SGUD missile

I just found this thread ,so this is my first contribution: Jim, I just wanted to thank you for the great re-mix you did recently on Terry Gibbs new Mack Avenue project. I was one of the arrangers on the project ( I did the ballads ), and I was wondering what combination of reverb you used to put some much needed perspective and imaging in to the string section overdubs ? ..were the background elements given their own chambers ? I'm sure you are familiar with the initial mix and what you achieved was noticibly better ( there are still several wrong notes here and there, but I realize you cant fix everything ..especially notes buried in a given track) Thanks! Phil Kelly

Big up on the Pres, Hawk, and Bean stuff .. ( Lester Young, Coleman Hawkins , and Ben Webster ..for you younger types ) Also, you might check out some of the Artie Shaw Gramercy Five things, as well as the John Kirby Sextette ..

Being one of the more senior types here i guess, ( 66 ) my experiences and tastes in music are faily wider ranging from so called classical music through jazz and a large portion of R&B (and it's gospel offshoots as well ..) In addition , being a professional musician my entire working life, I've had to learn to at least undertand, perform, and create a lot of music not exactly to my personal taste for financial reasons .. including the many forms rock and roll and country music have taken over the year ..some of which I found I was able to relate to and accept at some level. In addition to the fact that each generation will automatically want to stake out a new aesthetic claim for itself as a part of human nature ..we have to realize the reality that technology has increased the rate of these changes by a logarithmic rate ..in probably another generation ( or less ), the notion of acoustic music and live performances may be a matter for the museums and/or hard core preservationalists in all of the current genres : classical , folk,rock, and jazz. To make matters even more bleak, this same technology has enabled the entertainment BUSINESS ( which doe not operate from any aesthetic mandate ) is accellaterating the gross amount of "stuff" out there ..while the educational system ( by removing almost all education in all the arts and humanities ) is grinding out flotillas of young people with absolutely no experience in determining the actual artistic worth of anything. They accept the ever increasing pile of swill punped out by the BUSINESS gleefully and with shorter and shorter attention spans. Whats my point in all this old fart screed , you ask? It's simply that music , drama, literature and art WILL continue to exist because of the types of people on these boards ..the small minoriity that chooses to think for itself and recognizes the beauty and value in these things .. I'm done now

Most all of the A/B- ing I 've dealt with has been in the prerelease stage in a control room: either in checking some feature like EQ or compression in the mastering stage, or in checking individual mix elemets earlier on. both of these procedures are of course from the same PB source and at the identical volume level and listening environment ..it's a matter of flipping a with/without switch during playback. a lot of what's been seemingly discussed here has been different Re-MIX versions as well as different re- MASTER versions as well. I do agree that the PB levels of the comparison CDs is crucial ..I dont think the brand of CD players are ( given that the same amp and speakers are employed in the comparison.. and that the playback curve is set flat) after all ..it's all 1s and 0s

I'm sure some of y'all have gotten the spam below by now, but here it is again ..remember it this WEDNESDAY .. its like chicken soup ..it cant hurt .. MAY 19 ...NO GAS DAY! IT HAS BEEN CALCULATED THAT IF EVERYONE IN THE UNITED STATES DID NOT PURCHASE A DROP OF GASOLINE FOR ONE DAY AND ALL AT THE SAME TIME, THE OIL COMPANIES WOULD CHOKE ON THEIR STOCKPILES. AT THE SAME TIME IT WOULD HIT THE ENTIRE INDUSTRY WITH A NET LOSS OF OVER 4.6 BILLION DOLLARS WHICH AFFECTS THE BOTTOM LINES OF THE OIL COMPANIES. THEREFORE MAY 19TH HAS BEEN FORMALLY DECLARED "STICK IT TO THEM" DAY AND THE PEOPLE OF THIS NATION SHOULD NOT BUY A SINGLE DROP OF GASOLINE THAT DAY. THE ONLY WAY THIS CAN BE DONE IS IF YOU FORWARD THIS E-MAIL TO AS MANY PEOPLE AS YOU CAN AND AS QUICKLY AS YOU CAN TO GET THE WORD OUT. WAITING ON THIS ADMINISTRATION TO STEP IN AND CONTROL THE PRICES IS NOT GOING TO HAPPEN. WHAT HAPPENED TO THE REDUCTION AND CONTROL IN PRICES THAT THE ARAB NATIONS PROMISED TWO WEEKS AGO? REMEMBER ONE THING, NOT ONLY IS THE PRICE OF GASOLINE GOING UP BUT AT THE SAME TIME AIRLINES ARE FORCED TO RAISE THEIR PRICES, TRUCKING COMPANIES ARE FORCED TO RAISE THEIR PRICES WHICH EFFECTS PRICES ON EVERYTHING THAT IS SHIPPED. THINGS LIKE FOOD, CLOTHING, BUILDING MATERIALS, MEDICAL SUPPLIES ETC. WHO PAYS IN THE END? WE DO! WE CAN MAKE A DIFFERENCE. IF THEY DON'T GET THE MESSAGE AFTER ONE DAY, WE WILL DO IT AGAIN AND AGAIN. SO DO YOUR PART AND SPREAD THE WORD. FORWARD THIS EMAIL TO EVERYONE YOU KNOW. MARK YOUR CALENDARS AND MAKE MAY 19TH A DAY THAT THE CITIZENS OF THE UNITED STATES SAY w "ENOUGH IS ENOUGH" ..amd pass it on !!!

I dont make a habit of listening to it .. but I must own up to having written some of it .. ( not NOT the Sidewinder with strings track !! )

Trpt ( and Flugel ,clarinet, and Soprano Sax) are Bb horns ..you write treble clef space C = Bb concert a step down .. Tenor Sax also a Bb axe ..but an octave down .. You write treble space C= Bb concert an octave LOWER ..a step below middle C Trombone ..you write in concert key at pitch BUT ..in bass clef ..

BTW: check out this webpage: http://www.tulas.com/calendar.html Tulas is the local lower -priced jazz joint and this URL will let you see their appearance schedule for the month ..they also do Sunday matinees If you have a free day, you might want to consider taking a ferry over to the Whidby Island and/or the Olympic Peninsula .. BTW: the Thai restaurant above the Triple Door is EXCELLENT!!!

Umm ..not always to stage left: some conductors prefer to place the basses across the center rear ( behind the french horns ) ,split the violins A and B to the Land R, and place the cell and violas stage l and right ( besides the woodwind positions ) and well recorded binaural stereo in a good hall with a good ensemble and conductor will cut mono every time for me IMO

Nancy King.. Greta Matassa.. Cladia Acuna .. and a new one from NY , Julie Hardy ..

learn the other one ( it's half step away now .. repeat one of them over and over with a whole shitpile of echo repeats and pretty soon , you'll feel like youve done heroin

I'd be glad to send them one too ( looks like they need another big band ) ..and I know where they can get one temporary end of shameless self floggery

true : Borodins "Prince Igor" ..the pollivitizian ( sp?) dances .. also: "Full Moon and Empty Arms " ( Rachmaninoff )

Along the same lines, Pat Williams also did a side with the London SO entitled "American Concerto " in the late 70s that was quite good .. You might investigate some of the Don Sebesky things like " Firebird/Birds of Fire ..where he sosmehow manages to combine the Stravinsky work with the Jimi Hendrix piece ..Sebesky has done several CDs along these lines .. Also, Bill Holman and Pete Christlieb have done several things with the Metropole Orchestra that are quite interesting ..( possibly not realeased ..I have some air checks ) There are many other Metropole Orch CDs that fit this category as well Along the Williams line, Dave Grusin has done many jazz /w orch type film scores ..i.e. Three Days of the Condor, Mulholland Falls etc ... And then, theres Claus Ogermans/ Mike Breckers "Ciutyscape " ..

