elsewhere. Me too. When I saw him with Sonny, he had this big grin the entire time. Seemed like a really nice guy based on interviews I've seen of him.

Track 6 is a Steve Lacy composition called "Bone," but I haven't a clue who the musicians are. I agree the bass is great on that one. Stumped on the others too, but am really enjoying every track. Track 2 in particular is great--the clarinet player sounds like Buddy DeFranco meets Philip Rehfeldt.

Julius Hemphill, Raw Materials and Residuals (Black Saint) Miles Davis, Big Fun (Columbia)

It looks like the much-bootlegged Oct. 15, 1970 radio broadcast. Great music, but I'm sure you can get it for free where Left Field found it.

I was sorry to hear this. I used to work in the same town where he once lived and would see him at McDonald's in the morning, drinking coffee and reading the paper. I never had any interactions with him, but the regulars would always say "Hiya Bill."

I've wondered what the story is too. My copy has the TMS label and a Kabell sticker covering up the TMS reference on the cover. There's also a small square of type pasted on the back referencing Kabell. Great music whatever the presentation is.

Why Capitol Records' vinyl master Ron McMaster is busier than ever

Looks like the Last Tour was released earlier this year on Emanem: http://www.emanemdisc.com/E5039.html

I was just listening to his fantastic drumming on Steve Lacy's Capers just the other day. Definitely not forgotten.

Seiji Ozawa, Yomiuri Nippon Orchestra, Orchestral Space ( Varèse Sarabende). Stiff reading of Ligeti's "Atmospheres," ring modulator fun with Ichiyanagi, plus fascinating pieces from Xenakis and Takemitsu. Giorgio Gaslini, Gaslini Plays Monk (Soul Note). One of my favourite all-Monk LPs--Gaslini puts a neat spin on Monk.

When I saw the thread title, that was the first LP that came to mind. Great stuff.

The latest issue of Sound American us all about Braxton: https://tricentricfoundation.org/index.php/news/sound-american-anthony-braxton-issue-now-available.html

In honour of Albert Ayler's birthday... Bells (ESP) and Lorrach/Paris (hat MUSICS)

That's Fascinating Rhythm? I actually found a Chekasin LP and a Delius/Beecham box set with book when I was there, but otherwise it was as you described. On the bright side, at least their reissues and fusiony crap are cheaper than a certain west side Vancouver record store.

John Stevens also wrote some good tunes. No Fear (Spotlite, UK), for example, has some good ones.

Me too. Hal Russell is another, though he played other instruments.

Various compositions by Hungarian composer Istvan Lang. Another great album of modern Hungarian compositions on the Hungaroton label.

Sad news. Smoker was a very interesting player. I like his story about how he wound up playing with Braxton, which is in Mixtery, edited by Graham Lock. He saw Braxton in concert in Portland and met him backstage. The next day it turns out they were on the same plane together and they hit it off. Braxton asked Smoker to send him a tape. After much procrastinating, a tape was sent and soon after, Smoker was asked to join Braxton to do a couple of dates playing Composition 98. Braxton told him to get his music released: "You're committing a crime if you don't get it out!"

That was a great BFT. I especially enjoyed the Takeru Muraoka track.

The t is pronounced in my part of the world.

Sanborn is great on Tim Berne's Diminutive Mysteries (Mostly Hemphill). He's also guested with John Zorn the odd time.

I love that album. The hand of Manfred is apparent and it sounds more like at a Kenny Wheeler album at times, but all the more fascinating to hear Adams in this context. Heinz Sauer is also part of what is a really interesting group.

That Lucky LP is a great one. Hamilton really shines on it.