Brad

I seem to remember it on a cd (other than Mosaic), but could be in error.

David, that episode came to mind when I saw the title of the thread. That’s a Picasso painting, Three Musicians.

I was planning to purchase the vinyl, maybe the CD but I think I will just stick with my JRVG.

Hope you make a quick recovery.

I received an email from Tommy saying she was going out of business. When I questioned him about it, he said “they will be gone from her stock in about a month. They are going out of business. Her words to me unless she is lying. ‘I did reply Tom. Said I’m going out of business.’”

Looks like that album has seen better days.

Nope.

I used to read his stuff on his Substack page and Twitter but stopped doing so, I found him tiring.

I have all or almost all of these. Just can’t see purchasing this set, plus he’s not my favorite trumpet player. 😂

My late boss who was a big jazz fan used to say that I only listened to the “dead guys” and by and large he was right. I don’t really listen to the current BN artists save maybe for Charlap. Does that bother me? Nope. Happy where I am. As a matter of fact don’t listen to a whole lot of BN anymore. As you said it’s not really a label it’s a brand.

Lucky you.

We’re hip to it so that’s all that matters.

Listened to this recently. Such beautiful playing. Makes me regret not buying the Mosaic.

Haven’t listened to this yet but might be interesting. With Times’ Jazz writer Giovanni Russonello and Nate Chinen. Where is Jazz Most at Home

Two of ours.

I sold a CD to someone in Puerto Rico. The Post Office delivered it in record time, unfortunately not to the buyer. The PO apologized but I had to give the buyer a refund. The cd has yet to re-surface.

Any thoughts?

I thought there was one that was contentious but couldn’t find it.

Since this thread stopped getting posts, the EU has extended copyright to 70 years in 2011. This means that everything Blue Sounds (Fresh Sound, Lone Hill, Blue Moon, etc.) is selling that was recorded after 1952 is in violation of EU copyright law. That's the facts. I seem to recall that there was another discussion about the Keynote box they reissued but can’t seem to find the discussion.

I’m about halfway through it and I can’t say that I do. It’s his attempt to do something different, to explore the dissatisfaction with bourgeois, ho hum middle class life and explore life with a rabelasian bohemian acquaintance; walk on the wild side, so to speak. The book, so far, seems aimless but I’m going on a trip so I will see if I can finish it.