Ravels "Pavanne" is also lifted in toto ( almost ) to become the pop tune " The Lamp is Low "

I haven't heard the Grundman remastering job, but it is worth remembering just what was technically available at the time of the original recording .. a maximum of 3 tracks was the standard .. ( and in this case, my guess is that Hendricks was given his own center channel ) stereo echo chambers had yet to come along ..so the hard left and right panning was accentuated .. what I DONT understand is why some of these things were not fixed on the remanstering ..since many technical means to do so exist these days ?

Everything must Change ...All in Love is Fair ?????

I guess the sessions we did that I will never forget were in November of 1963. The first date was set for 2 p.m at New York's A&R Studios, which were on the second floor. Just as I was getting on the elevator to go on up, I heard a voice on a radio that was on in the cigar stand on the first floor saying something about someone getting shot. When I got into the studio I learned that it was President Kennedy who had been shot in Dallas. Jack Tracy

Although I've heard many big bands over the years ( including most of those cited here ), it had been awhile .. until six weeks ago, when I got to hear my OWN big band live ( the NW Prevailing Winds ) ..for the firsttime when we did two Cd release parties! Having been a creature of a studio for many years, I forgot the sheer power coming outta those guys! It was really a treat to just sit down in front of 'em and let them go at it !! I must say.. with some modesty, I DID manage to blow myself away .. ..or rather, the guys did ..it was incredible! I sure hope we'll be able to do it again later this year ..I've put in some feelers about several NW jazz festivals ...

Mule: Thanks for posting this ..it was like reading a condensed version of my own past 40 years as a studio rat in NYC/ LA and Dallas .. very well written .. I just copied it and sent it to about 70 guys I've worked with over the years in my addy book! Thanks again Big Time Phil Kelly when I started out in 59, it was everyone at once in a room , with no cue, baffles all over the place..and a 3 track ampex was the biggest machoine in use.. when I retired five years back ..it was all being done in home studios ..usually by one guywith a rack or electronics .. wow ..what a trip!

I nominate "Morning " by Al Jarreau .. its uplifting , and has the hippest changes of any of these other chioces!

I'd like to add my own hearty greetings as well to the multi talented Mr . Tracy Welcome aboard !!

