robviti

or maybe it's:

I bought the Japanese reissue of that date: The RCA box seems to be getting a few knocks on this thread. I'd be surprised if the sound wasn't an improvement over the earlier Mosaic. I also like the packaging of the RCA - sturdy construction, informative essays, etc. Also, the tracks are laid out so that each cd corresponds with one of the original albums, with additional bonus tracks - a definate plus in my book. Of course, in the past few years the original recordings have been reissued individually by BMG. No matter how you get it, get it! These recordings are wonderful.

sure there's time, especially if you use handy products like these: in the kitchen in the tub and for that sinner on-the-go:

You're correct, it is the Shirley Clarke/Living Theater film. I probably should have mentioned that in my post.

Has anyone ever seen the video of the play The Connection? It was released on vhs in 1987 by Mystic Fire and features Freddie Redd's quartet with Jackie McLean, Larry Richie, and Michael Mattos. The reviews are favorable, and I think it would be interesting to catch a glimpse of the music many of us know and love in its original context. Unfortunately, it's oop and I can't find it anywhere. Anyone out there have any...connections?

In case you didn't know, you can get the Japanese import of 2 Degrees East -- 3 Degrees West (aka Grand Encounter) from Dusty Groove.

dentist: okay, go ahead and rinse. patient: what? dentist: rinse? patient: how can i rinse when i don't have a bottom lip? (his lip is numb from novocaine) dentist: just give it a try. patient: okay (he dribbles all over himself) patient: i hope you are satisfied! this routine is indeed a classic. so is "chocolate cake for breakfast."

my answer would be: no one. there are plenty of under-recognized artists playing jazz with depth and quality that deserve my attention. why should i buy a "real jazz" recording from someone more famous when that fame is based on inferior work?

i own all of them. i bought second copies of vols. 1-4 used to replace my original copies which were quite worn. you can often get the older editions for a good price at half.com or on other websites. for example, currently you can get the first edition in "like new" condition for only $8 at half.com

Isn't that exactly the way it should work, pricing following demand? perhaps what he means is that there are no listings for mosaic sets in publications like goldmine that offer suggestions of the "going price" for these collectibles. instead, the immediate demand for mosaics (as reflected in ebay prices) seems to vary considerably from month to month, if not week to week. at least that's my interpretation.

i've enjoyed hall's warm, acoustic tone and lyrical approach to soloing for many years now. that's why i'm rather disappointed that he's using special effects like a flanger during his live performances these days. anyway, i spoke to someone who knows don thompson, the bassist on the live! recording. he said don recorded a week's worth of the trio's engagement at toronto's bourbon street (this is confirmed in the reissue's liner notes). i hope that more of this music will become available some day. in the mean time, if you ever see a copy of this oop cd, pick it up, it's really nice:

the adventures of nick danger - third eye or the 2cd compliation: shoes for industry what the little one doesn't understand can't hurt her! B)

I just saw an episode of Everybody Loves Raymond that originally aired last December. I'm sure you vinyl enthusiasts would appreciate the storyline. It seems that Raymond ruined his father's jazz record collection when he was a kid. "I used to look to Duke and Dizzy to take me away," his father muses aloud. "Away from her!" he adds, pointing to his wife. To make up for his past sin, Raymond gives his father a small cd sysytem for Christmas, along with some jazz cds, including Ben Webster Meets Oscar Peterson. So here's the part that should amuse you guys: his father and mother hate the cd technology. Remember, these are the folks that were traumatized by the "fruit of the month club" gift of last year. Ray's brother "saves the day" by giving their father an array of classic jazz vinyl he found at flea markets, garage sales, etc. Ray is outraged and tries to prove the cd's superiority by putting on the Peterson cd. It sounds great, but the father pulls the plug. Then they put on the vinyl, which is full of pops, clicks, and other obvious noises. The father exclaims something like: "Ah that's my jazz!" Ray asks, "So what am I supposed to do with these cds?" His father ironically replies: "Listen to them. You might learn to like them. You should keep an open mind!" Anyway, I hope you lovers of vinyl get a chance to see this episode some day. It was a hoot!

although i don't listen to them much anymore, i'd definately include the first few electric rtf recordings in that "legacy."

not true. many concord titles were 3.99 or 3/10.00 at barnes and noble last year during the liquidation/restructuring of that catalog. in my trips to the southwest a couple of years ago, i found many steeplechase cds for less than that at local chain stores after the label lost its u.s. distributor. there are similar stories elsewhere. it's not like they're going destroy all that stock - it has to go somewhere. btw, do yourself a favor and pick up creedence clearwater's chronical vol.1. i promise, it will enlighten.

This arose from a discussion I had with some of the locals at a popular used cd shop in Boston (Looney Tunes) last year. The criteria for nominees were 1) it had to be a band, not a solo act (singer plus whoever); 2) it had to be an american outfit (that disqualified the beatles, stones, etc.); and 3) the largest number of great single song releases (and that eliminated nominees that recorded your favorite album). needless to say, these criteria were set just for the sake of this discussion. no prejudice was implied against those who didn't fall within that category. I'll admit, CCR didin't immediately come to my mind. But after someone said it and we bantered back and forth, the consensus was that CCR ruled in this domain. Want proof, how about: Bad Moon Rising, Down On The Corner, Fortunate Son, Green River, Proud Mary, Long As I Can See The Light, Lookin' Out My Back Door, Run Through The Jungle, Travelin' Band, Up Around The Bend, Who'll Stop The Rain, Have You Ever Seen The Rain, Hey Tonight, Sweet Hitch-Hiker, Someday Never Comes, I Heard It Through The Grapevine... I'm sure others can name a few more of their favorites. BTW, I think Cosmos's Factory is one of the ten best american rock albums of the 70's, although this is probably a more contestable opinion.

bullshit. creedence is the best american singles band that ever was.

check out this link: bags unlimited

I can't stand the ones with icing and sprinkles. Heck, I'm not 10 anymore. Yep, just plain ol' blueberry for me. Recently, I tried a new product: Quaker Fruit & Oatmeal Toastables toaster pastries. The pastry crust is made with real oatmeal (naturally) and thus has more taste to it than Pop Tarts. You might want to give them a try. They come in the following flavors: Iced Strawberry, Iced Apple Cinnamon and Brown Sugar, Strawberry, Apple Cinnamon and Brown Sugar, Iced Blueberry, and Cherry Cobbler (my personal favorite).

As the son of a Mercedes dealer, I should take offense to your remark. However, at this time I cannot afford to as I am still driving a Toyota!

gracias!

oh well, the listing for this cd on barnes & noble's website credits young as the composer for all 16 tracks!

Thanks to all who have helped with some of my other discography questions. This one pertains to the compilation released as Gumbo! in 1999. I know that it contains 3 dates: Pony Poindexter's original Gumbo!, unreleased tracks from the session that produced Poindexter's Pony Poindexter Plays the Big Ones, and an unreleased session with Booker Ervin, Larry Young, and Jerry Thomas. What I don't know is this: 1) Who produced these sessions? 2) What does "Supervision by Ozzie Cadena" mean (as written on the back of the compilation)? 3) Where were these sessions recorded and by whom? Some sources say RVG at his Englewood Cliffs studio. Others say they were recorded in NYC, possibly by Ozzie. Again, thanks in advance.

Hey all, I'm looking for info on Ronnie Cuber's Xanadu recording called Cuber Libre. I have the track titles and times, but I need personnel, recording date, location, producer, engineer, etc. And if anyone has a scan of the album's cover, then I'll probably with joy!

i dig her too. here's the one to look for: