That's what made it the archival label. So much attention to all aspects of presentation. I can't imagine Bob made much if any money on his label, and if it was profitable early, it couldn't have been very profitable post-2000 or so. Jazz needs benefactors like him.
I actually conversed a bit with him by email about the Picadily tapes and release plans. Looking back I do see him mentioning having a "lot" of masters ready to go just pending notes from whoever caught that gig. Now seeing Bertrand's mention of "20" West Bank tapes, I really wish I had asked him what else he had gotten with the Sonny Red recording.