You may read this in pieces ( or print it out for the john ) and meditate upon the wisdoms herewith included ..phil kelly THE BOOK OF JOBBING (translated from some old rocks found in the Desert near Ely, Nevada ..) And so it came to pass, during one date, that the Sidemen were assailed by Doubts, and Darkness descended upon the Bandstand. And the Leader turned to his quaking flock, and saith, "My children, why do you doubt me? Have I not led you through the Valley of the Loading Dock to the Great Land of Long Breaks, Hot Meals, and Undertime? Have I not banished the dreaded Macarena from the Set List, and allowed thee to Blow on selected numbers? Do we not play the Correct Changes for the Bridge of Girl From Ipanema, and do we not play Motown selections at the Proper Tempi? And do I not pay you all equitably, neither overpaying the Chick Singers nor underpaying the Horn Players? And are there not Charts for the Horns, so that thou need not Fake Parts? So why doth thou protest when I call The Willie Nelson Song, or The Jackson 5 Ballad? Are they not preferable to Achey Breaky Heart or anything by Celine Dion? Wouldst thou rather suffer Flung Beverage Containers or Scowls and Hectoring by the Aunts and Uncles? And the Sidemen answered him, "But Father, we look out into the Dance Floor, and we see The Maelstrom; We fear the Youngsters with Pierced Body Parts, as well as the Ancient Ones with Canes and Walkers; Also do we fear the Bridesmaids with the Large Hair, and the Groomsmen with Cigars and Dishevelled Tuxedos; Also do we fear the Relatives from the Great Southwest, as well as those from California, and from New York; Also do we regard with Fear and Loathing the Party Planner, and the Room Captain; But mostly do we fear the Bride, and Her Mother, who ruleth the Earth, yea, even above you, our Leader." And the Leader looked and saw that this was true. And he took his Book, and he flung it into the Buffet Heaters; And he took his Bandstand, and he broke it over his knee; And he took his Red Bow Tie, and he rent it asunder; And he turned to the Party Planner, and he said, "Now you have no power over me, Minion of Evil." And he turned to the Room Captain, and he said, "I will leave by the Lobby Entrance" And he turned to the Bride, and said, "Take thy Whitney Houston CD and place it where thy Groom may find it during your Honeymoon;" And he turned to the Bride's Mother and said, "Thy Daughter is a Spoiled Brat, and I hope that she soon Divorces her Callow Husband and returneth to live with thee with her three children for the rest of thy Natural Life" And he turned to the drummer and said, "The band is yours." And he went home and slept deeply and soundly, and arose the next day smiling, and began Making Calls to find work as a Sideman.. ---------------------------------------------------------------------------------------------------------------------------------------- THE BAR MITZVAH ...And so it came to pass that as the 10th hour of the Day after Sabbath approached, the Leader did look upon his Children and say, "It is time to rest." And the Sidemen did rejoice, and repaired to the Room of Hiding. Then did appear the Party Planner, saying unto them, "I have news both good and bad." And the Sidemen did reply, "Tell us first of the Good News." And she replied, "There are dinners, and they are Chicken." And the Sidemen did rejoice, and smacked their lips. But the Bass Player, being of a suspicious nature, did narrow his eyes and ask, "And what of the Bad News?" And the Party Planner, looking towards the floor, did say, "But there are not enough Meals, for you must share them with the Photographers and the Video Guy. Furthermore, thou must eat your meals in 10 minutes. And furthermore, there are no Utensils available to those of lowly caste, and so thou must eat with thy Hands." Whereupon a great lamentation arose from the Sidemen, reaching unto the very depths of the Temple. And the Leader heard, and came a-running. "My Children, why dost thou raise thy voices, so that even above the DJ you are heard?" And the Bass Player did drop a dime on the Party Planner, saying "The Jezebel doth tease and mock us, even as does one to a mule with a carrot!" And a great Fury rose up in the Leader, as he was, as these things go, a Righteous Man. And he turned to the Party Planner and swore great oaths, and saith, "Thou thinkest to save a nickel here and a dime there, at the risk of our Relationship? Dost thou have Shit for Brains? Shall I go unto the Father and tell him that his son David's Mitzvah will be interrupted while we send for Pizza?" And the Sidemen did cheer, as did the Photographers and the Video Guy. And so the Party Planner did stammer and shuffle her feet, and summon her Flunkies, and many more meals were discovered, as well as Forks and Knives, and even Napkins. And there was Fish as well as Fowl, and even Vegetables and Fruits. And