Rabshakeh

I know I know. It's the vague dusting of hair that's the worst bit.

What an album cover. One I shall never be able to unsee. I can't believe I hadn't thought of Lew T in the context of this thread. He always gets lost in the shuffle. What a great player.

Thanks!

I've seen a couple of recommendations for releases on RogueArt on here recently. I'd more or less missed the label in the past, probably because of its artwork (or lack of it) which makes me think of generically packaged out of copyright boxsets. Does anyone have any recommendations or favourites on the label? I've scanned the discogs page (www.discogs.com/label/54856-Rogueart), and some of it looks pretty damn mouthwatering.

In case anyone is interested, I've come across this interesting "interview" with Ayler from France in the '70s. Perhaps more of a sustained beatnik monologue. It's him talking for 40 minutes straight to what sounds like an audience of crickets. Either way, it's an interesting one.

I'm Nuts ... on Bethlehem is one of my favourite jazz flute albums. Terrible title and terrible artwork, but a great flute album.

Did this group ever record?

Giving an old thread a "bump", so as to recommend Nicole Mitchell's brilliant Awakening (Delmark, 2011) to any other flute fiends out there. I know Mitchell from various other settings, but this is her at her most mainstream, I suppose (so fewer nu-soul or AACM influences). It's something everyone can enjoy. Her flute playing is incredible on this album. Solos that are incredibly nimble but somehow have deep roots.

Thanks for the link! Right up my street.

Something like that...

Looks like I got lucky with mine too. Although I haven't tried it yet as my mother in law is staying. I'm not sure it's strictly mother in law appropriate.

Killer record.

I've been returning to this one recently: modern / avant pieces for solo saxophone, with thanks to D.D. for the recommendation. One striking part of the record are that there are more breathing and tonguing techniques being displayed than I normally expect from notated music, and they are applied with a degree of uniformity, despite the very different composers whose work is included. Presumably this is Delangle's own interpretative slant on these pieces. Has Delangle been involved in any other worthwhile projects, composed or improvised or in between?

Let us know what you all make of them. I've finally worked my way through my band camp backlog and I'm in the mood for more.

That's a good point. Basically psychedelic rock albums with Muddy Waters and Howling Wolf singing over them for some reason. I always though Cosey's playing was the better part of both of those albums.

Nice!

I have to say that I really enjoy DTM. It's a great resource. One of the best features of the writing, along with the musical insight, is the readiness to hand out off-the-beaten-track recommendations. I've learnt a lot from it, as I am sure have many others, so thanks. And Ira Sullivan's records aren't going anywhere.

Daily New Paradox by the Friedemann Graef Group (FMP, 1977). Some good earthy European free jazz.

My Dad’s favourite jazz record. The only album that he ever recommended to me.

J.R. Mitchell Bayard Lancaster Experience - Live at Mac Alester College 72 (Dogtown, 1972). Fiery Stuff in a classic free jazz vein. It’s pretty impressive to have a live album that misspells the names of both the artist and the venue.

There’s a thread on this site about it somewhere. I’m trying to find it. It was something interesting, if I recall.

Thanks to both of you for this. I have tried to Google this in the past but never found the information.

Thanks! Is Snurdy McGurdy a nickname or something?

Weirdly, it seems almost the other way. By far the majority of what I knew beforehand from your excellent blog has been towards the avant garde and freebopish side, along with the ECM and fusion/CTI type entries. That "underground" stuff is pretty well loved and easily accessed to those who are looking for it, even if it is not to the tastes of much of the public. There are plenty of recommendations out on the web for those wanting to look into that world. I think it's precisely the Cedar Waltons and Barry Harrises that seem to get the least attention from the period.

It isn't even really the "jazz" canon, per se. The view of the "top ten fusion" records has changed pretty heavily in the last twenty years, I think. There's more disco and funk oriented albums at the expense of the rock and new age stuff than you used to see (e.g., more Byrds, less Pontys). Perhaps it's just a bop thing.