Dan Gould

There were a number of Big band recordings led by Gene. They're nice, if you want big band, but if you're looking for Gene there are other places to go first. That one is one of the better one's though.

A very happy birthday to my favorite lefty on the board!

Have you considered giving them Mosaic's phone number? Its not toll free, but if you use a cel and have plenty of minutes, who cares? My Mom wouldn't even know how to turn on a PC but she's managed to order Mosaic sets for a long, long time.

Silly of me to forget Trio + 1. Definitely a highlight of his Concord years.

That's funny, this was one of the "Blue Note" links on my BFT (Dwight Dickerson on this and Dwight Dickerson on the Rickey Woodard cover of "Jeannine". Of course, there was obviously a stronger Blue Note connection in there anyway ...

Its up on ebay as we speak: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...4058820945&rd=1

Believe me, I'm still a Gene Harris fanatic but that was my handle at the BNBB and I decided a change was in order when I registered here.

Well I guess the former Gene Harris Fanatic has to jump in here, right? If you like what you're hearing from his Concord years, I would most recommend the following: and A Little Piece of Heaven - Live at Ste Chappelle Winery If you're a Frank Wess fan, you might substitute this live date instead: Its the Real Soul If you want to go backward in time, any Three Sounds recording you can find is worth hearing.

Johnny Hodges: Blue Pyramid Stride Right Blue Hodges Red Holloway: In The Red And Company 1995 Floating Jazz Festival Keep that Groove Going (with Plas) Standing Room Only Coast to Coast Nica's Dream Locksmith Blues (with Clark Terry) Legends of Acid Jazz Cookin Together (with Brother Jack) Richard "Groove" Holmes: Soul Power! Somethin' Special Blue Groove Groove Blues All Day Long Book of the Blues Best of the Pacific Jazz Years Groovin' with Jug X-77: Live at the Lighthouse Workin' on a Groovy Thing Bowl of Soul Elmo Hope: All Star Sessions Paul Horn: Something Blue Shirley Horn: The Main Ingredient You Won't Forget Me Freddie Hubbard: Ready for Freddie Hub-Tones Topsy-Standard Book Hubart (hipbop records, a tribute to Hub) Artistry of Freddie Hubbard Here to Stay The Freddie Hubbard and Woody Shaw Sessions Backlash Open Sesame Goin' Up Feel the Wind

"Cease and desist" as in stop what you're doing and don't do it again. Interesting points. Maybe the next major corporate effort to enforce copyrights will be to sue "copy and pasters" instead of the file sharing sites?

As I mentioned in the latest "Upcoming" thread, I've exhausted the usual suspects at Mosaic so I went a little deeper this time and have requested The Complete HRS Sessions Bob Brookmeyer Select

If you go back to the original statement I was being challenged on, I was specifically asserting that publishing of web pages in Flash would eliminate the ability to cut and paste and therefore the easy ability to violate copyright. I was suggesting that failure to publish in Flash suggests a blasè attitude toward those who copy and paste.

So if you can do it, it's okay? Hmmm... If they publish in a way that encourages stealing, it might suggest they don't worry too much about copyright infringement. So if FreshSounds rips of a (remastered) disc which is not copy-protected, it's ok? The issue was copy and paste of words from one web server to another. My point has nothing to do with ripping off CD companies.

Thanks guys!

How about inadvertent misspellings that create a completely different meaning than intended? I was perusing a Norah Jones DVD review and found this:

So if you can do it, it's okay? Hmmm... If they publish in a way that encourages stealing, it might suggest they don't worry too much about copyright infringement.

I would say it is a matter of money because copyright protects economic interests. It also protects against plagiarism but most cut and paste jobs don't leave any doubt that it is someone else's words, and no one is paraphrasing or stealing without attribution. The thing is, if copyrighted articles were published in Flash, there would be no "cut and paste". Problem solved. If it is one

Spotted a live Atlantic recording with Joe Newman and King Curtis among others. But I've never heard the lady sing so I hesitated. Then I noticed in AMG a reference to a "nasal" quality in her voice which makes me think I did right but I'm interested to hear other's opinions. Anyone? Thanks!

Say what? I think he's referring to Charlie Brown as Peppermint Patty does.