thus was David's Bar Mitzvah saved, and the Leader kept the respect and love of his Children, for at least another week. ----------------------------------------------------------------------------------------------------------------------------------- .And so in the dark of night the Lord awoke Noah, and spoke to him. "Noah, awake and heed my words!" And Noah, being sore, afraid and disoriented, did cry out, "Who goeth there?" And the Lord did smite him upside the head, saying, "It is the Lord of all things, dummy!" And Noah did tremble, saying, "Lord, why hath thou wakened me?" And the Lord did say, "Noah, build me a Casual Band. "For the earth will be visited by a plague of Brides, followed by forty days of Trade Shows and forty nights of Awards Banquets." And Noah did say, "Command me, Lord." And the Lord did say, "First, thou must find me a Leader." And Noah replied, "But Lord, will I not be thy Leader?" And the Lord did smite him again, saying, "Fool, thou will be my Contractor. Ask not why!" And Noah did bow his head, saying, "Yes, my Lord. And what will this Leader play?" And the Lord said, "It mattereth little, whether he play or not, or whether he be proficient or not. For his job shall primarily be to talk to the Brides and their Mothers, and to deal with Clients, and to count off Tempos wrong, and to inquire as to whether Overtime will happen, and to try to segue tunes that should not be segued. If he playeth any instrument, thou must always have another player of that instrument on the band, just to be safe." And Noah did say, "And what else shall this Leader do?" And the Lord replied, "It shall be his job to spread Bad Information and Confusion amongst the Sidemen, and to pit them one against the other, and to delay all payments. "Further shall it be his job, until we can afford a Soundman, to create Feedback, and to invent new Equalization Curves therefore." And Noah did shake his head in wonder, saying, "Lord, thy ways are Strange and mysterious. What more shall I do?" And the Lord said, "Next, find me a Rhythm Section. First, find me a Drummer. And ThreeThings above all must this Drummer possess." And Noah did ask, "What are these Three Things? Double Bass Drums? An Electronic Kit?Congas?" And the Lord did smite Noah again, saying "Second-guess me not, my servant. First, this Drummer must have slightly imperfect time, so that whenever he playeth a Fill (and he shall play many), he always emergeth at a different place, sometimes early and sometimes late, but thou may not guess which. And second, he must be Supremely Discontent, always hoping for the Big Break which will lead to him playing with Chick Corea or Madonna, so that he despiseth Jobbing. "And third, he must always be convinced of his Righteousness, in all things, including Time, Volume, Tempo and Feel, so that he argueth always with the Bass Player." And Noah did say, "As you command, Lord. And what next?" And the Lord did say, "Thou art learning, Noah. Next shall be the Bass Player. And he shall be Bored. That is all." And Noah did say, "Of course. And next, my Lord?" "Next shall be the Piano Player. And he shall play as if he has twenty fingers, and he shall ply Substitute upon Substitute, until no man may name the Chord, and he will not be helpful. Furthermore, he shall always be late. And he shall always be trying out New Gear, of which he has no knowledge." And Noah did wonder aloud, "Lord, Great is thy Wisdom!" "Next shall be the Guitar Player. And he shall be a Rock Guitar Player. And he shall be Loud, and he shall sing 'Old Time Rock n' Roll'. Also shall he know not The Page, and so shall rely upon his Ears, which have been damaged by exposure to High Sound Pressure Levels. For the Guitarists who Read shall already be playing Shows, and will be making the Big Shekels. And his tux shall be the Rattiest." And Noah did say, "It shall be done." And the Lord did say, "Next thou shall need Horns. First shall be the Saxophones. And they shall be Beboppers. And they shall play their Bird quotes in every song, yea, even the Celine Dion ballad. And they shall Get High on every break, and make the Long Faces all night long, but especially when 'In The Mood' is called. Next shall be the Trumpeters. And they shall every one attempt to take everything Up an Octave, and fail frequently. And of Changes they shall know nothing. And finally shall be the Trombone Player. And many jokes will be made about him, for he will have a Beeper, as well as a Day Job, and he will be the first to be Cut from the Band." And Noah, taking many notes, did say, "Mighty is the Lord!" "Next shall be the String Players. Find me Three Women, and attach Pickups to their Violins that are more ancient even than Myself, so that their instruments screecheth and causeth great pain. And their job shall be to dress in Evening Gowns, and to Fake Parts on all Ballads, and to occasionally Stroll, and