All the Things You Could Be Right Now if Gunter Hampel Was Your Neighbor
Some of my favorite Hampels from the early years haven't been properly issued -- the recording with School, Tchicai, John Stevens a.o.; Hampel/Schlippenbach/AMM...
Gunter Hampel + Jeanne Lee (Wergo)
8th of July 1969 (Birth)
Espace (Birth)
Music from Europe (ESP)
People Symphony (Birth)
Oasis (Horo)
Heartplants (SABA)
looks like I have 15 or so kicking around here, but those are some favorites...
Journey to the Song Within is really strong. I have it with a white cover & pics of Hampel and Murray among others... The Traveler is a beaut as well.
Croz was hilarious -- total crank but I enjoyed his twitter, even when he was so obviously full of it. And, of course, an incredibly deep songwriter and performer. RIP.
Good to know.
Wilson's bio is pretty in-depth, though I definitely got frustrated with it at times for other reasons (we jazzbos are an opinionated lot!). I feel like Ayler's influence hasn't been touched on in a lot of critical writing -- honestly, the Village Concerts featured some of the best (extensively quoting people like Marion Brown and Anthony Braxton). A bio of the Aylers would have to touch on his lasting legacy both at home and abroad to really get me excited.
Well, SABA and MPS were highly -- and I hate to use this word now, but at the time and in context it's apt -- curated imprints. Byas was not a curate-able player!
Worked with Sarbib and Elvin Bishop, and recorded one LP as a leader (obscure west coast thing I've seen but never heard). Not sure what happened to him, but yes, a strong player.
Byas did record for SABA, one album, co-led with Webster.
Dutch multi-instrumentalist Kees Hazevoet did an exhaustive Byas discography/sessionography though it looks like it's not hosted online anymore -- need to dig that monster back up. It's quite fascinating.
I understand, believe me -- still waiting for an incredible record that I worked on almost three years ago to be manufactured & released. It'll happen, but the label (known for their luxe historical releases) is very, very slow.
LP only. Great, great record. Sarbib is/was an excellent bandleader and a bit of a mystery man. I was in touch with Daunik Lazro to see if he was still alive; most likely he has passed on, as by the 1990s he was apparently in pretty bad health.
I'm looking forward to it. This exhibition and the "Fundamental Frequency" exhibition which was at Artists' Space in NYC (and will be traveling to the MCA in Los Angeles) are/were both great. I contributed record jackets (all my Milfords are heading to LA) and did some advising here and there, and am really stoked to have experienced the results.
His tenor sounds beautiful when it's isolated to a degree. It's hard to deny the facility and power Pharoah had. But despite the fact that I enjoy the other three players in general, this music doesn't do anything for me. The linked recording from '86 (not '80) is one I will probably not go back to.