Yeah! Especially drummer Greg Hutchinsons rap on top of a funky beat in the closing track is a treat! Sorry, that was one I wasn't counting as a good 'un!

The Uptown Christmas CD is very fine and everyone should grab one from Chuck. Another one with a high proportion of nice tracks is Ray Brown's Christmas CD on Telearc.

Hardbop is in his 40s, judging from his descriptions of growing up as a Red Sox fan. Soul Station, I believe is also in his 40s. And what SS is doing in your list of so-called "morons" is totally beyond me.

I didn't realize the Columbia set was coming out so soon. Its really feast or famine right now ... I always ask for a Mosaic set at Christmastime and there's always been something I wanted but this year, not so much, so I tried to pick something to expand the horizons a bit (went with the HRS sessions). But next Christmas, man oh man, lots to ask for, and I'll have to choose only one or two! And that's not even considering what may come out in the second half of the year!!

First, I'm going to ssssllllloooowwwwlllllyyyy pull the paper tab. As your luscious chocolate body comes into view, I gently pull you toward my lips .... Or was that not what you were looking for? I've never eaten these things, but like any phone sex operator, I can easily act as if I have.

I had a feeling that wouldn't just slide by ... The company not only advertised in Hustler, etc., but also in magazines like Rolling Stone, because what they offered was "phone dates". You see, we claimed to have "local" girls registered to which we "matched" incoming callers to. Charges could be made to your phone bill or your credit card. Hourly rate of about $7.00 plus bonuses based on how many people you matched up who actually went through and charged a call. $1.00 for every credit card call and .50 for every call charged to the phone bill. Pretty good money, and it allowed me to work full time from 4 to 11 pm. But that wasn't my only duty. They also advertised to women in Playgirl and gay men, too. And since (as you've heard) I've got the great deep voice, whenever they had a gay guy or a girl on the line, they'd ask me to go into the other room and take the call. One time, believe it or not, I was "Bob" to some guy who, ten minutes earlier, I had matched up to "Bob". I recognized the details and realized this was the same guy I had talked to a few minutes before so I didn't want to take the call, but he didn't recognize my voice as the same as the operator's voice when he called earlier. If you're wondering, I did have one line I refused to cross: Talking dirty to men. I could handle the dirty talk to ladies, but there was just no way I could do that for guys. So, with the men, I was a local guy who was looking for a friend/companionship and I just kept things loose. Of course, since its a per-minute charge, you just want to keep them on the phone as long as possible, and that was easy just by getting them to talk about themselves. The hardest part was with the poor saps (male and female) who thought they were talking to someone "local". They told you where the person was calling from, and each cubicle had a book of maps you could consult. These people were never in major metropolitan areas, always small towns, so you wanted to pick a nearby town that wasn't too close. And heaven help you if he started asking questions about where you worked, etc. Definitely could be nerve-racking. Which reminds me of an amusing call I took. The girl was somewhere outside Boston, and I assumed she was looking for a local guy. So I looked at the map and picked a town, and she started giving me a hard time, told me there was no way I lived there, and where do you live, blah blah blah. Then she set me up and asked about some local landmark. I tried the "just moved here" excuse but she wouldn't hear it. So I finally asked her why she had called and she said, "Because I'm horny!" and I said, "Oh" and I launched into my by then well-practiced spiel. Oh, and did I mention how dirty the company was? To keep bleeding the suckers dry, they used what, in the financial industry is called "churning": They had another, small bank of phones where people worked, calling customers back to tell them that "Candy" or "Bob" wants to talk to you again, would you like to talk to them? What they never told them was that they were being charged again for the call! And they didn't care if the first call didn't go too well, they'd still call them back and ask if they wanted to talk to the person again. So I'd get called back into the other room, to take a call that I "initiated" when I had nothing to say. Hated when they did that to me. And they never listened when I told them not to call the guy back again and again. I have to say that while the job was sometimes a lot of fun, and certainly memorable, I still wanted to shower as soon as I got home. On the positive side, within a month of my quitting, the Feds actually raided the place and shut them down. Didn't arrest any of the peons manning the phones, but they did arrest the upper management and the owners. Guess I didn't have to write a dissertation to answer your question, but ...