to complain about the Volume, and the Intonation, and to impede the Swing." And Noah did say, "What else can be left, Lord?" And the Lord did say, "Finally, find me the Singers. And they shall be Three, one a Male, and two Females. And the Male shall be a Strutting Peacock, with the Rock 'N Roll Hair,and he shall never have to wear The Tuxedo, and also shall he play The Harmonica. And of the Females, one shall be Black and one shall be White. And theBlack one shall ALWAYS sing the Aretha songs, and the Disco. And the White one shall ALWAYS sing the Power Ballads,and the Country Songs. But both shall share the Motown Medley, and shall sing Backup for the Male, and forget the Words, and be Late, and know nothing of Keys or Form. And they shall leave every gig immediately, having never touched a piece of Equipment. And they shall be paid many more shekels than the Sidemen. Ask not why." And Noah did say, "As Thou sayest, my Lord." And the Lord did command him, "Search high and low for these, as not every musician can fulfill these requirements. And though we have No Work yet, a Commitment must be secured from All. And while you're at it, start looking for Subs." And Noah did say, "Lord, thy will be done." And it was. ---------------------------------------------------------------------------------------------------------------- THE BOOK OF JOBBING PART IV GOD CREATES SIDEMEN A newly discovered and translated fragment ©2000 by Steven G. Hashimoto (During my recent hospital stay a mysterious package was delivered to my room. While recuperating I had the time to undertake this latest translation.) And so the great Leader Nebulon did embark upon a search for suitable Sidemen for his orchestra, and he could find none; For in those days there were not many, and those that he could find were already working; Some worked the Ark with the House of Noah, and some had the house gig at The Walls of Jericho. And many played behind the scat-singing team of Shadrach, Meshach and Abednago. So Nebulon did return to the Lord and saith, Lord, there are many musicians, but no Sidemen!0, and he rent his clothing. And the Lord did say, Shmuck! Have you looked everywhere? Did you call the Union?0 And Nebulon did say, Lord, I have looked high and low, especially low, and only one or two could I find. What shall I do?0 And the Lord did afflict Nebulon with boils, saying Leave me to think on this!0 And just to buy some time he did also visit a plague of locusts on Egypt. And the Lord did summon a league of Angels, and sent them forth over the land, commanding them to find him some Sidemen. And the Angels did go to the four corners of the earth, but the only unemployed Sideman they could find was one holy man in India who did play the horn with the slide. So with great fear the Angels did return to the Lord with the bad news, and filled with wrath he was. How can this be? At one time the world did teem with Sidemen, as a dead oxen does with maggots!0 And the Angels did say, Lord, many left the business, many have become idiots, and some have even become Leaders, and no Leader will work for another Leader.0 So the Lord did cause drought for 40 days while he thought, and the answer came to him. He did recall that there was a factory, part of his Beasts Of The Field, Inc., division, that was in disuse. For it had been used to create golems, for which there had been no great demand, and so He had closed down the operation. And He thought, We can retool, and start turning out Sidemen. And so it was done, and the Sidemen started rolling off the assembly line. But somehow a remnant of the golem program remained, and the Sidemen did come out acting unpredictably. Some stammered and stuttered, some talked to themselves under their breath, and some would not bathe. Some refused to shave their beards or to have their hair shorn, and some refused to wear the Jobbing Toga. And some wore the Toga, but left them crumpled in their chariots in between Gigs, or slept in them, or wore Togas from eons past, with ruffles. And some did not believe in maps, and wandered the land aimlessly looking for the Gig, and some did not believe in the use of the hourglass, and arrived at the Gig whenever they chose. And some loved the wine of dates, and some loved the burning of hemp. And some were created without ears, and some with knuckles where their eyebrows should be. And some did worship the gods Trane, Jaco, Mahavishnu and Ornette, and mocked their Leaders. And some did steal food from the buffet line, yea, even before the Guests had dined. And some did try to lay with the Chick Singers, and some with the Guests. And some did not Read, and some could only Read, and not Blow. And some had no social skills, and some had no musical skills. And many of them were Dark, not in pigmentation of the skin, but in the Outlook on Life. But every once in a while the line did produce a Perfect Sideman; One