Credited with more or less inaugurating a new sub-genre of sf (well, along with a few early Bruce Sterling things.) For all that, I never much cared for it.
I loved it, but I had that feeling while reading it that Gibson would be one of those one trick pony types. I can't say Count Zero completely knocked that impression out, but I was pleasantly surprised with it. On the other hand, I decided to put off Mona Lisa Overdrive for a bit; it isn't really a series, but rather more of a set of books with a common background. Instead I went with this to follow:
Nowhere near the level of Childhood's End, but still a good read.
After years of being a Clarke fan, I concluded that none of his novels are as good as Childhood's End.