Very true. I listened to both discs today, and was amazed at how good these new transfers sound. The "tap-dancer" is completely gone from Disposability. Carter's bass is slightly more up-front, Lacy is a few feet back, and Romano, though slightly further back in the mix, is very clear. In fact, this new reissue had me pay attention to Romano's playing much closer than before. What a great free drummer he was during this period. What he has to say is much different than, say, Ed Blackwell or (especially) Sunny Murray. Romano puts a fair amount of space, or "windows," into his playing — the result is drumming that simultaneously explodes and floats.
The bonus sessions are good. The film cues are interesting (though I've never been able to get with Berger's playing), while the 1972 work on Disc 2 is amazing. I have to re-listen to those three tracks.