who followed orders without question; One who showed up on time; One who wore the Toga; One whose chariot always ran; One who Knew Tunes; But these Perfect Sidemen were few and far between, and besides their eyes were glazed, and they were shunned, for they were Boring, and knew not how to Hang. And soon the land teemed with Sidemen milling about, looking for Gigs, complaining and whining and arguing and occasionally stabbing each other in the back. And the Lord looked down upon his work, and said, It will do. ------------------------------------------------------------------------------------------------------------------------------ ...And so it was that a decree was issued by The Office of Noah to the leader Nebulon, and Nebulon gathered his minions together. "Rejoice!" he said, "for we have a Job! "And it is during the afternoon of a weekday, and it is the slow season!" And the men of the House of Nebulon did rejoice. "Is it a wedding?" one asked. "Is it a mitzvah?" cried another. "Is it a war?" tremulously asked another. "No. my children, it is a Corporate Gig. The client is the Pharaoh Ramesses, and it is the Dedication of his new Pyramid Complex!" And the men did dance for joy. "Gather your finest raiment and marshall the chariots, for we leave immediately!"cried Nebulon, "for we must cross the desert in order to make the hit on time!" And the musicians of Nebulon did scurry to their hovels and gather their finest clothing, and their instruments, and their water-bags and cheese-wheels, and all set off across the Great Desert, and their number was great. Presently they arrived at The Pyramid Complex, whereupon they were stopped by a Warrior. "What business have you here?" he asked, eyeing the horde with suspicion. "We have no need of more slaves, as the Pyramids are completed." "We have come to provide music for the Pharaoh," Nebulon told the guard. "I am the Great Leader Nebulon, of the House of Noah the Contractor." "Wait here," the guard said, and rode off to get clearance. Two days did the host of Nebulon wait until the guard returned, saying, "You are to go to the Pyramid of Cheops for your Security badges." "Our thanks, esteemed guardian," said Nebulon, and they set off for the Pyramid of Cheops. And it was not until the setting of the sun that they arrived at the Pyramid of Cheops. "We are of The House of Noah the Contractor, and we have arrived to play music for the great Pharaoh 5 days hence. We have come for our Security badges." "Wait here," the guard said, and rode off for instructions. At dawn he returned with a scroll of papyrus. "Enter here all of your names, as well as descriptions of your musical instruments, and the license plates of your chariots, and the names of your horses." With much grumbling this was done. And each man was given a medallion of copper to wear about his neck at all times, upon penalty of death. "And now thou art to take your chariots to the Pyramid of Khufu, there to unload your equipment." "And we are to perform there?" asked Nebulon, with hope in his voice. "Truly I know not," saith the guard, "but I have heard whispers in the winds that the pagaent is to be held at the Pyramid of Gizeh." "Then may we not take our instruments and chariots directly to that Pyramid?" "It is not my job to know anything," the guard said, and wandered off to cook a jackal to break his fast. And so the men went to the Pyramid of Khufu, and indeed were made to unload their instruments, the horns of brass and the reeds, and the drums and cymbalons, and the bells and ouds and zithars and santours and zarbs, and made to carry them by hand to the Pyramid of Gizeh, a mile away. And when they had arrived at the Pyramid of Gizeh with their horns of brass and the reeds, and the drums and cymbalons, and the bells and ouds and zithars and santours and zarbs, they were met by a Flunky who inquired of Nebulon, "Art thou the band?" And this is how Nebulon acquired the name He Who Seeth Not The Forest For The Trees, for he replied, "Yes, we are." The Flunky looked them over with dismay, for they were dusty and their feet bled and were bound by rags. "I think I shall put you in the corner." So the Men of Nebulon did set up their instruments, their horns of brass and the reeds, and the drums and cymbalons, and the bells and ouds and zithars and santours and zarbs, in the corner, and settled in to wait for the appearance of the Pharaoh. But presently did appear a stunning young woman who sniffed the air with suspicion, and asked for Nebulon. "Who told thou to set up here?" she cried. "This is all wrong!" "But it was certainly your Flunky who instructed us thus," moaned Nebulon, prostrating himself at her feet. "No, no, and no! You will have to move to the other side of the Pyramid!" "But is that not the side that the sun shines on at noon?" cried a sideman. "That is no concern of mine," said the Party Planner. "That is