Dan Gould

I'd say they're going to make it, considering that almost $200,000 was raised in three days, and there are three more days to raise another $50,000.

I hadn't heard him before I saw him with Houston Person two weeks ago, but Bobby Devos is a solid, Grant-inspired player. Picked up this one at the gig: Nice, and Billy James and Gene Ludwig back him up.

How many comments do you have relative to discs sent out? It seems a bit early for answers ...

I'm picking the Pats and rooting for them, but I do think this has the potential to be a decent game, with or without T.O. The one problem I see is that the Eagles aren't great with run defense and if running sets up Brady's pinpoint, no mistakes passing, it could be a long night for Philly, regardless of what McNabb may do.

Yeah, probably ... but I trust folks here a bit more than I trust AMG! Think I'll be bidding on that 1 cent CD, see if I can nab it extra cheap.

You sure the tyke's name wasn't Little Theodore Bundy?

Seeing Houston Person live a couple of weeks ago has only confirmed how much I enjoy his playing. So, I did an ebay search and discovered that he appears in the late 80s release, "Leon Thomas Blues Band" and I am wondering if anyone has heard this. AMG calls it a straight up blues album, so I am sure Houston sounds great, but I hesitate because of who the leader is. AMG says that there's no yodelling heard and that its Leon's take on the Big Joe Turner school of blues belting, but can anyone confirm? Thanks!

How is pointing out that you and he agree about LD's late-60s Blue Note albums are bad a "jab"? I was saying, "look, he agrees with you about LD, so what's so bad about his influence?"

What's "personal", Allen? You made a blanket statement as if it were self-evident and I asked for reasons. Its how a bulletin board works. Do you assume I'm going to go ballistic? All I asked for are reasons why we need god's help if Yanow is the most influential writer.

Considering that he also dismisses out of hand all of LD's funk period, why, praytell would Yanow's hypothetical influence be so terrible?

The problem with your attitude, Matt, is that it implies that if there were black members expressing their opinions, those opinions are somehow more valid and correct, simply because they're expressed by a black person. Its utterly bogus, and I would hope that deep down you know it is. What would happen if a black guy showed up here to start telling us that Kenny G isn't a pentatonic fairy fucker but is in fact a great jazz musician? Are we all supposed to revise our opinion of the Gee Whiz? You yourself say that "black opinion ... at least it would make sense."

Sez you. What a smart response.

Low expectations are delivered. Sez you.

I wasn't in a hurry to send you the Bubba side but now I think I am going to have to test your theory by sending you Soul Symphony. Cool! Is that the one w/Oliver Nelson? No, it was the Nelson Orchestra on Coldwater Flat, but I could throw that in, too. Soul Symphony was a Monk Higgins, and IMO, taken on its original intents and purposes, not nearly so bad as you expect. (Actually, if you expect loads of Gene Harris, its pretty darn good). How's that for a ringing endorsement?

I wasn't in a hurry to send you the Bubba side but now I think I am going to have to test your theory by sending you Soul Symphony.

I can't figure out why its not showing up at that Ace site, but I did find this page which gives a cover and tune list (just scroll down). http://www.geocities.com/scottpurkiss/musi....html#eastbound

What a crock, Brandon. American Idol squeezes out "good" music from the marketplace? You have got to be kidding me.

Back at the Blue Note Bulletin Board, I used the screen name "Gene Harris Fanatic" so you can guess how I feel about the Three Sounds. And believe me, there are others here who are fans.

I'm with Jazz Kat-the best part of the season are the auditions ... but I do tend to watch the later episodes, if there are compelling voices in the mix. After William Hung's experience last year, you have to figure there are people out there hoping to replicate his "fame". But I think the difference is, those people are coldy calculating how to get their fifteen minutes, and what was strangely appealing about Hung was the fact that he was totally sincere.

Try to pay attention, Aric. Peter moved from Philly to Seattle, and he asked for advice at the time HERE

I think the Dex and Sonny Stitt were the only complete takes recorded in that aborted session. We can probably guess why rejected takes got rejected, Dave: sloppy heads and/or uninspired solos. Given the alternates that have come out of the vaults in the past 20 or 30 years, I think its safe to say that if there are takes that are musically OK, just bettered in the issued take, then we've heard them by now, and the rejected takes really don't deserve a public hearing.

Hank Marr: It's 'bout Time Hank and Frank (highly recommended for Frank Wess fans!) Greasy Spoon Groovin' It Delfeayo Marsalis: Pontius Pilate's Decision Wynton Marsalis: Think in the South Uptown Ruler Levee Low Moan Joe Cool's Blues Standard Time Volume 1 J Mood Resolution of Romance Midnight Blues Intimacy Calling Warne Marsh: Back Home Mastersounds: Play Horace Silver In Concert Ballads and Blues Ronnie Matthews: Doin the Thing Irvin Mayfield: Sextet Christian McBride: Gettin To It Fingerpainting Lenny McBrowne: Eastern Lights The Four Souls Les McCann: In New York Sings In San Francisco The Gospel Truth Jazz Waltz McCann/Wilson Spanish Onions Beaux J. Poo Boo Brother Jack McDuff: Hot Barbeque Live The Honeydripper Howard McGhee: Houe Warmin' Dusty Blue Music from the Connection Volume 2 McGhee/Introducing the Kenny Drew Trio Benny Bailey Sextet-Teddy Edwards Quintet Big Band Jimmy McGriff: Live Electric Funk McGriff's House Party The Worm Something to Listen To Jackie McLean: Bluesnik New Soil A Fickle Sonance Tippin' The Scales Hipnosis Vertigo Jackie's Bag Jacknife

What Sangrey said.

Rejected tunes are not part of any Mosaic set, and if you look at any Mosaic Set discography, you will see that rejected tunes are still listed because they are part of the historical record of the recording session in question. If you look at your Mosaic booklet you might notice that the CD contents are listed separately from the discography.

Forget that tragic event, how about this one?