where you will look the best." "But is that not next to the Plain of Camel-Herders, who curse and beat their animals all day long?" cried another sideman. "Then thou will have to play loud, I guess," said the Painted Woman. "And is not the pagaent to take place here?" asked Nebulon. "Yes, but thou are hired merely for atmosphere. And by the way, where are your turbans? Did we not ask for turbans? Get thee hence!" And she left to consort with a hyena, and the men of Nebulon got hence. And so for three days the Band of Nebulon did play in the sun for the Camel-Herders and the occasional lost guest, and for the jackals and vultures, and during the night they were assailed by the Women Who Sold Themselves and by Thieves and Cut-throats. And they ate sand and the occasional sand-rat, and had no wine to drink. And some of the men did slip away into the night to become Bedouins, and to raid caravans. And on the last day of the gig did finally appear the Great Pharaoh Ramesses, who looked drunkenly upon them, and inquired of no one in particular, "We had a band?" And then he staggered back to his guests. And so it was that The House of Noah the Contractor and The House of Nebulon the Bandleader were able to say that they had worked for The Great Pharaoh. -------------------------------------------------------------------------------------------------------- ...And so it came to pass that the bandleader Nebulon, He Who Seeeth Not The Forest For The Trees, did take the Chick Singer Shriekula (she who had commanded that the Drummer Valentino be flayed alive, boiled in oil, amd rent asunder by crazed horses for playing the Samba beat during her rendition of Misty; she who hath a vibrato so wide that one could drive a legion of chariots through) for his wife, and he began a Dynasty. And Shriekula did bear him three sons, named Macarena, Rubato, and Sid. And in time did these sons grow into men, and have families of their own. And Macarena begat Tarantella, who begat a daughter, Hora, and a son, Zorba. And Hora begat Havah Nagilah, Tzena Tzena, and Simon Tov. And Zorba begat a Great House, including Volaré, Rico Suavé, Achy Breaky, Hokey Pokey, Chim Chim Cheree, Slidus Electricus, Lichtensteiner Polka, Disco, and the three idiot sons, Jump, Jive, and Wail. And from this House did also descend Freebird (the drunkard), Danny Boy (the weeper), Mack (the Knife), LeRoy Brown (he who was Bad Twice), New York New York, Auld Lang Syne, Ipanema, La Bamba, and others too numerous to name (including the House of Andrew Lloyd Weber, which ruled the world during the terrible period known as The Dark Ages). And the second son Rubato did sire the sons Largo and Lento. And Largo begat Ritard, who begat Fermata, who begat Arrythmia. And Arrythmia begat the twin sons, Tempo Erratica and Tempo Nebulous (named after his Great-Grandfather). And the twin Tempos did sire many children, including Lachrymosa, Turgid, Dirge, Somnambula, Quaalude and Sominex. Lento, the other son of Rubato did begat Rallantando and L'istesso, and Rallantando begat Poco, and Poco begat Con Brio, and Con Brio begat Vivacé, and L'istesso begat Allegro, and Allegro begat Presto. And the third son Sid did not enter the Study of Music, preferring to work in The Office. And he began his own Dynasty, sending the Bands of the House of Nebulon to the far reaches of the Earth, to perform at banquets and weddings and Mitzvahs and wars and natural disasters. (Translator's note: It is believed that it was the House of Nebulon which provided bands for the destruction of Pompeii, the burning of Rome, the assassination of Julius Caesar, the fall of Constantinople, and the Mongol campaigns of Genghis Khan; a House of Nebulon band may also have been the house band for the Tower of Babel. Another House of Nebulon band evidently missed making the cruise of Noah's Ark due to a chariot jam.) And Sid begat Morris (known as Mo), who begat Max, who begat Irving, who begat Mickey, who begat Abraham (known as Abe). And this line did Prosper, long after the rest of the House of Nebulon had passed into history. And the House of Sid did take 15% off the top until the end of time... ------------------------------------------------------------------------------

I have a recurring dream where I'm running late to a gig, and I'm always trying to set up my drum set and play at the same time, the leader is glaring at me, and the drums keep falling apart, the cymbals fall off, or the pedals are too far away , etc etc .. I self-analyzed this as being an artifact from my past work life where I was always on sosme sort of deadline or another ,and was always worrying about being unprepared in some way .. I think I'll pass on telling you the other recurring dream.. involving Daisy Fuentes and the giant brandy snifter of whipped cream ...

"We'll know it when we hear it ..and our "its" may differ ..depending upon your driving habits "